Author | : Torquato Tasso |
Publisher | : Oxford University Press, USA |
Total Pages | : 282 |
Release | : 1973 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : Torquato Tasso |
Publisher | : Oxford University Press, USA |
Total Pages | : 282 |
Release | : 1973 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : John Dryden |
Publisher | : BoD – Books on Demand |
Total Pages | : 250 |
Release | : 2022-11-25 |
Genre | : Fiction |
ISBN | : 3368438719 |
Reproduction of the original.
Author | : Ulrich Broich |
Publisher | : Cambridge University Press |
Total Pages | : 252 |
Release | : 1990-10-18 |
Genre | : Literary Criticism |
ISBN | : 9780521309653 |
This book is the first comprehensive study of the theory, the conventions and the history of the mock-heroic genre. In the first part, Ulrich Broich shows how mock-heroic poetry combines the characteristics of various discourses - epic, comedy, parody, satire and occasional poetry. The second part traces the history of mock-heroic poetry.
Author | : John Dryden |
Publisher | : DigiCat |
Total Pages | : 160 |
Release | : 2022-08-01 |
Genre | : History |
ISBN | : |
DigiCat Publishing presents to you this special edition of "Discourses on Satire and on Epic Poetry" by John Dryden. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Egbert J. Bakker |
Publisher | : Cornell University Press |
Total Pages | : 257 |
Release | : 2018-03-15 |
Genre | : History |
ISBN | : 1501722778 |
No detailed description available for "Poetry in Speech".
Author | : Roy Eriksen |
Publisher | : Penn State Press |
Total Pages | : 222 |
Release | : 2010-11 |
Genre | : Literary Criticism |
ISBN | : 0271038799 |
In The Building in the Text, Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as &"plot,&" &"topos,&" &"fabrica,&" and &"stanza,&" Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos. Eriksen&’s book will be of interest to art historians, historians of literature, and those concerned with the classical heritage, rhetoric, music, and architecture.
Author | : Evonne Levy |
Publisher | : University of Texas Press |
Total Pages | : 367 |
Release | : 2014-01-06 |
Genre | : Art |
ISBN | : 0292753098 |
Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another. Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
Author | : David Sandner |
Publisher | : Routledge |
Total Pages | : 200 |
Release | : 2016-04-22 |
Genre | : Literary Criticism |
ISBN | : 1317157427 |
Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.