| Author | : Kathryn L. Lynch |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 200 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780859916004 |
New readings of Chaucer's dream visions, demonstrating his philosophical interests and learning.
Chaucer's Dream Visions
| Author | : Michael St. John |
| Publisher | : Routledge |
| Total Pages | : 246 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : |
Specialists of Chaucer and his contemporaries will be the audience for this volume on the poet's use of Aristotelian psychology, Boethius, Dante, and French court poets to create aspects of courtly identity through language and experience. St. John (English, U. of Leicester, UK) provides detailed analyses of the Book of the Duchess, House of Fame, Parliament of Fowls, and Legend of Good Women to develop his case. He shows that Chaucer's use of the dream vision can be interpreted as an exploration of individual subjectivity in a social context, an expression of Chaucer's Christian beliefs, and his awareness of the dialogue courtly society engenders. Annotation copyrighted by Book News Inc., Portland, OR
Love Visions
| Author | : Geoffrey Chaucer |
| Publisher | : Penguin UK |
| Total Pages | : 259 |
| Release | : 2006-05-25 |
| Genre | : Poetry |
| ISBN | : 0141959894 |
Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.
Geoffrey Chaucer in Context
| Author | : Ian Johnson |
| Publisher | : Cambridge University Press |
| Total Pages | : 499 |
| Release | : 2019-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1107035643 |
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
The Cambridge Companion to Chaucer
| Author | : Piero Boitani |
| Publisher | : Cambridge University Press |
| Total Pages | : 510 |
| Release | : 2004-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1107494648 |
The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social and literary scene in England in Chaucer's time, and comedy, pathos and romance in the Canterbury Tales. The volume now offers a useful chronology, and the bibliography has been entirely updated to provide an indispensable guide for today's student of Chaucer.
Chaucer and the Ethics of Time
| Author | : Gillian Adler |
| Publisher | : University of Wales Press |
| Total Pages | : 225 |
| Release | : 2022-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 1786838370 |
Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer’s sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was sometimes viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer’s diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters’ ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.
Philosophical Chaucer
| Author | : Mark Miller |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2005-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 1139442856 |
Mark Miller's innovative study argues that Chaucer's Canterbury Tales represent an extended mediation on agency, autonomy and practical reason. This philosophical aspect of Chaucer's interests can help us understand what is both sophisticated and disturbing about his explorations of love, sex and gender. Partly through fresh readings of the Consolation of Philosophy and the Romance of the Rose, Miller charts Chaucer's position in relation to the association in the Christian West between problems of autonomy and problems of sexuality and reconstructs how medieval philosophers and literary writers approached psychological phenomena often thought of as distinctively modern. The literary experiments of the Canterbury Tales represent a distinctive philosophical achievement that remains vital to our own attempts to understand agency, desire and their histories.
Chaucer’s Visions of Manhood
| Author | : H. Crocker |
| Publisher | : Springer |
| Total Pages | : 260 |
| Release | : 2007-06-25 |
| Genre | : Literary Criticism |
| ISBN | : 0230604927 |
This book argues that Chaucer challenges his culture's mounting obsession with vision, constructing a model of 'manhed' that blurs the distinction between agency and passivity in a traditional gender binary.
The High Medieval Dream Vision
| Author | : Kathryn Lynch |
| Publisher | : Stanford University Press |
| Total Pages | : 280 |
| Release | : 1988-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 080476641X |
In the High Middle Ages, the dream narrative was an enormously popular and influential form. Along with the romance, it was perhaps the genre of the age. It has come down to us in such classics twelfth to fourteenth-century classics as The Divine Comedy, the Romance of the Rose, Piers Plowman, Chaucer's early poetry, and the works of Guillaume de Machaut. This book redefines the dream vision by attending to its role in philosophical debate of the time, a conservative role in defense of the high medieval synthesis of reason and revelation. Lynch shows how the epistemological basis of this synthesis and the theories of visions that emerged from it drew on Arabic commentaries of Aristotle. These theories informed poetic visions modeled on Boethius's Consolation of Philosophy, a work she discusses in detail before turning to Alain de Lille, Jean de Meun, and Dante. A final section, on John Gower's Confessio Amantis shows how fourteenth and fifteenth-century writers extended and finally moved beyond the conventional form of the dream vision.
