Art in an Age of Counterrevolution, 1815-1848

Art in an Age of Counterrevolution, 1815-1848
Author: Albert Boime
Publisher: University of Chicago Press
Total Pages: 771
Release: 2004-08-18
Genre: Art
ISBN: 0226063372

Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.

Revelation of Modernism

Revelation of Modernism
Author: Albert Boime
Publisher: University of Missouri Press
Total Pages: 277
Release: 2008
Genre: Art
ISBN: 0826266258

"Examines the work of postimpressionist painters - Van Gogh, Seurat, Cezanne, and Gauguin - and how they responded to cultural and spiritual crisis in the avant-garde world. Boime reconsiders familiar masterpieces and draws analogies with literary sources and social, personal, and political strategies to produce revelations that have eluded most art historians"--Provided by publisher.

Art History: The Key Concepts

Art History: The Key Concepts
Author: Jonathan Harris
Publisher: Routledge
Total Pages: 361
Release: 2006-10-16
Genre: Art
ISBN: 1134363273

A comprehensive critical guide, Art History: The Key Concepts considers the full range of issues facing the field today, drawing on related areas such as cultural theory and media studies.

The Work of Art

The Work of Art
Author: Anthea Callen
Publisher: Reaktion Books
Total Pages: 338
Release: 2015-02-15
Genre: Art
ISBN: 178023418X

In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.

Art against censorship

Art against censorship
Author: Erin Duncan-O'Neill
Publisher: Manchester University Press
Total Pages: 249
Release: 2024-07-02
Genre: Art
ISBN: 1526168405

Honoré Daumier (1808–79), who was imprisoned early on for a politically offensive cartoon, painted scenes from seventeenth-century theatre and literature at moments of stifling censorship later in his career. He continued to find form for dangerous political dissent in the face of intense and shifting censorship laws by drawing on La Fontaine, Molière, and Cervantes, masters of dissimulation and critique in a newly glorified literary past. This book reveals new connections between legal repression and subversive fine-arts practice, showing the force of Daumier’s role in the broader stories of image-text relationships and political expression.

Freedom

Freedom
Author: Annelien De Dijn
Publisher: Harvard University Press
Total Pages: 433
Release: 2020-07-14
Genre: Political Science
ISBN: 0674988337

The invention of modern freedom—the equating of liberty with restraints on state power—was not the natural outcome of such secular Western trends as the growth of religious tolerance or the creation of market societies. Rather, it was propelled by an antidemocratic backlash following the Atlantic Revolutions. We tend to think of freedom as something that is best protected by carefully circumscribing the boundaries of legitimate state activity. But who came up with this understanding of freedom, and for what purposes? In a masterful and surprising reappraisal of more than two thousand years of thinking about freedom in the West, Annelien de Dijn argues that we owe our view of freedom not to the liberty lovers of the Age of Revolution but to the enemies of democracy. The conception of freedom most prevalent today—that it depends on the limitation of state power—is a deliberate and dramatic rupture with long-established ways of thinking about liberty. For centuries people in the West identified freedom not with being left alone by the state but with the ability to exercise control over the way in which they were governed. They had what might best be described as a democratic conception of liberty. Understanding the long history of freedom underscores how recently it has come to be identified with limited government. It also reveals something crucial about the genealogy of current ways of thinking about freedom. The notion that freedom is best preserved by shrinking the sphere of government was not invented by the revolutionaries of the seventeenth and eighteenth centuries who created our modern democracies—it was invented by their critics and opponents. Rather than following in the path of the American founders, today’s “big government” antagonists more closely resemble the counterrevolutionaries who tried to undo their work.

Arab France

Arab France
Author: Ian Coller
Publisher: Univ of California Press
Total Pages: 302
Release: 2011
Genre: History
ISBN: 0520260643

"Ian Coller's fascinating book explores the making of modern France during the Napoleonic period and under the Restoration 'from the outside inward'. He examines the life of Arab migrants in France: their role as outsiders, and victims, but also as participants in the creation of the modern nation and its empire. In the process he also throws much light on the history of the contemporary Arab Middle East and North Africa."—C.A. Bayly, University of Cambridge

History of Illustration

History of Illustration
Author: Susan Doyle
Publisher: Bloomsbury Publishing USA
Total Pages: 592
Release: 2018-02-22
Genre: Design
ISBN: 1501342118

"Written by an international team of illustration historians, practitioners, and educators, History of Illustration covers image-making and print history from around the world, spanning from the prehistoric to the contemporary. With hundreds of color image, this book to contextualize the many types of illustrations within social, cultural, and technical parameters, presenting information in a flowing chronology. This essential guide is the first comprehensive history of illustration as its own discipline. Readers will gain an ability to critically analyze images from technical, cultural, and ideological standpoints in order to arrive at an appreciation of art form of both past and present illustration"--