| Author | : Albert Boime |
| Publisher | : |
| Total Pages | : 521 |
| Release | : 1990 |
| Genre | : Art and revolutions |
| ISBN | : |
Art in an Age of Counterrevolution, 1815-1848
| Author | : Albert Boime |
| Publisher | : University of Chicago Press |
| Total Pages | : 771 |
| Release | : 2004-08-18 |
| Genre | : Art |
| ISBN | : 0226063372 |
Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.
The Academy and French Painting in the Nineteenth Century
| Author | : Albert Boime |
| Publisher | : |
| Total Pages | : 330 |
| Release | : 1986 |
| Genre | : Academic art, French |
| ISBN | : 9780300244458 |
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
1774
| Author | : Mary Beth Norton |
| Publisher | : Vintage |
| Total Pages | : 530 |
| Release | : 2021-02-09 |
| Genre | : History |
| ISBN | : 0804172463 |
From one of our most acclaimed and original colonial historians, a groundbreaking book tracing the critical "long year" of 1774 and the revolutionary change that took place from the Boston Tea Party and the First Continental Congress to the Battles of Lexington and Concord. A WALL STREET JOURNAL BEST BOOK OF THE YEAR In this masterly work of history, the culmination of more than four decades of research and thought, Mary Beth Norton looks at the sixteen months leading up to the clashes at Lexington and Concord in mid-April 1775. This was the critical, and often overlooked, period when colonists traditionally loyal to King George III began their discordant “discussions” that led them to their acceptance of the inevitability of war against the British Empire. Drawing extensively on pamphlets, newspapers, and personal correspondence, Norton reconstructs colonial political discourse as it took place throughout 1774. Late in the year, conservatives mounted a vigorous campaign criticizing the First Continental Congress. But by then it was too late. In early 1775, colonial governors informed officials in London that they were unable to thwart the increasing power of local committees and their allied provincial congresses. Although the Declaration of Independence would not be formally adopted until July 1776, Americans had in effect “declared independence ” even before the outbreak of war in April 1775 by obeying the decrees of the provincial governments they had elected rather than colonial officials appointed by the king. Norton captures the tension and drama of this pivotal year and foundational moment in American history and brings it to life as no other historian has done before.
The Age of Atlantic Revolution
| Author | : Patrick Griffin |
| Publisher | : Yale University Press |
| Total Pages | : 385 |
| Release | : 2023-01-01 |
| Genre | : History |
| ISBN | : 030020633X |
A bold new account of the Age of Revolution, one of the most complex and vast transformations in human history "A fresh and illuminating framework for understanding our past and imagining our future. Powerfully argued and engagingly written, Patrick Griffin's timely account of revolutionary regime change and reaction shows how a world of empires became our world of nation-states."--Peter S. Onuf, coauthor of Most Blessed of the Patriarchs "When we speak of an age of revolution, what do we mean? In this synoptic, compelling book, Patrick Griffin asks the difficult questions and invites readers to reconsider the answers."--Eliga Gould, author of Among the Powers of the Earth The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750-1850). Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.
The Expanding Blaze
| Author | : Jonathan Israel |
| Publisher | : Princeton University Press |
| Total Pages | : 768 |
| Release | : 2019-11-26 |
| Genre | : History |
| ISBN | : 0691195935 |
"A major intellectual history of the American Revolution and its influence on later revolutions in Europe and the Americas, the Expanding Blaze is a sweeping history of how the American Revolution inspired revolutions throughout Europe and the Atlantic world in the eighteenth and nineteenth centuries. Jonathan Israel, one of the world's leading historians of the Enlightenment, shows how the radical ideas of American founders such as Paine, Jefferson, Franklin, Madison, and Monroe set the pattern for democratic revolutions, movements, and constitutions in France, Britain, Ireland, the Netherlands, Belgium, Poland, Greece, Canada, Haiti, Brazil, and Spanish America. The Expanding Blaze reminds us that the American Revolution was an astonishingly radical event--and that it didn't end with the transformation and independence of America. Rather, the revolution continued to reverberate in Europe and the Americas for the next three-quarters of a century. This comprehensive history of the revolution's international influence traces how American efforts to implement Radical Enlightenment ideas--including the destruction of the old regime and the promotion of democratic republicanism, self-government, and liberty--helped drive revolutions abroad, as foreign leaders explicitly followed the American example and espoused American democratic values. The first major new intellectual history of the age of democratic revolution in decades, The Expanding Blaze returns the American Revolution to its global context."--
Internationalizing the History of American Art
| Author | : Barbara Groseclose |
| Publisher | : Penn State Press |
| Total Pages | : 258 |
| Release | : 2009-01-01 |
| Genre | : Art |
| ISBN | : 0271046899 |
"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American art"--Provided by publisher.
Creativity and Reproduction
| Author | : Susanne Anderson-Riedel |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 275 |
| Release | : 2010-02-19 |
| Genre | : Art |
| ISBN | : 1443820202 |
The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
The Portrait Bust and French Cultural Politics in the Eighteenth Century
| Author | : Ronit Milano |
| Publisher | : BRILL |
| Total Pages | : 242 |
| Release | : 2015-02-24 |
| Genre | : Art |
| ISBN | : 9004276254 |
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
