Black Superheroes, Milestone Comics, and Their Fans

by Jeffrey A. Brown

Author	: Jeffrey A. Brown
Publisher	: Univ. Press of Mississippi
Total Pages	: 232
Release	: 2009-11-12
Genre	: Literary Criticism
ISBN	: 1604737638

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What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond “tights and capes,” an answer that lies within the mission Milestone Media, Inc., assumed in comic book culture. Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. This history of Milestone, a “creator-owned” publishing company, tells how success came to these mavericks in the 1990s and how comics culture was expanded and enriched as fans were captivated by this new genre. Milestone focused on the African American heroes in a town called Dakota. Quite soon these black action comics took a firm position in the controversies of race, gender, and corporate identity in contemporary America. Characters battled supervillains and sometimes even clashed with more widely known superheroes. Front covers of Milestone comics often bore confrontational slogans like “Hardware: A Cog in the Corporate Machine is About to Strip Some Gears.” Milestone's creators aimed for exceptional stories that addressed racial issues without alienating readers. Some competitors, however, accused their comics of not being black enough or of merely marketing Superman in black face. Some felt that the stories were too black, but a large cluster of readers applauded these new superheroes for fostering African American pride and identity. Milestone came to represent an alternative model of black heroism and, for a host of admirers, the ideal of masculinity. Black Superheroes, Milestone Comics, and Their Fans gives details about the founding of Milestone and reports on the secure niche its work and its image achieved in the marketplace. Tracing the company's history and discussing its creators, their works, and the fans, this book gauges Milestone alongside other black comic book publishers, mainstream publishers, and the history of costumed characters.

Permitted and Prohibited Desires

by Anne Allison

Author	: Anne Allison
Publisher	: Univ of California Press
Total Pages	: 252
Release	: 2023-11-10
Genre	: Social Science
ISBN	: 0520923448

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This provocative study of gender and sexuality in contemporary Japan investigates elements of Japanese popular culture including erotic comic books, stories of mother-son incest, lunchboxes—or obentos—that mothers ritualistically prepare for schoolchildren, and children's cartoons. Anne Allison brings recent feminist psychoanalytic and Marxist theory to bear on representations of sexuality, motherhood, and gender in these and other aspects of Japanese culture. Based on five years of fieldwork in a middle-class Tokyo neighborhood, this theoretically informed, accessible ethnographic study provides a provocative analysis of how sexuality, dominance, and desire are reproduced and enacted in late-capitalistic Japan.

Super Black

by Adilifu Nama

Author	: Adilifu Nama
Publisher	: University of Texas Press
Total Pages	: 201
Release	: 2011-10-01
Genre	: Social Science
ISBN	: 0292742525

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Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.

Icon & Rocket: Season One (2021-) #1

by Reginald Hudlin

Author	: Reginald Hudlin
Publisher	: DC Comics
Total Pages	: 32
Release	: 2021-07-27
Genre	: Comics & Graphic Novels
ISBN	:

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Long ago, the stranded alien known as Arnus gave up hope of returning to his home planet. Tragically, he’d also realized that his adopted home of Earth was beyond saving. Content to waste away his long life in a human guise, Arnus was past caring…until the day a young woman named Raquel Ervin crashed into his life. Soon she’d convinced him to put his incredible power to work again as the heroic Icon…and to transform her into his sidekick, Rocket! But an innocent question on Rocket’s part-“Why can’t we do something about the drugs on my corner?”-quickly set a chain of events in motion leading to the pair becoming the most hunted beings on Earth…and they’re not just being pursued by Earthlings, either! Writer, director, and producer Reginald Hudlin (Black Panther: Who Is the Black Panther?) and superstar artist Doug Braithwaite unleash a tale of power and responsibility that will stretch from the boardrooms of corporate America to the jungles of South America and the depths of deep space! If you’ve ever thought there were certain things that a superhero story just couldn’t do, it might be time to start thinking different…Long ago, the stranded alien known as Arnus gave up hope of returning to his home planet. Tragically, he’d also realized that his adopted home of Earth was beyond saving. Content to waste away his long life in a human guise, Arnus was past caring…until the day a young woman named Raquel Ervin crashed into his life. Soon she’d convinced him to put his incredible power to work again as the heroic Icon…and to transform her into his sidekick, Rocket! But an innocent question on Rocket’s part-“Why can’t we do something about the drugs on my corner?”-quickly set a chain of events in motion leading to the pair becoming the most hunted beings on Earth…and they’re not just being pursued by Earthlings, either! Writer, director, and producer Reginald Hudlin (Black Panther: Who Is the Black Panther?) and superstar artist Doug Braithwaite unleash a tale of power and responsibility that will stretch from the boardrooms of corporate America to the jungles of South America and the depths of deep space! If you’ve ever thought there were certain things that a superhero story just couldn’t do, it might be time to start thinking different…

Black Comics

by Sheena C. Howard

Author	: Sheena C. Howard
Publisher	: A&C Black
Total Pages	: 284
Release	: 2013-03-14
Genre	: Comics & Graphic Novels
ISBN	: 1441135286

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Winner of the 2014 Will Eisner Award for Best Scholarly/Academic Work. Bringing together contributors from a wide-range of critical perspectives, Black Comics: Politics of Race and Representation is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media. Black Comics: Politics of Race and Representation introduces students to such key texts as: The work of Jackie Ormes Black women superheroes from Vixen to Black Panther Aaron McGruder's strip The Boondocks

Milestone Returns: Infinite Edition (2021-) #0

by Reginald Hudlin

Author	: Reginald Hudlin
Publisher	: DC Comics
Total Pages	: 48
Release	: 2021-02-26
Genre	: Comics & Graphic Novels
ISBN	:

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At long last - the return of the legendary Milestone Comics imprint has kicked into high gear! This jumping-on point one-shot features twenty-four all-new pages chronicling the events of the Big Bang - the police-brutality protest gone wrong that changed the face of the city of Dakota forever, by unleashing a wave of superpowers across its population! As the world watches, a bullied teenager will become the hero known as STATIC… a framed scientist will go on the run as the superweapon HARDWARE… and a stranded alien will meet an ambitious young woman who will transform his life, and remake the pair as the all-powerful ICON & ROCKET! Also included is the 17-page primer story originally released during the world-famous DC FanDome event, further expanding on our heroes’ origins and where they’re going next… and setting up an entire world of allies, enemies, and surprises! The original Milestone changed the face of superhero comics forever, introducing the industry to a wave of Black talent who still shape the conversation… and the new Milestone intends to raise the bar! Get on board here!

The Superhero Reader

by Charles Hatfield

Author	: Charles Hatfield
Publisher	: Univ. Press of Mississippi
Total Pages	: 343
Release	: 2013-05
Genre	: Literary Collections
ISBN	: 1617038067

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A full exploration of the history, politics, and aesthetics of the superhero genre

Speculative Blackness

by André M. Carrington

Author	: André M. Carrington
Publisher	: U of Minnesota Press
Total Pages	: 330
Release	: 2016-02-29
Genre	: Social Science
ISBN	: 1452949751

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In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Carrington’s argument about authorship, fandom, and race in a genre that has been both marginalized and celebrated offers a black perspective on iconic works of science fiction. He examines the career of actor Nichelle Nichols, who portrayed the character Uhura in the original Star Trek television series and later became a recruiter for NASA, and the spin-off series Star Trek: Deep Space Nine, set on a space station commanded by a black captain. He recovers a pivotal but overlooked moment in 1950s science fiction fandom in which readers and writers of fanzines confronted issues of race by dealing with a fictitious black fan writer and questioning the relevance of race to his ostensible contributions to the 'zines. Carrington mines the productions of Marvel comics and the black-owned comics publisher Milestone Media, particularly the representations of black sexuality in its flagship title, Icon. He also interrogates online fan fiction about black British women in Buffy the Vampire Slayer and the Harry Potter series. Throughout this nuanced analysis, Carrington theorizes the relationship between race and genre in cultural production, revealing new understandings of the significance of blackness in twentieth-century American literature and culture.

All New, All Different?

by Allan W. Austin

Author	: Allan W. Austin
Publisher	: University of Texas Press
Total Pages	: 393
Release	: 2019-11-05
Genre	: Literary Criticism
ISBN	: 1477318992

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Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019 MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.