Double Falsehood

Double Falsehood
Author: William Shakespeare
Publisher: A&C Black
Total Pages: 462
Release: 2010-03-01
Genre: Drama
ISBN: 190343677X

Plays, playscripts.

Double Falsehood

Double Falsehood
Author: William Shakespeare
Publisher:
Total Pages: 108
Release: 1920
Genre:
ISBN:

Shakespeare’s First Folio 1623-2023

Shakespeare’s First Folio 1623-2023
Author: Matthias Bauer
Publisher: Bloomsbury Publishing
Total Pages: 149
Release: 2024-09-05
Genre: Literary Criticism
ISBN: 1350436372

This wide-ranging collection reflects on the various motivations that caused the Folio to come into being in 1623, 7 years after Shakespeare's death, and on how the now iconic book has been continually reimagined after its initial publication to the present day. In honour of its original publication, Shakespeare's First Folio 1623-2023: Text and Afterlives brings together a remarkable set of ground-breaking essays by an international group of scholars. From the beginning, the publication that came to be called the 'First Folio' was defined by the tension between the book as text and the book as a material object. In this volume, the individual contributions move between these two meaningsin that they consider precursors to the First Folio in the form of reader-assembled volumes; the poetic identity of Shakespeare; and how misfortunes and successes in the early modern printing house shaped Shakespeare's text. Chapters examine the unpredictable and often surprising subsequent histories of the book that has even been given a sacred status and become the basis of Shakespeare's unique position in the history of literature. They consider: the afterlife of the text, in relation to the reception of Shakespeare's First Folio in Spain; its presence in and influence on James Joyce's Ulysses; the role that Meisei University of Japan's Shakespeare Collection has played in the education and research of the institution; and what the collection of 82 copies at the Folger Shakespeare Library in Washington, DC, tells us about the ongoing role of these books within the study of Shakespeare and the early modern period.

Shakespeare and the Embodied Heroine

Shakespeare and the Embodied Heroine
Author: L. Leigh
Publisher: Springer
Total Pages: 224
Release: 2014-10-10
Genre: Literary Criticism
ISBN: 1137465999

Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.

Cardenio, Or, The Second Maiden's Tragedy

Cardenio, Or, The Second Maiden's Tragedy
Author: William Shakespeare
Publisher: Glenbridge Publishing Ltd.
Total Pages: 302
Release: 1994
Genre: Drama
ISBN: 9780944435243

Long sought by scholars as the Holy Grail of world literature, and masquerading under the censor's makeshift title, "The second maiden's tragedy," this lost play was discovered by Charles Hamilton, a forensic document examiner and literary historian.

The Quest for Cardenio

The Quest for Cardenio
Author: David Carnegie
Publisher: Oxford University Press
Total Pages: 435
Release: 2012-09-06
Genre: Drama
ISBN: 0199641811

Bringing together leading scholars, critics, and theatre practitioners, this collection of essays is devoted to 'The History of Cardenio', a play based on Don Quixote and said to have been written by Shakespeare and the young man who was taking his place, John Fletcher.

Linguistic Fingerprints

Linguistic Fingerprints
Author: Roger Kreuz
Publisher: Rowman & Littlefield
Total Pages: 257
Release: 2023-08-01
Genre: Language Arts & Disciplines
ISBN: 1633888983

How much of ourselves do we disclose when we speak or write? A person’s accent may reveal, for example, whether they hail from Australia, or Ireland, or Mississippi. But it’s not just where we were born—we divulge all sorts of information about ourselves and our identity through language. Level of education, gender, age, and even aspects of our personality can all be reliably determined by our vocabulary and grammar. To those who know what to look for, we give ourselves away every time we open our mouths or tap on a keyboard. But how unique is a person’s linguistic identity? Can language be used to identify a specific person? To identify—or to exonerate—a murder suspect? To determine who authored a particular book? The answer to all these questions is yes. Forensic and computational linguists have developed methods that allow linguistic fingerprinting to be used in law enforcement. Similar techniques are used by literary scholars to identify the authors of anonymous or contested works of literature. Many people have heard that linguistic analysis helped to catch the Unabomber, or to unmask an anonymous editorialist—but how is it done? LINGUSISTIC FINGERPRINTS will explain how these methods were developed and how they are used to solve forensic and literary mysteries. But these techniques aren’t perfect, and the book will also include some cautionary tales about mistaken linguistic identity.

Shakespeare Imitations, Parodies and Forgeries, 1710-1820

Shakespeare Imitations, Parodies and Forgeries, 1710-1820
Author: Jeffrey Kahan
Publisher: Taylor & Francis
Total Pages: 408
Release: 2004
Genre: Drama
ISBN: 9780415288583

In their own day, the works in this collection of now all-but-forgotten plays, composed between 1710 and 1820, enjoyed much critical and commercial success. For example, Nicholas Rowe's "The Tragedy of Jane Shore" (1714) was the most popular new play of the eighteenth century, and the sixth most performed tragedy, following "Hamlet," "Macbeth," "Romeo and Juliet,"" Othello" and "King Lear." Even William Shirley's forgotten play, "Edward the Black Prince" (1750), "was well received with great applause" and had a stage history spanning three decades. This collection includes the performance text to the 1796 Ireland play, "Vortigern." The plays are all reset and, where possible, modernized from original manuscripts, with listed variants, and parallel passages traced to Shakespearean canonical texts. The set includes a new introduction by the editor, and raises important questions about the nature of artistic property and authenticity, a key area of Shakespearean research today.