Companion to Contemporary Black British Culture

Companion to Contemporary Black British Culture
Author: Alison Donnell
Publisher: Routledge
Total Pages: 385
Release: 2002-09-11
Genre: Reference
ISBN: 1134700253

The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.

Companion to Contemporary Black British Culture

Companion to Contemporary Black British Culture
Author: Alison Donnell
Publisher: Routledge
Total Pages: 662
Release: 2002-09-11
Genre: Reference
ISBN: 1134700245

The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.

Black British Culture and Society

Black British Culture and Society
Author: Kwesi Owusu
Publisher: Psychology Press
Total Pages: 639
Release: 2000
Genre: Social Science
ISBN: 0415178460

From the Windrush immigration of the 1950s to contemporary multicultural Britain, Black British Culture and Society examines the Afro-Caribbean diaspora in post-war Britain.

The Cambridge Companion to British Black and Asian Literature (1945–2010)

The Cambridge Companion to British Black and Asian Literature (1945–2010)
Author: Deirdre Osborne
Publisher: Cambridge University Press
Total Pages: 323
Release: 2016-10-19
Genre: Fiction
ISBN: 1107139244

"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry. Populations from African, Caribbean, and South Asian locations arriving in Britain post-war brought diasporic sensibilities and literary heritages that have profoundly transformed British national culture, leading to a more complex and inclusive sense of its past. The Companion to British Black and Asian Literature (1945-2010) examines the creative impact of this rich infusion upon English literature against the backdrop of the seismic social and economic changes triggered by colonialism and migration, multiculturalism, and contemporary globalization"--

The Oxford Companion to Black British History

The Oxford Companion to Black British History
Author: David Dabydeen
Publisher: Oxford University Press, USA
Total Pages: 598
Release: 2010-04-22
Genre: History
ISBN:

A unique A-Z guide to the history of black people in the British Isles from classical times to the present day. With entries for landmark figures (e.g. Mary Seacole, Crimean nurse), key events (the Brixton Riots), concepts (Emancipation), and historical accounts. Wide-ranging coverage from medicine and warfare to art, music, sport, and education.

Hidden Gems Volume II: Contemporary Black British Plays

Hidden Gems Volume II: Contemporary Black British Plays
Author: Deirdre Osborne
Publisher: Bloomsbury Publishing
Total Pages: 441
Release: 2012-11-02
Genre: Drama
ISBN: 1849436983

Includes the plays A Bitter Herb, Absolution, Identity, The Far Side, Mary Seacole, and Urban Afro-Saxons This second and sister volume to Hidden Gems showcases a further range of plays by Black British writers whose work reaches beyond themes too-often perceived by mainstream theatre commissioning as defining Black people's experiences. The plays, monodrama and libretto represent subject-matter from woman-centred history, revolutionary politics, trans-racial adoption and African-diasporic familial heritage, as contoured by the writers' boundary crossing profiles as poets, playwrights, performers and directors. The accompanying critical introductions are provided by people committed to recognising the aesthetic and political significance of the work, and its necessary inclusion in British theatre and literary history.

Modern and Contemporary Black British Drama

Modern and Contemporary Black British Drama
Author: Mary Brewer
Publisher: Bloomsbury Publishing
Total Pages: 252
Release: 2017-09-16
Genre: Performing Arts
ISBN: 1137506296

This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.

Black British Women's Theatre

Black British Women's Theatre
Author: Nicola Abram
Publisher: Springer Nature
Total Pages: 264
Release: 2020-10-12
Genre: Performing Arts
ISBN: 3030514595

This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners and their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.