| Author | : Helena Goscilo |
| Publisher | : University of Michigan Press |
| Total Pages | : 196 |
| Release | : 1996 |
| Genre | : Glasnost |
| ISBN | : 9780472066148 |
A look at women's changing roles and images in the emerging new Russian society
Overkill
| Author | : Eliot Borenstein |
| Publisher | : Cornell University Press |
| Total Pages | : 286 |
| Release | : 2011-05-02 |
| Genre | : Literary Criticism |
| ISBN | : 0801463459 |
Perestroika and the end of the Soviet Union transformed every aspect of life in Russia, and as hope began to give way to pessimism, popular culture came to reflect the anxiety and despair felt by more and more Russians. Free from censorship for the first time in Russia's history, the popular culture industry (publishing, film, and television) began to disseminate works that featured increasingly explicit images and descriptions of sex and violence. In Overkill, Eliot Borenstein explores this lurid and often-disturbing cultural landscape in close, imaginative readings of such works as You're Just a Slut, My Dear! (Ty prosto shliukha, dorogaia!), a novel about sexual slavery and illegal organ harvesting; the Nympho trilogy of books featuring a Chechen-fighting sex addict; and the Mad Dog and Antikiller series of books and films recounting, respectively, the exploits of the Russian Rambo and an assassin killing in the cause of justice. Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats. At the same time, they built a notion of nationalism or heroism that could be maintained even under the most miserable of social conditions, when consumers felt most powerless. For Borenstein, the myriad depictions of deviance in pornographic and also detectiv fiction, with their patently excessive and appalling details of social and moral decay, represented the popular culture industry's response to the otherwise unimaginable scale of Russia's national collapse. "The full sense of collapse," he writes, "required a panoptic view that only the media and culture industry were eager to provide, amalgamating national collapse into one master narrative that would then be readily available to most individuals as a framework for understanding their own suffering and their own fears."
Gender in History
| Author | : Merry E. Wiesner-Hanks |
| Publisher | : John Wiley & Sons |
| Total Pages | : 250 |
| Release | : 2011-06-24 |
| Genre | : History |
| ISBN | : 1444351729 |
GENDER IN HISTORY Praise for the first edition: “Wiesner-Hanks ... accomplishes a near-impossible feat - a review of what is known about the construction of gender and the character of women’s lives in all known cultures over the course of human history .... Theoretically sophisticated and doing justice to the historical and cross-cultural record, yet assimilable by students.” Choice “Gender in History brilliantly explores the influence of gender constructs in political, social, economic, and cultural affairs. The remarkable cultural, geographical, and chronological range of Wiesner-Hanks’ research is matched only by the sophistication, nuance, and clarity of her analysis. This book offers a rare and valuable global perspective on gender roles in human history.” Jerry H. Bentley, University of Hawaii Over the past two decades, considerations of gender have revolutionized the study of history. Yet most books on the subject remain narrowly focused on a specific time period or particular region of the world. Gender in History: Global Perspectives, Second Edition, continues to redress this inequity by providing a concise overview of the construction of gender in many world cultures over a period stretching from the Paleolithic era to modern times. Thoroughly updated to reflect current developments in the field, the new edition features entirely new sections which address primates, slavery, colonialism, masculinity, transgender issues, and other relevant topics. As in the well-received first edition, material is presented thematically to reveal the connections between gender and structures such as the family, economy, law, religion, sexuality, and the state. Wiesner-Hanks also investigates precisely what it meant to be a man or woman throughout history; how these roles were shaped by various institutions; and how they in turn were influenced by gender. The author presents material within each chapter chronologically to highlight the ways in which gender structures have varied over time. The new edition of Gender in History: Global Perspectives offers rich insights into all that is currently known about gender roles throughout world history. A companion website is available at www.wiley.com/go/wiesnerhanks
Gender Violence in Russia
| Author | : Janet Elise Johnson |
| Publisher | : Indiana University Press |
| Total Pages | : 514 |
| Release | : 2009-02-18 |
| Genre | : Family & Relationships |
| ISBN | : 0253220742 |
Just a few years ago, most Russian citizens did not recognize the notion of domestic violence or acknowledge that such a problem existed. Today, after years of local and international pressure to combat violence against women, things have changed dramatically. Gender Violence in Russia examines why and how this shift occurred—and why there has been no similar reform on other gender violence issues such as rape, sexual assault, or human trafficking. Drawing on more than a decade of research, Janet Elise Johnson analyzes media coverage and survey data to explain why some interventions succeed while others fail. She describes the local-global dynamics between a range of international actors, from feminist activists to national governments, and an equally diverse set of Russian organizations and institutions.
Gender and Trauma since 1900
| Author | : Paula A. Michaels |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 297 |
| Release | : 2021-04-08 |
| Genre | : History |
| ISBN | : 1350145378 |
Is Trauma a transhistorical, transnational phenomenon? Gender and Trauma challenges the standard history that has led to our contemporary understanding of psychological trauma to answer this question, and to explore the impact of gender in the experience and understanding of emotional distress. Bringing together eleven case studies from all over the world, it draws on methods from history, gender and communication studies to consider how trauma has been understood over the 20th and 21st centuries. Encompassing histories from Australia, Britain, Indonesia, Italy, the Soviet Union, Timor Leste, the United States and Vietnam, these examples demonstrate how gender and trauma are inextricably linked, and how the term 'trauma' has evolved over time. With chapters on war, political repression, displacement, rape and childbirth, the cases showcased in this volume highlight two pivotal transformations across the 20th century. First, the transformation of the trauma sufferer from perpetrator to victim, and second, the increased understanding of psychological consequences of sexual assault and domestic violence. Together, these diverse stories yield a more nuanced picture of what trauma is, how we have understood it alongside gender in the past, and how this affects our understanding of it in the present.
Gender, Geography, and Punishment
| Author | : Judith Pallot |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2012-10-04 |
| Genre | : Social Science |
| ISBN | : 0191633208 |
This book is the first of its kind that brings together human geography and the sociology of punishment to explore the relationship between distance and the punishment in contemporary Russia. Using established penological and geographical theories, the book presents in-depth empirical research to show how the experiences of women prisoners are shaped by the distances that the Russian penal service sends prisoners to serve their sentences. Its most eye-catching feature is its use of interviews conducted by the authors and their research team with adult and juvenile women prisoners, ex-prisoners and prison officers in penal facilities in different regions of the Russian Federation between 2006 and 2010. It includes discussion of the impact of Russia's distinctive penal geography on prisoners' family relationships, how women prisoners' sense of place and gender identities are shaped and re-shaped on their journey from pre-trial facility to 'correction colony' to release, and the social hierarchies, relationships and practices that characterise Russia's penal institutions for women. The authors are both experienced researchers in Russia. The book brings together their complementary disciplinary expertise in the development of the concept of 'coerced mobilization' to explore Russia's punishment culture. The book argues that Russia's inherited geography of penality, combined with traditional ideas about women's role that shape the penal service's management of women prisoners, add to their 'pains of imprisonment'. Crucially, the authors show how these factors are constraining the Russian penal service's ability to implement successive reforms aimed at humanizing Russia's notoriously tough prisons. Russian imprisonment as it relates to women is, they believe, an area of significant concern for lawmakers in that country as well as to human rights campaigners, geographers interested in space and power, and scholars studying the post-Soviet system.
The Gothic-Fantastic in Nineteenth-Century Russian Literature
| Author | : Cornwell |
| Publisher | : BRILL |
| Total Pages | : 299 |
| Release | : 2023-12-18 |
| Genre | : Literary Criticism |
| ISBN | : 9004652949 |
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
| Author | : Mary Zirin |
| Publisher | : Routledge |
| Total Pages | : 2121 |
| Release | : 2015-03-26 |
| Genre | : Political Science |
| ISBN | : 131745197X |
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Situating the Feminist Gaze and Spectatorship in Postwar Cinema
| Author | : Marcelline Block |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 410 |
| Release | : 2009-01-14 |
| Genre | : Performing Arts |
| ISBN | : 1443804398 |
Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”
