Author | : Judd David Hubert |
Publisher | : Rookwood Press |
Total Pages | : 272 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9781886365063 |
Author | : Judd David Hubert |
Publisher | : Rookwood Press |
Total Pages | : 272 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9781886365063 |
Author | : Paul Hammond |
Publisher | : BRILL |
Total Pages | : 388 |
Release | : 2021-10-18 |
Genre | : Literary Criticism |
ISBN | : 9004467378 |
Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Author | : Michèle Longino |
Publisher | : Cambridge University Press |
Total Pages | : 296 |
Release | : 2006-03-16 |
Genre | : Drama |
ISBN | : 9780521025171 |
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Author | : Ian James |
Publisher | : Routledge |
Total Pages | : 208 |
Release | : 2016-05-20 |
Genre | : Foreign Language Study |
ISBN | : 1134862709 |
This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.
Author | : North American Society for Seventeenth-Century French Literature. Conference |
Publisher | : Gunter Narr Verlag |
Total Pages | : 366 |
Release | : 2005 |
Genre | : Arts |
ISBN | : 9783823361534 |
Author | : Kimberly Cashman |
Publisher | : Peter Lang |
Total Pages | : 162 |
Release | : 2005 |
Genre | : Drama |
ISBN | : 9780820470603 |
Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play's plot, and, consequently, in the social world of the play. The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women's social roles, and with the politics of absolutism.
Author | : Jean Racine |
Publisher | : Penguin UK |
Total Pages | : 332 |
Release | : 2013-07-04 |
Genre | : Drama |
ISBN | : 0141392096 |
The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris. The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. This translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was praised by playwright Harold Pinter. This is the first time it has been published. The edition also includes an introduction by Joseph Harris, genealogical tables, pronunciation guides, critiques and prefaces, as well as a chronology and suggested further reading. After a varied career as an actor, teacher, and BBC TV national newsreader, John Edmunds became the founder-director of Aberystwyth University's department of Theatre, Film and Television Studies. Joseph Harris is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).
Author | : William Brooks |
Publisher | : Peter Lang |
Total Pages | : 518 |
Release | : 2009 |
Genre | : Drama |
ISBN | : 9783039115334 |
Much work has been done in recent years on Quinault's librettos, but no major study of his spoken plays has appeared since the monumental thesis by Etienne Gros, published in 1926. Moreover, he has never been the subject of a monograph in English. There is a need to re-assess the influence of his life on his plays, and to re-evaluate Gros's findings in the light of eighty years' research into seventeenth-century French theatre in general. This book rejects the deterministic approach that sees his plays as apprentice pieces for the greater achievement that is his corpus of librettos, as well as the implicit comparative approach that pigeon-holes his work, in passing, by borrowing from the pithy judgements of Boileau. To what extent does Quinault's steady move away from comedy and light tragi-comedy to tragedies that combine love and menace go hand in hand with his search for greater integrity, better characterisation, and ever more credible plotting? How did he come to create and retain a tremendously faithful audience that even the withering mockery of Boileau failed to discourage? And is there any purpose in retaining the time-worn comparison between the author of Andromaque and the author of Astrate?
Author | : Nina C. Ekstein |
Publisher | : Rookwood Press |
Total Pages | : 232 |
Release | : 2007 |
Genre | : Drama |
ISBN | : |
Ekstein presents a pioneering study that analyzes the full extent and intricacy of irony in the theater of Frances greatest baroque playwright, Pierre Corneille.