| Author | : Randal Johnson |
| Publisher | : Columbia University Press |
| Total Pages | : 496 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9780231102674 |
From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.
| Author | : Jack A. Draper (III) |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : 24.32 history of film art |
| ISBN | : 9781783207633 |
The Brazilian Portuguese idea of saudade is often translated as a powerful relative of nostalgia, which brings together love and grief, a melancholia and a longing focused on a memory, an absence. Saudade in Brazilian Cinema looks specifically at how this emotion is imagined on the screen. Analyzing over sixty years of Brazilian cinema, Jack A. Draper III uses the idea of saudade to create an analytical framework within the field of emotion studies. Draper places insights on saudade on screen in dialogue with theoretical studies of emotion and affect as well as film theory. The result is a new way of understanding saudade and the representation of emotion in twentieth and twenty-first century Brazilian cinema.
| Author | : Randal Johnson |
| Publisher | : University of Texas Press |
| Total Pages | : 263 |
| Release | : 1984-08-01 |
| Genre | : Performing Arts |
| ISBN | : 0292710917 |
With such stunning films as Dona Flor and Her Two Husbands, Bye Bye Brazil, and Pixote, Brazilian cinema achieved both critical acclaim and popular recognition in the 1970s and 1980s, becoming the premier cinema of Latin America and one of the largest film producers in the western world. But the success of Brazilian film at home and abroad came after many years of struggle by filmmakers determined to create a strong film industry in Brazil. At the forefront of this struggle were the filmmakers of Cinema Novo, the internationally acclaimed movement whose flowering in the 1960s marked the birth of modern Brazilian film. Cinema Novo x 5 places the success of Brazilian cinema in perspective by examining the films of the five leaders of this groundbreaking movement—Andrade, Diegues, Guerra, Rocha, and dos Santos. By exploring the individuality of these masters of contemporary Brazilian film, Randal Johnson reveals the astonishing stylistic and thematic diversity of Cinema Novo. His emphasis is on the films themselves, as well as their makers’ distinctive cinematic vision and views of what cinema should be and is. At the same time, he provides a wealth of valuable background information to enhance readers’ understanding of the historical, cultural, and economic context in which Cinema Novo was born and flourished.
| Author | : Lisa Shaw |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2014-05-01 |
| Genre | : Performing Arts |
| ISBN | : 1134702175 |
Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.
| Author | : Lúcia Nagib |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 247 |
| Release | : 2006-11-22 |
| Genre | : Performing Arts |
| ISBN | : 0857736469 |
Lucia Nagib presents a comprehensive critical survey of Brazilian film production since the mid 1990s, which has become known as the "renaissance of Brazilian cinema". Besides explaining the recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as "Central Station", "Seven Days in September" and "Orpheus", are analysed alongside daringly experimental works, such as "Chronically Unfeasible", "Starry Sky" and "Perfumed Ball". Contributors include Carlos Diegues, Robert Stam, Laura Mulvey and Jose Carlos Avellar.
| Author | : Lúcia Nagib |
| Publisher | : I.B.Tauris |
| Total Pages | : 332 |
| Release | : 2003-10-03 |
| Genre | : Business & Economics |
| ISBN | : 9781860649288 |
In a comprehensive critical survey of Brazilian film production since the mid-1990s Lucia Nagib explores what has become known as the 'renaissance of Brazilian cinema'. Besides explaining the recent boom, this book explores the aesthetic tendencies of recent productions and their relationships to earlier works.
| Author | : Jeremy Lehnen |
| Publisher | : University of Florida Press |
| Total Pages | : 256 |
| Release | : 2022-02 |
| Genre | : |
| ISBN | : 9781683402541 |
An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues. Jeremy Lehnen argues that these films promote an agenda in support of the nation's recent swing toward authoritarianism that culminated in the 2018 election of far-right president Jair Bolsonaro. Lehnen examines the integral role of masculinity in several archetypal crime films, most of which foreground urban violence, including Cidade de Deus, Quase Dois Irmãos, Tropa de Elite, O Homem do Ano, and O Doutrinador. Within these films, Lehnen finds representations that criminalize the poor, marginalized male; emasculate the civilian middle-class male intellectual, casting him as unable to respond to crime; and portray state security as the only power able to stem increasing crime rates. Drawing on insights from masculinity studies, Lehnen contends that Brazilian crime films are ideologically charged mediums that assert and normalize the presence of the neo-authoritarian male within society. This book demonstrates how gendered scripts can become widely accepted by audiences and contribute to very real power structures beyond the sphere of cinema. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez
| Author | : Stephanie Dennison |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2019-10-25 |
| Genre | : Performing Arts |
| ISBN | : 1317311825 |
Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the twenty-first century. This book charts the key features of Brazilian film culture of the first two decades of the twenty-first century, including: the latest cultural debates within Brazil on film funding and distribution practices; the impact of diversity politics on the Brazilian film industry; the reception and circulation of Brazilian films on the international film festival circuit; and the impact on cultural production of the sharp change in political direction at national level experienced post-2016. The principle of "remapping" here is based on a need to move on from potentially limiting concepts such as "the national", which can serve to unduly ghettoise a cinema, film industry and audience. The book argues that Brazilian film culture should be read as being part of a globally articulated film culture whose internal workings are necessarily distinctive and thus deserving of world cinema scholars’ attention. A blend of industry studies, audience reception and cultural studies, Remapping Brazilian Film Culture is a dynamic volume for students and researchers in film studies, particularly Brazilian, Latin American and world cinema. *Honorary Mention - Best Book in Humanities for the LASA Brazil Prize 2021*
| Author | : Robert Stam |
| Publisher | : Duke University Press |
| Total Pages | : 436 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780822320487 |
Focusing on the representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples, in the rich tradition of the Brazilian fictional feature film, Robert Stam provides a major study of race in Brazilian culture through a critical analysis of Brazilian cinema. 136 photos.
