How Poets See the World

How Poets See the World
Author: Willard Spiegelman
Publisher: Oxford University Press
Total Pages: 256
Release: 2005-06-23
Genre: Literary Criticism
ISBN: 0190291834

Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.

Reversible Monuments

Reversible Monuments
Author: Mónica de la Torre
Publisher:
Total Pages: 700
Release: 2002
Genre: Literary Collections
ISBN:

Mexican Poetry has flourished during the last thirty years, and this ambitious multi-lingual anthology surveys the vibrant and eclectic work of poets born after 1950. The poetry of this new generation reflects a wealth of backgrounds, regions, styles, and especially influences -- including traditional and inventive narrative, formalism, lyrics, suites, and experimental verse. This is also the first generation of Mexican poets to hold in common an international perspective. Unlike anthologies offering only one or two poems by each author, Reversible Monuments affords its poets space enough to present larger-than-usual selections, allowing readers to more fully realize the individual voices. The translations, by both distinguished translators and brilliant new practitioners, are concise and transparent, and most are published here for the first time. In addition, several indigenous poets who write in Zapotec, Tzeltal, and Mazatec are presented tri-lingually. Book jacket.

The Contemporary American Poets

The Contemporary American Poets
Author: Mark Strand
Publisher: Signet Book
Total Pages: 406
Release: 1969
Genre: American poetry
ISBN: 9780451620989

Contains poems by A.R. Ammons, Alan Ansen, John Ashbery, Marvin Bell, Michael Benedikt, John Berryman, Elizabeth Bishop, Robert Bly, Philip Booth, Edgar Bowers, Tom Clark, Gregory Corso, Henri Coulette, Robert Greeley, J.V. Cunningham, James Dickey, William Dickey, Alan Dugan, Alvin Feinman, Edward Field, Donald Finkel, Isabella Gardner, Jack Gilbert, Allen Ginsberg, Louise Gluck, Paul Goodman, John Haines, Donald Hall, Kenneth O. Hanson, Anthony Hecht, Daryl Hine, Daniel Hoffman, John Hollander, Richard Howard, Barbara Howes, Robert Huff, Richard Hugo, David Ignatow, Randall Jarrell, LeRoi Jones, Donald Justice, Weldon Kees, X.J. Kennedy, Galway Kinnell, Carolyn Kizer, Kenneth Koch, Al Lee, Denise Levertov, Philip Levine, Laurence Lieberman, John Logan, Robert Lowell, William H. Matchett, E.L. Mayo, William Meredith, James Merrill, W.S. Merwin, Howard Moss, Stanley Moss, Lisel Mueller, Howard Nemerov, Frank O'Hara, Charles Olson, Robert Pack, Donald Petersen, Sylvia Plath, Adrienne Rich, Theodore Roethke, James Schuyler, Winfield Townley Scott, Anne Sexton, Karl Shapiro, Charles Simic, Louis Simpson, L.E. Sissman, William Jay Smith, W.D. Snodgrass, Gary Snyder, William Stafford, Mark Strand, Robert Sward, May Swenson, James Tate, Constance Urdang, Peter Viereck, David Wagoner, Ds.

American Alphabets

American Alphabets
Author: David Walker
Publisher: Field Editions
Total Pages: 450
Release: 2006
Genre: Literary Criticism
ISBN:

A major new anthology of recent American poetry, featuring generous selections of the work of 25 extraordinary poets born since World War II, with thoughtful introductions and annotations. In language of striking originality and beauty, these poets illuminate the complexities of contemporary life and chart the contours of the American landscape.

The Vintage Book of Contemporary World Poetry

The Vintage Book of Contemporary World Poetry
Author: J. D. McClatchy
Publisher: Vintage
Total Pages: 690
Release: 1996-06-25
Genre: Poetry
ISBN: 0679741151

This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott

Ecstatic Occasions, Expedient Forms

Ecstatic Occasions, Expedient Forms
Author: David Lehman
Publisher: University of Michigan Press
Total Pages: 306
Release: 1996
Genre: Literary Criticism
ISBN: 9780472066339

An unexpectedly entertaining collection of writing by poets discussing the creative inspiration and artistic form of their work.

What Are Poets For?

What Are Poets For?
Author: Gerald L Bruns
Publisher: University of Iowa Press
Total Pages: 247
Release: 2012-06
Genre: Literary Criticism
ISBN: 1609380800

Conceptions and practices of poetry change not only from time to time and from place to place but also from poet to poet. This has never been more the case than in recent years. Gerald Bruns’s magisterial What Are Poets For? explores typographical experiments that distribute letters randomly across a printed page, sound tracks made of vocal and buccal noises, and holographic poems that recompose themselves as one travels through their digital space. Bruns surveys one-word poems, found texts, and book-length assemblies of disconnected phrases; he even includes descriptions of poems that no one could possibly write, but which are no less interesting (or no less poetic) for all of that. The purpose of the book is to illuminate this strange poetic landscape, spotlighting and describing such oddities as they appear, anomalies that most contemporary poetry criticism ignores. Naturally this breadth raises numerous philosophical questions that Bruns also addresses—for example, whether poetry should be responsible (semantically, ethically, politically) to anything outside itself, whether it can be reduced to categories, distinctions, and the rule of identity, and whether a particular poem can seem odd or strange when everything is an anomaly. Perhaps our task is simply to learn, like anthropologists, how to inhabit such an anarchic world. The poets taken up for study are among the most important and innovative in the late twentieth and early twenty-first centuries: John Ashbery, Charles Bernstein, Paul Celan, Kenneth Goldsmith, Lyn Hejinian, Susan Howe, Karen Mac Cormack, Steve McCaffery, John Matthias, J. H. Prynne, and Tom Raworth.What Are Poets For? is nothing less than a lucid, detailed study of some of the most intractable writings in contemporary poetry.

Letters to America

Letters to America
Author: Jim Daniels
Publisher: Wayne State University Press
Total Pages: 236
Release: 1995
Genre: Literary Criticism
ISBN: 9780814325421

A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures.

The Bloodaxe Book of Contemporary Indian Poets

The Bloodaxe Book of Contemporary Indian Poets
Author: Jeet Thayil
Publisher: Bloodaxe Books
Total Pages: 428
Release: 2008
Genre: Poetry
ISBN:

Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.