Slavic Review
Author | : |
Publisher | : |
Total Pages | : 532 |
Release | : 1999 |
Genre | : Electronic journals |
ISBN | : |
"American quarterly of Soviet and East European studies" (varies).
Signatures of the Visible
Author | : Fredric Jameson |
Publisher | : Routledge |
Total Pages | : 358 |
Release | : 2016-01-29 |
Genre | : Performing Arts |
ISBN | : 1136760415 |
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America‘s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Histori
Introduction to Nordic Cultures
Author | : Annika Lindskog |
Publisher | : UCL Press |
Total Pages | : 244 |
Release | : 2020-04-17 |
Genre | : Social Science |
ISBN | : 1787353990 |
Introduction to Nordic Cultures is an innovative, interdisciplinary introduction to Nordic history, cultures and societies from medieval times to today. The textbook spans the whole Nordic region, covering historical periods from the Viking Age to modern society, and engages with a range of subjects: from runic inscriptions on iron rings and stone monuments, via eighteenth-century scientists, Ibsen’s dramas and turn-of-the-century travel, to twentieth-century health films and the welfare state, nature ideology, Greenlandic literature, Nordic Noir, migration, ‘new’ Scandinavians, and stereotypes of the Nordic. The chapters provide fundamental knowledge and insights into the history and structures of Nordic societies, while constructing critical analyses around specific case studies that help build an informed picture of how societies grow and of the interplay between history, politics, culture, geography and people. Introduction to Nordic Cultures is a tool for understanding issues related to the Nordic region as a whole, offering the reader engaging and stimulating ways of discovering a variety of cultural expressions, historical developments and local preoccupations. The textbook is a valuable resource for undergraduate students of Scandinavian and Nordic studies, as well as students of European history, culture, literature and linguistics.
The Cultural Heritage of Medieval Rituals
Author | : Eyolf Østrem |
Publisher | : Museum Tusculanum Press |
Total Pages | : 342 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9788763502412 |
The concepts of genre and ritual are central for the overall occupation with the relationship between the History of the Arts and the History of Christianity in Western Culture. The present volume was planned on the basis of the first annual international conferences at the Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copenhagen: a collection of 15 essays with a wide range of topics both in terms of chronology and subject matter written. The book is a special issue of the journal TRANSfiguration.
The Accessibility of Music
Author | : Jochen Eisentraut |
Publisher | : Cambridge University Press |
Total Pages | : 341 |
Release | : 2013 |
Genre | : Music |
ISBN | : 1107024838 |
Jochen Eisentraut's book provides a range of perspectives on why, and how, we engage with music.
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style
Author | : W. Dean Sutcliffe |
Publisher | : Cambridge University Press |
Total Pages | : 414 |
Release | : 2008-08-28 |
Genre | : Music |
ISBN | : 1139441094 |
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.