The World of Yesterday
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 295 |
| Release | : 2013-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Stefan Zweig (1881–1942) was a poet, novelist, and dramatist, but it was his biographies that expressed his full genius, recreating for his international audience the Elizabethan age, the French Revolution, the great days of voyages and discoveries. In this autobiography he holds the mirror up to his own age, telling the story of a generation that "was loaded down with a burden of fate as was hardly any other in the course of history." Zweig attracted to himself the best minds and loftiest souls of his era: Freud, Yeats, Borgese, Pirandello, Gorky, Ravel, Joyce, Toscanini, Jane Addams, Anatole France, and Romain Rolland are but a few of the friends he writes about.
Balzac
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 450 |
| Release | : 2019-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Zweig devoted ten years of research and writing to Balzac, which he regarded as his crowning achievement. This late work reads like a picaresque novel, with Balzac’s quest for “a woman with a fortune” and recurrent episodes of the author chasing an elusive pot of gold driving the story. This biography of one classic author by another is filled with Zweig’s characteristic psychological insights. He portrays the energy and “exuberance of imagination” that produced some two thousand characters in La comédie humaine, as well as the daily details of the coffee-chugging writer’s life, his manic writing schedule, method of correcting proofs, dealing with publishers and reviewers, signing contracts, doing marketing and publicity. Balzac blends biography and literary history in a highly readable volume that will teach you French cultural history as you laugh out loud. “[Balzac] is sure to entertain, instruct and charm ... It is a work of art, ... alive with the teeming life of its model ... It is true both to facts and to the more elusive psychological and spiritual truth of a man who ... has remained one of the most mysterious of great creators.” – Henri Peyre, Sterling professor of French Literature, Yale University, The New York Times
Mental Healers: Franz Anton Mesmer, Mary Baker Eddy, Sigmund Freud
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 342 |
| Release | : 2019-08-16 |
| Genre | : Body, Mind & Spirit |
| ISBN | : |
This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. “Health is natural; sickness is unnatural: at least so it seems to man,” is how Stefan Zweig begins his fascinating, often entertaining examinations of Franz Anton Mesmer, Mary Baker Eddy, and Sigmund Freud. “Bodily suffering is not assuaged by technical manipulation but through an act of faith.” Mental Healers is dedicated to Albert Einstein, the scientist who had won the Nobel Prize for Physics in 1921. It first appeared in 1931 as Die Heilung durch den Geist, orHealing Through the Spirit, a title that anticipates our current interest in alternative medicine and the placebo effect. Zweig’s first healer, Franz Anton Mesmer (1734-1815), was a German physician who introduced “animal magnetism” to the world. Viewed by many as a charlatan, he died an outcast before he could properly understand and explain his discovery. Zweig’s second healer, Mary Baker Eddy (1821-1910), was a New England matron who found her vocation only in middle age. She established Christian Science, an American Protestant system of religious practice that rejects medical intervention, when she was almost 60. Zweig’s third healer, Sigmund Freud (1856-1939), was the Viennese Jewish physician who founded psychoanalysis. Zweig, who knew Freud and delivered a eulogy at his funeral, describes Freud’s then-new ideas with the insight of an artist who lived in the same time and place. Fluently written and psychologically astute, Mental Healers is compelling cultural history and a valuable window onto the genesis of new ideas in healing. “Mesmer, Eddy and Freud were critical figures alerting the modern world to the influences of the mental and emotional on health and illness. Their impact was tremendous and Zweig's classic study provides a wonderful opportunity to engage with these significant innovators.” — Ted Kaptchuk, Professor of Medicine, Harvard Medical School, Director, Program in Placebo Studies & Therapeutic Encounter
Marie Antoinette: The Portrait of an Average Woman
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 522 |
| Release | : 2019-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Originally published in 1932 and for decades since one of Stefan Zweig’s most popular biographies, this “portrait of an average woman,” betrothed at fourteen, crowned queen at nineteen, and beheaded at thirty-seven, aimed “not to deify, but to humanize.” Supplementing library and archival research with psychological insight,Marie Antoinette: The Portrait of an Average Woman is a vivid narrative of France’s most famous queen, her relations with her mother Empress Maria Theresa, her husband Louis XVI, and her lover Swedish Count von Fersen, set against the backdrop of the French and Austrian courts of the ancien régime, the French Revolution and the Terror. “... the biography to end all biographies on Marie Antoinette ... [Zweig's book] possesses all the qualities of the excellent biography — directness, frankness, full exposition, picturesqueness, characterization, color and delectable readableness.” —The New York Times “Powerful, magnificent, poignant…” — The New Republic “A stupendous and superb piece of work.” — Chicago Daily Tribune
Three Masters: Balzac, Dickens, Dostoevsky
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 221 |
| Release | : 2019-08-16 |
| Genre | : Biography & Autobiography |
| ISBN | : |
In these early 20th century literary essays, Stefan Zweig offers a Central European view of the writers he believed to be the “three greatest novelists” of the 19th century: Balzac, Dickens, and Dostoevsky. In Zweig’s view, Balzac set out to emulate his childhood hero Napoleon. Writing 20 hours a day, Balzac’s literary ambition was “tantamount to monomania in its persistence, its intensity, and its concentration.” His characters, each similarly driven by one desperate urge, were more vital to Balzac than people in his daily life. In Zweig’s reading, Dickens embodied Victorian England and its “bourgeois smugness”. His characters aspire to “A few hundred pounds a year, an amiable wife, a dozen children, a well-appointed table and succulent meats to entertain their friends with, a cottage not too far from London, the windows giving a view over the green countryside, a pretty little garden, and a modicum of happiness.” The ideal of middle-class respectability suffuses Dickens’ fiction. Dostoevsky drew on the struggles of his own life to illuminate the contradictions of the human soul. In Zweig’s view, his heroes had no desire to be citizens or ordinary human beings. While Balzac’s heroes “would gladly have subjugated the world, Dostoevsky’s heroes wished to transcend it.”
