| Author | : Vincent Gillespie |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 410 |
| Release | : 2014 |
| Genre | : Business & Economics |
| ISBN | : 1843843633 |
First full-scale guide to the origins and development of the early printed book, and the issues associated with it.
| Author | : Virginia Museum of Fine Arts |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : |
This collection sheds new light on a common but often overlooked contribution of British art: the sporting print. Highly sought after during the eighteenth and nineteenth centuries, these prints endure today as vivid, direct, and even witty symbols of English culture. Catching Sight features more than eighty prints and three essays that go beyond the symbolism to examine these works from both art-historical and social perspectives. Malcolm Cormack details the production and sale of sporting prints; Mitchell Merling explores the aesthetic implications of the sophisticated visual languages employed by sporting artists; and Corey Piper analyzes the meaning of the prints in the larger context of late eighteenth- and nineteenth-century rural society. Distributed for the Virginia Museum of Fine Arts
| Author | : Lotte Hellinga |
| Publisher | : Cambridge University Press |
| Total Pages | : 846 |
| Release | : 1999-12-09 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780521573467 |
This volume of The Cambridge History of the Book in Britain presents an overview of the century-and-a-half between the death of Chaucer in 1400 and the incorporation of the Stationers' Company in 1557. The profound changes during that time in social, political and religious conditions are reflected in the dissemination and reception of the written word. The manuscript culture of Chaucer's day was replaced by an ambience in which printed books would become the norm. The emphasis in this collection of essays is on the demand and use of books. Patterns of ownership are identified as well as patterns of where, why and how books were written, printed, bound, acquired, read and passed from hand to hand. The book trade receives special attention, with emphasis on the large part played by imports and on links with printers in other countries, which were decisive for the development of printing and publishing in Britain.
| Author | : Daniel Patrick Ingram |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Fortification |
| ISBN | : 9780813037974 |
This study of the cultural and military importance of British forts in the colonial era explains how these forts served as communities in Indian country more than as bastions of British imperial power. Their security depended on maintaining good relations with the local Native Americans, who incorporated the forts into their economic and social life as well as into their strategies.
| Author | : Diana Wynne Jones |
| Publisher | : Harper Collins |
| Total Pages | : 292 |
| Release | : 2012-01-31 |
| Genre | : Juvenile Fiction |
| ISBN | : 0062200763 |
In Cranbury-on-Sea Aunt Maria rules with a rod of sweetness far tougher than iron and deadlier than poison. Strange and awful things keep happening in Cranbury. Why are all the men apparently gray-suited zombies? Why do all the children—if you ever see them—behave like clones? And what has happened to Mig's brother, Chris? Could gentle, civilized Aunt Maria, with her talk and daily tea parties, possibly have anything to do with it? Diana Wynne Jones once again has created a fantastic, magical world. Her brilliant storytelling and wonderful sense of humor totally involve the reader in the lives of a lovable young heroine and a villainess readers will love to hate.
| Author | : Leah Price |
| Publisher | : Princeton University Press |
| Total Pages | : 361 |
| Release | : 2012-04-09 |
| Genre | : Literary Criticism |
| ISBN | : 1400842182 |
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
| Author | : John B. Thompson |
| Publisher | : Polity |
| Total Pages | : 481 |
| Release | : 2005-03-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0745634788 |
The book publishing industry is going through a period of profound and turbulent change brought about in part by the digital revolution. What is the role of the book in an age preoccupied with computers and the internet? How has the book publishing industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the book publishing industry in Britain and the United States for more than two decades. Thompson focuses on academic and higher education publishing and analyses the evolution of these sectors from 1980 to the present. He shows that each sector is characterized by its own distinctive ‘logic’ or dynamic of change, and that by reconstructing this logic we can understand the problems, challenges and opportunities faced by publishing firms today. He also shows that the digital revolution has had, and continues to have, a profound impact on the book publishing business, although the real impact of this revolution has little to do with the ebook scenarios imagined by many commentators. Books in the Digital Age will become a standard work on the publishing industry at the beginning of the 21st century. It will be of great interest to students taking courses in the sociology of culture, media and cultural studies, and publishing. It will also be of great value to professionals in the publishing industry, educators and policy makers, and to anyone interested in books and their future.
