Chinese Literary Criticism of the Ch’ing Period (1644–1911)

Chinese Literary Criticism of the Ch’ing Period (1644–1911)
Author: John Ching-yu Wang
Publisher: Hong Kong University Press
Total Pages: 270
Release: 1993-12-30
Genre: Literary Criticism
ISBN: 9789622093355

In the Ch'ing period, traditional Chinese literary criticism reached its zenith. The ten essays in this volume, all papers presented at a research conference on Ch'ing literary criticism at Stanford University in June 1992, provide a good glimpse of both the breadth and depth of Ch'ing literary criticism, and point to ways to pursue a more thorough and systematic study of literary criticism of this period. Five essays in Chinese, five in English.

Harmony Garden

Harmony Garden
Author: J. D. Schmidt
Publisher: Routledge
Total Pages: 781
Release: 2013-12-16
Genre: Literary Criticism
ISBN: 113686217X

This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.

The Columbia History of Chinese Literature

The Columbia History of Chinese Literature
Author: Victor H. Mair
Publisher: Columbia University Press
Total Pages: 1369
Release: 2010-03-10
Genre: Literary Criticism
ISBN: 0231528515

The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.

Great Qing

Great Qing
Author: Claudia Brown
Publisher: China Program Books (Hardcover
Total Pages: 352
Release: 2020-02-04
Genre: Art
ISBN: 9780295747231

Addressing the previous lack of a comprehensive English-language study of Qing painting, art historian Claudia Brown?s account ranges from the tumultuous Ming?Qing transition to the end of imperial rule. In response to omissions in previous treatments, she examines major influences shaping the period and explores the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences. With more than two hundred color illustrations, Great Qing highlights fine examples of Qing painting in American museums, works from all regions of China, and paintings by women. Brown?s gorgeous, attentively rendered survey covers three centuries of momentous change and is intended for general audiences as well as art collectors, museum curators, and students and historians of Chinese art, culture, and society.

The Travels of Lao Ts?an

The Travels of Lao Ts?an
Author: E Liu
Publisher: Columbia University Press
Total Pages: 324
Release: 1990
Genre: Biography & Autobiography
ISBN: 9780231072557

This deft translation of a classic Chinese novel tells the story of a man, now an itinerant healer, who wanders through the towns and countryside of North China in the last years of the Manchu dynasty.

The Scholars

The Scholars
Author: Jingzi Wu
Publisher: Columbia University Press
Total Pages: 764
Release: 1992
Genre: Fiction
ISBN: 9780231081535

One of the great classic Chinese novels, The Scholars departs from the impersonal tradition of Chinese fiction, as the author makes significant use of autobiographical experience and models many characters on friends and relatives.

Eminent Chinese of the Qing Period

Eminent Chinese of the Qing Period
Author: Arthur W. Hummel Sr.
Publisher: Berkshire Publishing Group
Total Pages: 1100
Release: 2018-01-01
Genre: Literary Collections
ISBN: 1614728496

Eminent Chinese of the Qing Period was first developed under the auspices of the US Library of Congress during World War II. This much-loved work, edited by Arthur W. Hummel Sr., was meticulously compiled and unique in its scope, and quickly became the standard biographical reference for the Qing dynasty, which lasted from 1644 to 1911/2. Amongst the contributors are John King Fairbank, Têng Ssû-yü, L. Carrington Goodrich, C. Martin Wilbur, Fêng Chia-shêng, Knight Biggerstaff, and Nancy Lee Swann. The 2018 Berkshire edition contains the original eight hundred biographical sketches as well as the original front and back matter, including the preface by Hu Shih, a scholar who had been China’s ambassador to the United States. An introduction by Pamela Crossley places this classic work in historical context, and discusses its origins, authors and editors, themes, style, and contemporary relevance. Chinese names in English have been converted to the pinyin transcription system (changing the book’s title from Ch’ing to Qing), but the traditional Chinese characters have been retained. Additional materials added by Berkshire include a general bibliography, a Wade-Giles to pinyin conversion table, and a list of Qing dynasty emperors. Arthur W. Hummel Sr. (1884–1975) was a missionary, sinologist, and the first director of the Orientalia Division at the Library of Congress. Pamela Crossley is a professor at Dartmouth College and a specialist on the Qing empire and modern Chinese history, as well as the software author and scholarly editor of the ECCP Reader, a digital companion to the original Eminent Chinese of the Ch’ing Period.

Dictionary Of World Literature - Criticism, Forms, Technique

Dictionary Of World Literature - Criticism, Forms, Technique
Author: Joseph T Shipley
Publisher: Read Books Ltd
Total Pages: 969
Release: 2013-04-04
Genre: Literary Criticism
ISBN: 1447495683

The dictionary of world literature: criticism-forms-technique presents a consideration of critics and criticism, of literary schools, movements, forms, and techniques-including drama and the theatre-in eastern and western lands from the earliest times; of literary and critical terms and ideas; with other material that may provide background of understanding to all who, as creator, critic, or receptor, approach a literary or theatrical work.

Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China

Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China
Author: Li Guo
Publisher: Purdue University Press
Total Pages: 246
Release: 2015-07-15
Genre: Literary Criticism
ISBN: 1612493823

In Women’s Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women’s tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women’s tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men’s equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women’s potentialities to transform historical and social customs in order to engender a world with better prospects for women.