| Author | : Roger Eliot Stoddard |
| Publisher | : Penn State Press |
| Total Pages | : 833 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 027105221X |
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
| Author | : Susan Belasco |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1864 |
| Release | : 2020-04-03 |
| Genre | : Literary Criticism |
| ISBN | : 1119653355 |
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
| Author | : Catherine M. Parisian |
| Publisher | : Penn State Press |
| Total Pages | : 416 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 027103713X |
The First White House Library is the first book to consider the history of books and reading in the Executive Mansion.
| Author | : Wendy Raphael Roberts |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 321 |
| Release | : 2020 |
| Genre | : Religion |
| ISBN | : 0197510272 |
"Beginning with Isaac Watts's Horae Lyricae (1706) and concluding with the burgeoning poetic print culture of the early nineteenth century Awakening Verse unfolds how evangelical ministers, itinerants, and lay people in colonial British North America capaciously engaged prevailing ideas about literary taste and created a distinct transatlantic poetics grounded in Watts's notion of the "plainest capacity." From the evangelical women who were instrumental in the development of bountiful verse ministries and the creation of poetic coteries to the itinerant ministers for whom poetics and its attendant sociability were central, evangelicals produced new forms of the "poet-minister" and "print itinerancy" that emerged as crucial practices of revivalism and facilitated rearrangements of ecclesiastical, gendered, and racialized authority. Well-known poet-ministers, such the Bostonian Sarah Moorhead and the Virginian James Ireland, reimagined formal poetic elements in the service of saving souls. Others, like Samuel Davies and Phillis Wheatley became enmeshed in critical debates over the racialization of evangelical verse. Countless others, in print and in manuscript, joined with Watts to save poetry from its "profligate" uses. Awakening Verse shows that American literary and religious histories that regularly exclude one hundred years of verse severely impoverish our understanding of early evangelicalism and American poetry. Taking revival poets and their verse as seriously as they and their contemporaries did provides an entirely new understanding of eighteenth-century evangelical and literary culture, one in which poetry serves as one of the primary actors in the creation, maintenance, and adaptation of evangelical culture and religious enthusiasm animates American poetics"--
| Author | : Gail Feigenbaum |
| Publisher | : Getty Publications |
| Total Pages | : 234 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1606061224 |
"This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Page 4 of cover.
| Author | : John Bidwell |
| Publisher | : Penn State Press |
| Total Pages | : 231 |
| Release | : 2024-07-04 |
| Genre | : History |
| ISBN | : 0271098686 |
Perhaps the single most important founding document of the United States of America, the Declaration of Independence became both a work of art and a mass-market commodity during the nineteenth century. In this book, graphic arts historian John Bidwell traces the fascinating history of Declaration prints and broadsides and reveals the American public’s changing attitudes toward this iconic text. The new and improved intaglio, letterpress, and lithographic printing technologies of the nineteenth century led to increasingly elaborate reproductions of the Declaration. Some were touted as precious relics; others were aimed at the bottom of the market. Rival publishers claimed to have produced the definitive visualization of the document, attacking the character and patriotism of other firms even as they promoted their own artistic abilities and attention to detail. Meanwhile, painter John Trumbull attempted to sell subscriptions for an engraved version of his Declaration painting, and John Quincy Adams—then secretary of state—commissioned an official 1823 edition in response to the feuding facsimilists seeking government patronage. Bidwell unravels the intricate web of rivalries surrounding these competing publications. Featuring a comprehensive checklist of nearly two hundred prints and broadsides drawn from various collections, this engrossing history highlights the proliferation and widespread influence of the Declaration of Independence on American popular culture. It will be equally esteemed by general readers interested in American history, print and autograph collectors, and art and book historians.
| Author | : Bryce Traister |
| Publisher | : Cambridge University Press |
| Total Pages | : 303 |
| Release | : 2021-11-25 |
| Genre | : History |
| ISBN | : 1108840043 |
This book introduces readers to early American literary studies through original readings of key literary texts.
| Author | : Steven Carl Smith |
| Publisher | : Penn State Press |
| Total Pages | : 266 |
| Release | : 2017-06-29 |
| Genre | : Business & Economics |
| ISBN | : 0271079924 |
Home to the so-called big five publishers as well as hundreds of smaller presses, renowned literary agents, a vigorous arts scene, and an uncountable number of aspiring and established writers alike, New York City is widely perceived as the publishing capital of the United States and the world. This book traces the origins and early evolution of the city’s rise to literary preeminence. Through five case studies, Steven Carl Smith examines publishing in New York from the post–Revolutionary War period through the Jacksonian era. He discusses the gradual development of local, regional, and national distribution networks, assesses the economic relationships and shared social and cultural practices that connected printers, booksellers, and their customers, and explores the uncharacteristically modern approaches taken by the city’s preindustrial printers and distributors. If the cultural matrix of printed texts served as the primary legitimating vehicle for political debate and literary expression, Smith argues, then deeper understanding of the economic interests and political affiliations of the people who produced these texts gives necessary insight into the emergence of a major American industry. Those involved in New York’s book trade imagined for themselves, like their counterparts in other major seaport cities, a robust business that could satisfy the new nation’s desire for print, and many fulfilled their ambition by cultivating networks that crossed regional boundaries, delivering books to the masses. A fresh interpretation of the market economy in early America, An Empire of Print reveals how New York started on the road to becoming the publishing powerhouse it is today.
| Author | : Megan Walsh |
| Publisher | : University of Iowa Press |
| Total Pages | : 271 |
| Release | : 2017-05-15 |
| Genre | : Art |
| ISBN | : 1609385020 |
Benjamin Franklin's portraits and colonial printing -- Phillis Wheatley and the durability of the author portrait -- Nationalist portraiture, magazines, and political books -- Picturing the seduction heroine in the U.S -- Gothic portraiture in Charles Brockden Brown's Wieland and Ormond
