Weimar

Weimar
Author: Michael H. Kater
Publisher: Yale University Press
Total Pages: 497
Release: 2014-09-28
Genre: History
ISBN: 0300210108

Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.

Science, Magic and Religion

Science, Magic and Religion
Author: Mary Bouquet
Publisher: Berghahn Books
Total Pages: 260
Release: 2005
Genre: Art
ISBN: 9781571815200

Exploring the idea of the museum as a ritual site, this volume looks at contemporary experience across Europe and Africa to reveal the different ways in which various actors involved in cultural production dramatize and ritualize such places

A Socialist Realist History?

A Socialist Realist History?
Author: Kristina Jõekalda
Publisher: Böhlau Köln
Total Pages: 281
Release: 2019-06-17
Genre: History
ISBN: 3412516686

How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.

Artists Under Hitler

Artists Under Hitler
Author: Jonathan Petropoulos
Publisher: Yale University Press
Total Pages: 432
Release: 2014-11-28
Genre: History
ISBN: 0300210612

“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.

Bringing Culture to the Masses

Bringing Culture to the Masses
Author: Esther von Richthofen
Publisher: Berghahn Books
Total Pages: 254
Release: 2009
Genre: History
ISBN: 9781845454586

This text explores how cultural life in the former German Democratic Republic (GDR) was strictly controlled by the ruling party, the SED, through attempts to dictate the way people spent their free time. It shows how people's cultural life in the GDR developed a dynamic of its own.

Weimar in Exile

Weimar in Exile
Author: Jean-Michel Palmier
Publisher: Verso Books
Total Pages: 934
Release: 2017-01-31
Genre: History
ISBN: 1784786462

A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.

Fault Lines

Fault Lines
Author: John-Paul Stonard
Publisher:
Total Pages: 402
Release: 2007
Genre: Art
ISBN:

Examining the role of artists in the years following the Second World War, Fault Lines reveals the reconstruction of German artistic culture during a period of great upheaval. This volume offers an important and insightful account of art and artists in Germany in the wake of the Second World War, and of the reconstruction of German artistic culture in the early stages of the Cold War. Drawing on a broad range of archival and visual sources, Fault Lines examines the circumstances of destruction, defeat and division in the postwar decade, and the role played by artists during the first moments of reconstruction and occupation. Author John-Paul Stonard asks: How did artists respond to the destruction of Germany by Allied bombardment? What was the impact of Russian, American, French and British cultural policies during the military occupation? What were the connections between East and West?

People, Nations and Traditions in a Comparative Frame

People, Nations and Traditions in a Comparative Frame
Author: DMaris Coffman
Publisher: Anthem Press
Total Pages: 431
Release: 2021-03-10
Genre: History
ISBN: 1785277693

If the turn of the twenty-first century was characterised by the ‘history wars’ in which bitter internecine battles raged between different historical schools, Jonathan Steinberg was noteworthy for his methodological pluralism. His own historical worked spanned diplomatic history, military history, the social history of war, biography, social history, banking history, political culture and genocide studies. He often employed a comparative historical approach, which teased out deep historical explanations by examining personalities, nations and traditions simultaneously. This book offers a critical appreciation of his contribution to modern historical practice with contributions by former students and colleagues, whose own interests are as diverse as those of Steinberg himself.