The Cambridge Companion to African American Women's Literature

The Cambridge Companion to African American Women's Literature
Author: Angelyn Mitchell
Publisher: Cambridge University Press
Total Pages: 337
Release: 2009-04-30
Genre: Literary Collections
ISBN: 0521858887

The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.

Black American Women's Writings

Black American Women's Writings
Author: Eva Lennox Birch
Publisher: Routledge
Total Pages: 272
Release: 2016-07-01
Genre: Literary Criticism
ISBN: 1315504081

This work discusses a range of novels, short stories and essays by black American women writers from the Harlem Renaissance to the present time. It begins with a survey of 19th-century black women's slave narratives, early sentimental novels and autobiographies and then focuses on six writers: Zora Neale Hurston, Paule Marshall, Audre Lorde, Toni Morrison, Alice Walker and Maya Angelou. The text shows how these writers have developed the preoccupations, themes and narrative strategies of their literary ancestors.

The Prentice Hall Anthology of African American Women's Literature

The Prentice Hall Anthology of African American Women's Literature
Author: Valerie Lee
Publisher: Prentice Hall
Total Pages: 462
Release: 2006
Genre: Literary Collections
ISBN:

Encompassing Pulitzer Prize winners Toni Morrison, Alice Walker, Gwendolyn Brooks, and Rita Dove, national icons Maya Angelou and Nikki African Giovanni, and prominent cult figures Zora Neale Hurston and Octavia Butler, African American women's literature is the one of the fastest growing areas of American literature today. This is the first comprehensive anthology of African American women's literature. This is the only book that covers all historical periods, from the 18th century up through the early years of the 21st century; and all genres: from poems, essays, journal entries, and short stories to novels and black feminist criticism. An exciting and interested reader for anyone who wants a comprehensive package of African-American women's writings.

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Author: Susan Willis
Publisher: Univ of Wisconsin Press
Total Pages: 202
Release: 1987
Genre: Literary Criticism
ISBN: 9780299108946

Focusing on Zola Neale Hurston, Paule Marshall, Toni Morrison, Alice Walker, and Toni Cade Bambara, this book explores both the ways in which black women's fictions have been shaped by the history of the United states, and the ways in which they intervene in that history. She sees the transition from an agrarian to an urban society as the critical moment of that history, and argues that writings by black women articulate that change in their content as well as form. ISBN 0-299-10890-2 : $19.95.

Post-Colonial and African American Women's Writing

Post-Colonial and African American Women's Writing
Author: Gina Wisker
Publisher: Bloomsbury Publishing
Total Pages: 376
Release: 2017-03-04
Genre: Literary Criticism
ISBN: 0333985249

This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.

Writing through Jane Crow

Writing through Jane Crow
Author: Ayesha K. Hardison
Publisher: University of Virginia Press
Total Pages: 381
Release: 2014-05-13
Genre: Literary Criticism
ISBN: 0813935946

In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregation—a time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movement—black writers also addressed the effects of "Jane Crow," the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson. By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women’s writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era. A 2014 CHOICE Outstanding Academic Title

Maternal Metaphors of Power in African American Women's Literature

Maternal Metaphors of Power in African American Women's Literature
Author: Geneva Cobb Moore
Publisher: Univ of South Carolina Press
Total Pages: 434
Release: 2017-03-31
Genre: Literary Criticism
ISBN: 1611177499

An in-depth examination of Black women's experiences as portrayed in literature throughout American history Geneva Cobb Moore deftly combines literature, history, criticism, and theory in Maternal Metaphors of Power in African American Women's Literature by offering insight into the historical black experience from slavery to freedom as depicted in the literature of nine female writers across several centuries. Moore traces black women writers' creation of feminine and maternal metaphors of power in literature from the colonial-era work of Phillis Wheatley to the postmodern efforts of Paule Marshall, Alice Walker, and Toni Morrison. Through their characters Moore shows how these writers re-created the identity of black women and challenge existing rules shaping their subordinate status and behavior. Drawing on feminist, psychoanalytic, and other social science theory, Moore examines the maternal iconography and counter-hegemonic narratives by which these writers responded to oppressive conventions of race, gender, and authority. Moore grounds her account in studies of Wheatley, Harriet Jacobs, Charlotte Forten Grimké, Jessie Fauset, Nella Larsen, and Zora Neale Hurston. All these authors, she contends, wrote against invisibility and powerlessness by developing and cultivating a personal voice and an individual story of vulnerability, nurturing capacity, and agency that confounded prevailing notions of race and gender and called into question moral reform. In these nine writers' construction of feminine images—real and symbolic—Moore finds a shared sense of the historically significant role of black women in the liberation struggle during slavery, the Jim Crow period, and beyond. A foreword is offer by Andrew Billingsley, a pioneering sociologist and a leading scholar in African American studies.

Women's Work

Women's Work
Author: Laurie F. Maffly-Kipp
Publisher: Oxford University Press
Total Pages: 236
Release: 2010-12-06
Genre: History
ISBN: 0199715769

Whether in schoolrooms or kitchens, state houses or church pulpits, women have always been historians. Although few participated in the academic study of history until the mid-twentieth century, women labored as teachers of history and historical interpreters. Within African-American communities, women began to write histories in the years after the American Revolution. Distributed through churches, seminaries, public schools, and auxiliary societies, their stories of the past translated ancient Africa, religion, slavery, and ongoing American social reform as historical subjects to popular audiences North and South. This book surveys the creative ways in which African-American women harnessed the power of print to share their historical revisions with a broader public. Their speeches, textbooks, poems, and polemics did more than just recount the past. They also protested their present status in the United States through their reclamation of that past. Bringing together work by more familiar writers in black America-such as Maria Stewart, Francis E. W. Harper, and Anna Julia Cooper-as well as lesser-known mothers and teachers who educated their families and their communities, this documentary collection gathers a variety of primary texts from the antebellum era to the Harlem Renaissance, some of which have never been anthologized. Together with a substantial introduction to black women's historical writings, this volume presents a unique perspective on the past and imagined future of the race in the United States.

Physics of Blackness

Physics of Blackness
Author: Michelle M. Wright
Publisher:
Total Pages: 0
Release: 2015
Genre: African Americans
ISBN: 9780816687305

Reveals how assumptions we make about time and space inhibit more inclusive definitions of Blackness. What does it mean to be Black? If Blackness is not biological in origin but socially and discursively constructed, does the meaning of Blackness change over time and space? In Physics of Blackness: Beyond the Middle Passage Epistemology, Michelle M. Wright argues that although we often explicitly define Blackness as a "what," it in fact always operates as a "when" and a "where." (Publisher).