Author | : Harry Twyford Peters |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : Lithography, American |
ISBN | : 9780405077418 |
Author | : Harry Twyford Peters |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : Lithography, American |
ISBN | : 9780405077418 |
Author | : Colin Simkin |
Publisher | : |
Total Pages | : 80 |
Release | : 1952 |
Genre | : Lithographs, American |
ISBN | : |
Author | : |
Publisher | : Joslyn Art Museum |
Total Pages | : |
Release | : 2020-11-10 |
Genre | : Art |
ISBN | : 9781646570102 |
"Engravings for the people" a fresh appraisal of the printmakers Currier & Ives and their vision of America Currier & Ives was a powerhouse of 19th-century publishing and had an immeasurable influence on American visual culture. Founded in New York in 1834 by Nathaniel Currier, the company expanded to include a new partner, James Merritt Ives, after 1857. Currier & Ives produced millions of affordably priced copies of over 7,000 original lithographs, living up to its self-appointed title as "The Grand Central Depot for Cheap and Popular Prints." The firm took advantage of New York City's booming arts culture in the latter half of the 19th century, but its output was not seen as fine art by critics, nor was it intended as such. Its prints were first and foremost commodities; the choice subjects often determined by popularity and sales figures. Currier & Ives perpetuated Victorian ideals in its depictions of family, history, politics and urban and suburban life. But these prints also served as an important record of a nation in the midst of an extraordinary transformation from a rural and agricultural landscape to an industrialized and urbanized global power. Along with their popular appeal, Currier & Ives's images offer a new opportunity to uncover the complexities and contradictions of our history and help shape our understanding of America's past.
Author | : Currier and Ives Staff |
Publisher | : Dover Publications |
Total Pages | : 0 |
Release | : 1991-12-23 |
Genre | : |
ISBN | : 9780486268491 |
Reproduced from originals in the Museum of the City of New York: 24 well-known Currier & Ives prints, among them "Home to Thanksgiving," "The Road Winter," and "American Express Train." "
Author | : Bryan F. LeBeau |
Publisher | : Smithsonian Books (DC) |
Total Pages | : 408 |
Release | : 2001-09-17 |
Genre | : Art |
ISBN | : |
"When Nathaniel Currier started his publishing business in 1834, the mass production of visual images was almost unknown. Currier and his partner, James Ives, literally changed the American landscape by mass-producing inexpensive lithographs and selling millions of copies that adorned countless homes, businesses, and even barns. The Currier and Ives catalog included some 7,000 works by dozens of artists, accounting for 95 percent of all lithographs purchased nationwide. Bryan F. Le Beau provides the first in-depth study of the sweeping range of Currier and Ives images produced until the end of the century, placing them in historical context as meaningful representations and reflections of American values, beliefs, hopes, and dreams."--Jacket.
Author | : Harold Holzer |
Publisher | : |
Total Pages | : 234 |
Release | : 1984 |
Genre | : Art |
ISBN | : 9780252026690 |
A fascinating examination of the relationship between Lincoln's image, the printmaker's craft, and the political culture that helped shape them both, "The Lincoln Image" documents how printmakers both chronicled and influenced the president's transformation into an American icon. 106 photos.
Author | : Harold Holzer |
Publisher | : LSU Press |
Total Pages | : 180 |
Release | : 2006-05-01 |
Genre | : History |
ISBN | : 080713144X |
The Emancipation Proclamation is the most important document of arguably the greatest president in U.S. history. Now, Edna Greene Medford, Frank J. Williams, and Harold Holzer -- eminent experts in their fields -- remember, analyze, and interpret the Emancipation Proclamation in three distinct respects: the influence of and impact upon African Americans; the legal, political, and military exigencies; and the role pictorial images played in establishing the document in public memory. The result is a carefully balanced yet provocative study that views the proclamation and its author from the perspective of fellow Republicans, antiwar Democrats, the press, the military, the enslaved, free blacks, and the antislavery white establishment, as well as the artists, publishers, sculptors, and their patrons who sought to enshrine Abraham Lincoln and his decree of freedom in iconography.Medford places African Americans, the people most affected by Lincoln's edict, at the center of the drama rather than at the periphery, as previous studies have done. She argues that blacks interpreted the proclamation much more broadly than Lincoln intended it, and during the postwar years and into the twentieth century they became disillusioned by the broken promise of equality and the realities of discrimination, violence, and economic dependence. Williams points out the obstacles Lincoln overcame in finding a way to confiscate property -- enslaved humans -- without violating the Constitution. He suggests that the president solidified his reputation as a legal and political genius by issuing the proclamation as Commander-in-Chief, thus taking the property under the pretext of military necessity. Holzer explores how it was only after Lincoln's assassination that the Emancipation Proclamation became an acceptable subject for pictorial celebration. Even then, it was the image of the martyr-president as the great emancipator that resonated in public memory, while any reference to those African Americans most affected by the proclamation was stripped away.This multilayered treatment reveals that the proclamation remains a singularly brave and bold act -- brilliantly calculated to maintain the viability of the Union during wartime, deeply dependent on the enlightened voices of Lincoln's contemporaries, and owing a major debt in history to the image-makers who quickly and indelibly preserved it.