| Author | : John Frow |
| Publisher | : |
| Total Pages | : 353 |
| Release | : 2014-04 |
| Genre | : Literary Criticism |
| ISBN | : 0198704518 |
Character and Person explores the category of fictional character, one of the most widely used and least adequately theorized concepts in literary studies, cultural studies, and everyday usage. It sets fictional character in relation to the concept of person and tries to examine how each of these terms is constructed across different cultures.
| Author | : Christian B. Miller |
| Publisher | : Oxford University Press |
| Total Pages | : 297 |
| Release | : 2018 |
| Genre | : Philosophy |
| ISBN | : 0190264225 |
We like to think of ourselves and our friends and families as pretty good people. The more we put our characters to the test, however, the more we see that we are decidedly a mixed bag. Fortunately there are some promising strategies - both secular and religious - for developing better characters.
| Author | : Dario Nardi |
| Publisher | : Telos Publications |
| Total Pages | : 84 |
| Release | : 1999-11 |
| Genre | : Character |
| ISBN | : 9780966462463 |
Character and Personality Type will change the way you look at personality type and development. Contains Dr. Nardi's long awaited 64 character biographies-4 for each type with illustrations-gives you a new look at the differences within personality type.
| Author | : John M. Doris |
| Publisher | : Cambridge University Press |
| Total Pages | : 298 |
| Release | : 2002-08-15 |
| Genre | : Philosophy |
| ISBN | : 9780521631167 |
This is a provocative contribution to contemporary ethical theory challenging foundational conceptions of character.
| Author | : Amanda Anderson |
| Publisher | : University of Chicago Press |
| Total Pages | : 177 |
| Release | : 2019-10-23 |
| Genre | : Literary Criticism |
| ISBN | : 022665866X |
Over the last few decades, character-based criticism has been seen as either naive or obsolete. But now questions of character are attracting renewed interest. Making the case for a broad-based revision of our understanding of character, Character rethinks these questions from the ground up. Is it really necessary to remind literary critics that characters are made up of words? Must we forbid identification with characters? Does character-discussion force critics to embrace humanism and outmoded theories of the subject? Across three chapters, leading scholars Amanda Anderson, Rita Felski, and Toril Moi reimagine and renew literary studies by engaging in a conversation about character. Moi returns to the fundamental theoretical assumptions that convinced literary scholars to stop doing character-criticism, and shows that they cannot hold. Felski turns to the question of identification and draws out its diverse strands, as well as its persistence in academic criticism. Anderson shows that character-criticism illuminates both the moral life of characters, and our understanding of literary form. In offering new perspectives on the question of fictional character, this thought-provoking book makes an important intervention in literary studies.
| Author | : Deidre Lynch |
| Publisher | : University of Chicago Press |
| Total Pages | : 332 |
| Release | : 1998-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 0226498204 |
At the start of the 18th century, literary "characters" referred as much to letters and typefaces as it did to persons in books. However, this text shows how, by the 19th century, readers used transactions with characters to accommodate themselves to newly-commercialized social relations.
| Author | : Darcia Narváez |
| Publisher | : Cambridge University Press |
| Total Pages | : 465 |
| Release | : 2009-06-29 |
| Genre | : Philosophy |
| ISBN | : 0521895073 |
This edited volume features cutting-edge work in moral psychology by pre-eminent scholars in moral self-identity, moral character, and moral personality.
| Author | : John Frow |
| Publisher | : OUP Oxford |
| Total Pages | : 353 |
| Release | : 2014-04-17 |
| Genre | : Literary Criticism |
| ISBN | : 0191009695 |
Fictional character is an ontologically ambivalent category — at once a formal construct and a quasi-person — which lies at the heart of the life of textual fictions of all kinds. Character and Person explores that ambivalence by investigating not only the kinds of thing that character is but how it works to engage readers and the range of typologies through which it has been constructed in very different periods, media, and genres. John Frow seeks to explore the ways in which character is person-like, and through that the question of what it means to be a social person. His focus is thus on the interaction between its two major categories, and its method involves a constant play back and forth between them: from philosophical theories of face to an account of the mask in the New Comedy; from an exploration of medieval beliefs about the body's existence in the afterlife to a reading of Dante's Purgatorio; from the history of humoral medicine to the figure of the melancholic in Jacobean drama; and from Proust and Pessoa to cognitive science. What develops from this methodological commitment to fusing the categories of character and person is an extended analysis of the schemata that underpin each of them in their distinct but mutually constitutive spheres of operation.
