DownBeat--the Great Jazz Interviews

DownBeat--the Great Jazz Interviews
Author: Frank Alkyer
Publisher: Hal Leonard Corporation
Total Pages: 356
Release: 2009
Genre: Music
ISBN: 9781423463849

Collects interviews from DownBeat's seventy-five year history, including conversations with Jelly Roll Morton, Louis Armstrong, Ornette Coleman, Cecil Taylor, Thelonious Monk, Rahsaan Roland Kirk, and Joe Zawinul.

The Miles Davis Reader

The Miles Davis Reader
Author: Frank Alkyer
Publisher: Hal Leonard Corporation
Total Pages: 432
Release: 2007
Genre: Music
ISBN: 9781423430766

Interviews and features from Downbeat Magazine

Coltrane on Coltrane

Coltrane on Coltrane
Author: Chris DeVito
Publisher: Musicians in Their Own Words
Total Pages: 0
Release: 2012
Genre: Music
ISBN: 9781556520044

Coltrane on Coltrane includes every known Coltrane interview, many in new transcriptions, and several previously unpublished; articles, reminiscences, and liner notes that rely on interviews; and some of Coltrane's personal writings and correspondence [Publisher description].

Conversations in Jazz

Conversations in Jazz
Author: Ralph J. Gleason
Publisher: Yale University Press
Total Pages: 296
Release: 2016-05-28
Genre: Music
ISBN: 030022074X

During his nearly forty years as a music journalist, Ralph J. Gleason recorded many in-depth interviews with some of the greatest jazz musicians of all time. These informal sessions, conducted mostly in Gleason’s Berkeley, California, home, have never been transcribed and published in full until now. This remarkable volume, a must-read for any jazz fan, serious musician, or musicologist, reveals fascinating, little-known details about these gifted artists, their lives, their personas, and, of course, their music. Bill Evans discusses his battle with severe depression, while John Coltrane talks about McCoy Tyner's integral role in shaping the sound of the Coltrane quartet, praising the pianist enthusiastically. Included also are interviews with Dizzy Gillespie, Sonny Rollins, Quincy Jones, Jon Hendricks, and the immortal Duke Ellington, plus seven more of the most notable names in twentieth-century jazz.

Griot

Griot
Author: Jeremy Pelt
Publisher:
Total Pages:
Release: 2021-02-08
Genre:
ISBN: 9781736663608

A collection of musician-to-musician interviews centered around Black social issues in Jazz.

The History of European Jazz

The History of European Jazz
Author: Francesco Martinelli
Publisher: Popular Music History
Total Pages: 0
Release: 2018
Genre: Music
ISBN: 9781781794463

As the first organic overview of the history of jazz in Europe and covering the subject from its inception to the present day, the volume provides a unique, authoritative addition to the musicological literature.

Ode to a Tenor Titan

Ode to a Tenor Titan
Author: Bill Milkowski
Publisher: Rowman & Littlefield
Total Pages: 409
Release: 2021-10-01
Genre: Biography & Autobiography
ISBN: 1493053787

After John Coltrane, there was no more revered and profoundly influential saxophonist on the planet than Michael Brecker. For those coming of age in the 1970s, during that transitional decade when the boundaries between rock and jazz had begun to blur, Brecker stood as a transcendent figure. He was their Trane. Ode to a Tenor Titan follows Michael's story from growing up in Philadelphia, finding his tenor sax voice during his brief stint at Indiana University, making his move to New York City in 1969 and taking the Big Apple by storm through the sheer power of his monstrous chops on the instrument. A commanding voice in jazz for four decades, Brecker possessed peerless technique (a byproduct of his remarkable work ethic and relentless woodshedding) and an uncanny ability to fit into every musical situation he encountered, whether it was as a ubiquitous studio musician (more than nine hundred sessions) for such pop stars as Paul Simon, James Taylor, Bruce Springsteen, Todd Rundgren, Chaka Khan, and Steely Dan; playing with seminal fusion bands like Dreams, Billy Cobham, and the Brecker Brothers; or collaborating with the likes of Frank Zappa, Charles Mingus, Pat Metheny, and Herbie Hancock. But his biggest triumphs came as a bandleader during the last twenty years of his career, when he produced some of the most challenging, inspired, and visionary modern jazz recordings of his time. A preternaturally gifted player whose facility seemed almost superhuman, he was also modest to a fault and universally beloved by fellow musicians. After coming through a dark decade of heroin addiction, he turned his life around and became a beacon for countless others to lead clean and sober lives. At the peak of his powers, he was struck down by a rare preleukemic blood disease that sidelined him for two and a half years. He got off a sick bed to make a heroic comeback with his swan song, Pilgrimage, which Pat Metheny called "one of the great codas in modern music history" and which earned him a posthumous Grammy Award in 2007. Michael Brecker was a player of tremendous heart and conviction as well a person of rare humility and kindness, and his story is one for the ages.

Jews and Jazz

Jews and Jazz
Author: Charles B Hersch
Publisher: Routledge
Total Pages: 262
Release: 2016-10-14
Genre: Music
ISBN: 131727038X

Jews and Jazz: Improvising Ethnicity explores the meaning of Jewish involvement in the world of American jazz. It focuses on the ways prominent jazz musicians like Stan Getz, Benny Goodman, Artie Shaw, Lee Konitz, Dave Liebman, Michael Brecker, and Red Rodney have engaged with jazz in order to explore and construct ethnic identities. The author looks at Jewish identity through jazz in the context of the surrounding American culture, believing that American Jews have used jazz to construct three kinds of identities: to become more American, to emphasize their minority outsider status, and to become more Jewish. From the beginning, Jewish musicians have used jazz for all three of these purposes, but the emphasis has shifted over time. In the 1920s and 1930s, when Jews were seen as foreign, Jews used jazz to make a more inclusive America, for themselves and for blacks, establishing their American identity. Beginning in the 1940s, as Jews became more accepted into the mainstream, they used jazz to "re-minoritize" and avoid over-assimilation through identification with African Americans. Finally, starting in the 1960s as ethnic assertion became more predominant in America, Jews have used jazz to explore and advance their identities as Jews in a multicultural society.

The Bebop Scene in London's Soho, 1945-1950

The Bebop Scene in London's Soho, 1945-1950
Author: Ray Kinsella
Publisher: Springer Nature
Total Pages: 285
Release: 2022-11-23
Genre: History
ISBN: 3031055551

This is the first book to tell the story of the bebop subculture in London’s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho’s clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the ‘classic’ subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.