After the Human

After the Human
Author: Sherryl Vint
Publisher: Cambridge University Press
Total Pages: 289
Release: 2020-12-10
Genre: Literary Criticism
ISBN: 1108836666

It showcases how posthumanism has transformed the humanities and what new work is now possible in light of this unsettling.

Human, All Too (Post)Human

Human, All Too (Post)Human
Author: Jennifer Cotter
Publisher: Rowman & Littlefield
Total Pages: 254
Release: 2016-06-02
Genre: Social Science
ISBN: 1498505740

The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the “other”’s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself. Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism—analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since “Right can never be higher than the economic structure of society and its cultural development conditioned thereby.” The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.

Afterhuman

Afterhuman
Author: Michael Cross
Publisher: Lulu.com
Total Pages: 266
Release: 2006-09-01
Genre: Fiction
ISBN: 1847285279

THIS IS THE WAY THE WORLD ENDS NOT WITH A BANG BUT A RERUN... What if the apocalypse had come and gone and no one noticed? What if the human race were already extinct but no one bothered to tell it? What if our reality were just a program to entertain and feed those who've been here since before time began? Now a would-be pop culture messiah has arisen to liberate mankind through a new religion of nihilism, mass murder, and suicide. His latest acts of carnage threaten to destroy the carefully constructed web of deception that holds together our reality. To stop him, Caleb Darr has been sanctified as cop and executioner. A killer in his own right, Darr has no choice but to accept the assignment from an entity even more dangerous than himself. It's a mission that will lead him through a dizzying realm of Dionysian death parties, Internet human sacrifices, and the visions of a madman who seeks to bring about an apocalypse to end all apocalypses.

After the Ice

After the Ice
Author: Steven J. Mithen
Publisher: Harvard University Press
Total Pages: 668
Release: 2006
Genre: History
ISBN: 9780674019997

"Drawing on the latest research in archaeology, human genetics, and environmental science, After The Life takes the reader on a sweeping tour of 15,000 years of human history."--Cover.

After We Die

After We Die
Author: Norman L. Cantor
Publisher: Georgetown University Press
Total Pages: 384
Release: 2010-11-11
Genre: Medical
ISBN: 1589017137

What will become of our earthly remains? What happens to our bodies during and after the various forms of cadaver disposal available? Who controls the fate of human remains? What legal and moral constraints apply? Legal scholar Norman Cantor provides a graphic, informative, and entertaining exploration of these questions. After We Die chronicles not only a corpse’s physical state but also its legal and moral status, including what rights, if any, the corpse possesses. In a claim sure to be controversial, Cantor argues that a corpse maintains a “quasi-human status" granting it certain protected rights—both legal and moral. One of a corpse’s purported rights is to have its predecessor’s disposal choices upheld. After We Die reviews unconventional ways in which a person can extend a personal legacy via their corpse’s role in medical education, scientific research, or tissue transplantation. This underlines the importance of leaving instructions directing post-mortem disposal. Another cadaveric right is to be treated with respect and dignity. After We Die outlines the limits that “post-mortem human dignity” poses upon disposal options, particularly the use of a cadaver or its parts in educational or artistic displays. Contemporary illustrations of these complex issues abound. In 2007, the well-publicized death of Anna Nicole Smith highlighted the passions and disputes surrounding the handling of human remains. Similarly, following the 2003 death of baseball great Ted Williams, the family in-fighting and legal proceedings surrounding the corpse’s proposed cryogenic disposal also raised contentious questions about the physical, legal, and ethical issues that emerge after we die. In the tradition of Sherwin Nuland's How We Die, Cantor carefully and sensitively addresses the post-mortem handling of human remains.

After Human

After Human
Author: Thomas Connolly
Publisher:
Total Pages:
Release: 2021-04
Genre:
ISBN: 9781800348165

From its earliest beginnings in Shelley's Frankenstein, science fiction has been concerned with defining - and redefining - what it means to be human and has explored the human relationship to technology and the natural world in far-reaching ways. Throughout these works, the human emerges as a liminal site where a range of anxieties and beliefs concerningsubjectivity, embodiment, agency, and individuality come into play. This book examines the history of the human in science fiction and the genre's complex engagements with humanism and posthumanism. Beginning with the nineteenth-century works of Shelley, Jules Verne, and H.G. Wells, it ranges from well-known authors such as Isaac Asimov, Arthur C. Clarke, and Ursula Le Guin to less widely studied texts by authors such as Arthur Conan Doyle, Jack London, and E.E. 'Doc' Smith. The human that emerges from this tradition is a complex figure that ultimately comes to reflect the assumptions, beliefs, fears, and ambitions of a diverse range of authors and contexts, while science fiction itself can be seen as a radically - if problematically - posthuman mode of literature.

After Human Rights

After Human Rights
Author: Fernando J. Rosenberg
Publisher: University of Pittsburgh Press
Total Pages: 263
Release: 2017-03-30
Genre: Literary Criticism
ISBN: 0822981432

Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.

I'm Only Human After All

I'm Only Human After All
Author: Alex I. Rogers
Publisher: Createspace Independent Publishing Platform
Total Pages: 0
Release: 2011-07-19
Genre: African American teenage boys
ISBN: 9781461051916

What do you do if you find yourself suddenly the target of high school aggression, relentless insults, and painful isolation? Such is the dilemma of teenager Alex Rogers in this novel inspired by the real-life trials of the author. [taken from back cover].

Becoming Human

Becoming Human
Author: Zakiyyah Iman Jackson
Publisher: NYU Press
Total Pages: 423
Release: 2020-05-19
Genre: Literary Criticism
ISBN: 1479873624

Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association Winner, 2021 Lambda Literary Award in LGBTQ Studies Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."