Clouds Thick, Whereabouts Unknown

by

Author	:
Publisher	: Columbia University Press
Total Pages	: 345
Release	: 2010-05-19
Genre	: Poetry
ISBN	: 0231520980

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Compiled by a leading scholar of Chinese poetry, Clouds Thick, Whereabouts Unknown is the first collection of Chan (Zen) poems to be situated within Chan thought and practice. Combined with exquisite paintings by Charles Chu, the anthology compellingly captures the ideological and literary nuances of works that were composed, paradoxically, to "say more by saying less," and creates an unparalleled experience for readers of all backgrounds. Clouds Thick, Whereabouts Unknown includes verse composed by monk-poets of the eighth to the seventeenth centuries. Their style ranges from the direct vernacular to the evocative and imagistic. Egan's faithful and elegant translations of poems by Han Shan, Guanxiu, and Qiji, among many others, do justice to their perceptions and insights, and his detailed notes and analyses unravel centuries of Chan metaphor and allusion. In these gems, monk-poets join mainstream ideas on poetic function to religious reflection and proselytizing, carving out a distinct genre that came to influence generations of poets, critics, and writers. The simplicity of Chan poetry belies its complex ideology and sophisticated language, elements Egan vividly explicates in his religious and literary critique. His interpretive strategies enable a richer understanding of Mahayana Buddhism, Chan philosophy, and the principles of Chinese poetry.

Wisdom Within Words

by Steven Heine

Author	: Steven Heine
Publisher	: Oxford University Press
Total Pages	: 281
Release	: 2022
Genre	: History
ISBN	: 0197553524

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"This book is the first complete bilingual edition and annotated translation of the poetry collection entitled Mystery Within Words (Kuchūgen), which features 150 Chinese-style verses (kanshi) written by Dōgen Zenji (1200-1253), founder of the Sōtō Zen sect in early medieval Japan. These poems are very important for highlighting several key aspects of Dōgen's manner of thinking and process of writing. Dōgen composed Sinitic poetry throughout all stages of his career at both Kōshōji temple in Kyoto and Eiheiji temple in the remote mountains. for various purposes. These aims included reflections on meditation during periods of reclusion, commenting on cryptic kōan cases, eulogizing deceased patriarchs, celebrating festivals and seasonal occasions, welcoming new administrative appointees at the temple, remarking on the life of the Buddha and other aspects of attaining enlightenment, and offering capping phrases that help highlight prose teachings or instructions. Although Dōgen's poetry has often been overlooked by the sectarian tradition, even though this collection was edited by the most eminent Edo period scholar-monk, Menzan, this style should of writing now be regarded in relation to the valuable roles that poetry played in the development of East Asian Buddhist contemplative life"--

Zen and Material Culture

by Pamela D. Winfield

Author	: Pamela D. Winfield
Publisher	: Oxford University Press
Total Pages	: 353
Release	: 2017-06-07
Genre	: Religion
ISBN	: 0190469315

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The stereotype of Zen Buddhism as a minimalistic or even immaterial meditative tradition persists in the Euro-American cultural imagination. This volume calls attention to the vast range of "stuff" in Zen by highlighting the material abundance and iconic range of the Soto, Rinzai, and Obaku sects in Japan. Chapters on beads, bowls, buildings, staffs, statues, rags, robes, and even retail commodities in America all shed new light on overlooked items of lay and monastic practice in both historical and contemporary perspectives. Nine authors from the cognate fields of art history, religious studies, and the history of material culture analyze these "Zen matters" in all four senses of the phrase: the interdisciplinary study of Zen's matters (objects and images) ultimately speaks to larger Zen matters (ideas, ideals) that matter (in the predicate sense) to both male and female practitioners, often because such matters (economic considerations) help to ensure the cultural and institutional survival of the tradition. Zen and Material Culture expands the study of Japanese Zen Buddhism to include material inquiry as an important complement to mainly textual, institutional, or ritual studies. It also broadens the traditional purview of art history by incorporating the visual culture of everyday Zen objects and images into the canon of recognized masterpieces by elite artists. Finally, the volume extends Japanese material and visual cultural studies into new research territory by taking up Zen's rich trove of materia liturgica and supplementing the largely secular approach to studying Japanese popular culture. This groundbreaking volume will be a resource for anyone whose interests lie at the intersection of Zen art, architecture, history, ritual, tea ceremony, women's studies, and the fine line between Buddhist materiality and materialism.

Monsters, Animals, and Other Worlds

by Keller Kimbrough

Author	: Keller Kimbrough
Publisher	: Columbia University Press
Total Pages	: 328
Release	: 2018-02-20
Genre	: Literary Collections
ISBN	: 0231545509

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Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.

Record of Miraculous Events in Japan

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Author	:
Publisher	: Columbia University Press
Total Pages	: 225
Release	: 2013-07-23
Genre	: Literary Collections
ISBN	: 0231535163

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The Nihon ryoiki, a collection of setsuwa, or "anecdotal" tales, compiled by a monk in late-eighth- or early-ninth-century Japan, records the spread of Buddhist ideas in Japan and the ways in which Buddhism's principles were adapted to the conditions of Japanese society. Beginning in the time before Buddhism was introduced to Japan, the text captures the effects of the nation's initial contact with Buddhism—brought by emissaries from the king of the Korean state of Paekche—and the subsequent adoption and dissemination of these new teachings in Japanese towns and cities. The Nihon ryoiki provides a crucial window into the ways in which Japanese Buddhists began to make sense of the teachings and texts of their religion, incorporate religious observances and materials from Korea and China, and articulate a popularized form of Buddhist practice and belief that could extend beyond monastic centers. The setsuwa genre would become one of the major textual projects of classical and medieval Buddhism, with nearly two dozen collections appearing over the next five centuries. The Nihon ryoiki serves as a vital reference for these later works, with the tales it contains finding their way into folkloric traditions and becoming a major source for Japanese authors well into the modern period.

Haiku Before Haiku

by Steven D. Carter

Author	: Steven D. Carter
Publisher	: Columbia University Press
Total Pages	: 177
Release	: 2011-02-16
Genre	: Literary Criticism
ISBN	: 0231527063

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While the rise of the charmingly simple, brilliantly evocative haiku is often associated with the seventeenth-century Japanese poet Matsuo Basho, the form had already flourished for more than four hundred years before Basho even began to write. These early poems, known as hokku, are identical to haiku in syllable count and structure but function differently as a genre. Whereas each haiku is its own constellation of image and meaning, a hokku opens a series of linked, collaborative stanzas in a sequence called renga. Under the mastery of Basho, hokku first gained its modern independence. His talents contributed to the evolution of the style into the haiku beloved by so many poets around the world Richard Wright, Jack Kerouac, and Billy Collins being notable devotees. Haiku Before Haiku presents 320 hokku composed between the thirteenth and early eighteenth centuries, from the poems of the courtier Nijo Yoshimoto to those of the genre's first "professional" master, Sogi, and his disciples. It features 20 masterpieces by Basho himself. Steven D. Carter introduces the history of haiku and its aesthetics, classifying these poems according to style and context. His rich commentary and notes on composition and setting illuminate each work, and he provides brief biographies of the poets, the original Japanese text in romanized form, and earlier, classical poems to which some of the hokku allude.

Plum Shadows and Plank Bridge

by Mao Xiang

Author	: Mao Xiang
Publisher	: Columbia University Press
Total Pages	: 190
Release	: 2020-01-21
Genre	: Literary Collections
ISBN	: 0231546866

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Amid the turmoil of the Ming-Qing dynastic transition in seventeenth-century China, some intellectuals sought refuge in romantic memories from what they perceived as cataclysmic events. This volume presents two memoirs by famous men of letters, Reminiscences of the Plum Shadows Convent by Mao Xiang (1611–93) and Miscellaneous Records of Plank Bridge by Yu Huai (1616–96), that recall times spent with courtesans. They evoke the courtesan world in the final decades of the Ming dynasty and the aftermath of its collapse. Mao Xiang chronicles his relationship with the courtesan Dong Bai, who became his concubine two years before the Ming dynasty fell. His mournful remembrance of their life together, written shortly after her early death, includes harrowing descriptions of their wartime sufferings as well as idyllic depictions of romantic bliss. Yu Huai offers a group portrait of Nanjing courtesans, mixing personal memories with reported anecdotes. Writing fifty years after the fall of the Ming, he expresses a deep nostalgia for courtesan culture that bears the toll of individual loss and national calamity. Together, they shed light on the sensibilities of late Ming intellectuals: their recollections of refined pleasures and ruminations on the vagaries of memory coexist with political engagement and a belief in bearing witness. With an introduction and extensive annotations, Plum Shadows and Plank Bridge is a valuable source for the literature of remembrance, the representation of women, and the social role of intellectuals during a tumultuous period in Chinese history.

Chan Rhetoric of Uncertainty in the Blue Cliff Record

by Steven Heine

Author	: Steven Heine
Publisher	: Oxford University Press
Total Pages	: 361
Release	: 2016-04-28
Genre	: Religion
ISBN	: 0199397783

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This book provides an in-depth textual and literary analysis of the Blue Cliff Record (Chinese Biyanlu, Japanese Hekiganroku), a seminal Chan/Zen Buddhist collection of commentaries on one hundred gongan/koan cases, considered in light of historical, cultural, and intellectual trends from the Song dynasty (960-1279). Compiled by the disciples of Yuanwu Keqin in 1128, the Blue Cliff Record is considered a classic of East Asian literature for its creative integration of prose and verse as well as hybrid or capping-phrase interpretations of perplexing cases.The collection employs a variety of rhetorical devices culled from both classic and vernacular literary sources and styles and is particularly notable for its use of indirection, allusiveness, irony, paradox, and wordplay, all characteristic of the approach of literary or lettered Chan. However, as instrumental and influential as it is considered to be, the Blue Cliff Record has long been shrouded in controversy. The collection is probably best known today for having been destroyed in the 1130s at the dawn of the Southern Song dynasty (1127-1279) by Dahui Zonggao, Yuanwu's main disciple and harshest critic. It was out of circulation for nearly two centuries before being revived and partially reconstructed in the early 1300s. In this book, Steven Heine examines the diverse ideological connections and disconnections behind subsequent commentaries and translations of the Blue Cliff Record, thereby shedding light on the broad range of gongan literature produced in the eleventh to thirteenth centuries and beyond.

The Kokinshū

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Author	:
Publisher	: Columbia University Press
Total Pages	: 387
Release	: 2023-05-23
Genre	: Poetry
ISBN	: 0231557051

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Compiled in the early tenth century, the Kokinshū is an anthology of some eleven hundred poems that aimed to elevate the prestige of vernacular Japanese poetry at the imperial court. From shortly after its completion to the end of the nineteenth century, it was celebrated as the cornerstone of the Japanese vernacular poetic tradition. The composition of classical poetry, other later poetic forms such as linked verse and haikai, and vernacular Japanese literary writing in its entirety (including classic works such as Murasaki Shikibu’s Tale of Genji and Sei Shōnagon’s Pillow Book) all draw from the Kokinshū. This book offers an inviting and immersive selection of roughly one-third of the anthology in English translation. Torquil Duthie focuses on rendering the poetic language of the Kokinshū as a whole, in such a way that readers can understand and experience how its poems work together to create a literary world. He emphasizes that classical Japanese poems do not stand alone as self-contained artifacts but take part in an ongoing intertextual conversation. Duthie provides translations and interpretations of the two prefaces to the Kokinshū, which deeply influenced Japanese literary aesthetics. The book also includes critical essays on various aspects of the anthology and its history. This translation helps specialist and nonspecialist readers alike appreciate the beauty and richness of the Kokinshū, as well as its significance for the Japanese literary tradition.