| Author | : Victoria C. Gardner Coates |
| Publisher | : Getty Publications |
| Total Pages | : 308 |
| Release | : 2007 |
| Genre | : Excavations (Archaeology) |
| ISBN | : 9780892368723 |
'Antiquity Recovered' presents 13 diverse essays that trace how perceptions of the past have changed over the course of three centuries of excavations. They range in subject from a reassessment of the contents of the library at Herculaneum's Villa of the Papyri, to the symbolic appearance of the ancient world in classic films.
| Author | : Thorsten Fögen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 279 |
| Release | : 2016-05-24 |
| Genre | : History |
| ISBN | : 3110473038 |
This interdisciplinary volume explains the phenomenon of nationalism in nineteenth-century Europe through the prism of Graeco-Roman antiquity. Through a series of case studies covering a broad range of source material, it demonstrates the different purposes the heritage of the classical world was put to during a turbulent period in European history. Contributors include classicists, historians, archaeologists, art historians and others.
| Author | : Katherine Harloe |
| Publisher | : |
| Total Pages | : 302 |
| Release | : 2013-08-29 |
| Genre | : Art |
| ISBN | : 0199695849 |
This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.
| Author | : Daniel Orrells |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 326 |
| Release | : 2024-05-16 |
| Genre | : Literary Collections |
| ISBN | : 1350407798 |
Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.
| Author | : Cort MacLean Johns, Ph.D.-HSG |
| Publisher | : Cort MacLean Johns Ph.D.- HSG |
| Total Pages | : 478 |
| Release | : 2021-02-18 |
| Genre | : Social Science |
| ISBN | : 9463458441 |
Ever increasing research evidence continues to mount. Having started my research on the connection of the Hydraulis to the roots of the more recent Industrial Revolution at the University of St. Gallen in 1989 over 30 years ago, I continue to identify additional support for it. We do not know whether the beginnings of an Industrial Revolution in Hellenistic Greece would have continued if not cut off by the Roman Empire's conquests. Neither do we know whether the more recent (latent) Industrial Revolution could have risen up again in the 17th-century without Vitruvius or Hero of Alexander's preserved writings. The point of this book is to emphasize with new findings that had the Romans not stopped the growth of science and technology in the Hellenistic Period that it would have likely continued to develop into a full-fledged Industrial Revolution. Secondly, the more recent Industrial Revolution borrowed heavily on the technology and science of the Hellenistic Period. In the true sense of the "Renaissance" 17th-century industrial progress largely picked up the written remnants of Antiquity to be able to continue on after a centuries long caesura.
| Author | : Cort McLean Johns Ph.D. - HSG |
| Publisher | : KDP Amazon |
| Total Pages | : 488 |
| Release | : 2021-03-05 |
| Genre | : Social Science |
| ISBN | : 1638214611 |
Historians of Technology and Humanist Industrial Archaeologists have failed to include the larger contribution and influence of Ctesibius’ compressor-driven Hydraulis with its pneumatic pumps, keyboard, and organ pipes in the path of critical preparatory events leading up to the ‘Latent’ Industrial Revolution. One should also realize that Ctesibius had all the parts and sub-assemblies on hand to invent the first Steam Hydraulis or Calliope, as illustrated on the front book cover of this work. From the 'Fertile Crescent' of the Persian Empire to the Hellenistic Library of Alexandria, Vitruvius writing brought the Hydraulis to the Abbey of St. Gall in 1414 during the Renaissance. Its path then took it through Italy, Germany, and the Paris of Louis XIV along the Arch of Industrial Reawakening. This was the Hydraulis 2-millennium path from Antiquity to its return reigniting the 'Latent' Industrial Revolution.
| Author | : Victoria C. Gardner Coates |
| Publisher | : Getty Publications |
| Total Pages | : 268 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1606061151 |
Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.
| Author | : Margaret Malamud |
| Publisher | : John Wiley & Sons |
| Total Pages | : 312 |
| Release | : 2009-03-30 |
| Genre | : Literary Criticism |
| ISBN | : 1444305085 |
Ancient Rome and Modern America explores the vital role thenarratives and images of Rome have played in America’sunderstanding of itself and its history. Places America’s response to Rome in a historicalcontext, from the Revolutionary era to the present Looks at portrayals of Rome in different media: writing,architecture, theatre, painting, World’s Fairs andExpositions, and film Beautifully illustrated with over 40 high quality photographsand figures
| Author | : Rachel Hall Sternberg |
| Publisher | : University of Texas Press |
| Total Pages | : 182 |
| Release | : 2021-06-29 |
| Genre | : History |
| ISBN | : 1477322930 |
2022 PROSE Award Finalist in Classics Although the era of the Enlightenment witnessed the rise of philosophical debates around benevolent social practice, the origins of European humane discourse date further back, to Classical Athens. The Ancient Greek Roots of Human Rights analyzes the parallel confluences of cultural factors facing ancient Greeks and eighteenth-century Europeans that facilitated the creation and transmission of humane values across history. Rachel Hall Sternberg argues that precursors to the concept of human rights exist in the ancient articulation of emotion, though the ancient Greeks, much like eighteenth-century European societies, often failed to live up to those values. Merging the history of ideas with cultural history, Sternberg examines literary themes upholding empathy and human dignity from Thucydides’s and Xenophon’s histories to Voltaire’s Candide, and from Greek tragic drama to the eighteenth-century novel. She describes shared impacts of the trauma of war, the appeal to reason, and the public acceptance of emotion that encouraged the birth and rebirth of humane values.
