Author | : Caecilia Davis-Weyer (red.) |
Publisher | : University of Toronto Press |
Total Pages | : 196 |
Release | : 1986-01-01 |
Genre | : Art |
ISBN | : 9780802066282 |
Originally published by Prentice-Hall, 1971.
Author | : Caecilia Davis-Weyer (red.) |
Publisher | : University of Toronto Press |
Total Pages | : 196 |
Release | : 1986-01-01 |
Genre | : Art |
ISBN | : 9780802066282 |
Originally published by Prentice-Hall, 1971.
Author | : Caecilia Davis-Weyer |
Publisher | : |
Total Pages | : 182 |
Release | : 1971 |
Genre | : Art, Mediaeval |
ISBN | : |
Author | : Lawrence Nees |
Publisher | : Oxford University Press, USA |
Total Pages | : 274 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780192842435 |
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author | : R. A. Stalley |
Publisher | : Oxford University Press, USA |
Total Pages | : 276 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9780192842237 |
Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.
Author | : Benjamin Anderson |
Publisher | : Yale University Press |
Total Pages | : 213 |
Release | : 2017-02-28 |
Genre | : Art |
ISBN | : 030022849X |
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
Author | : Veronica Sekules |
Publisher | : Oxford University Press |
Total Pages | : 246 |
Release | : 2001-04-26 |
Genre | : Art |
ISBN | : 9780192842411 |
This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.
Author | : Everett Ferguson |
Publisher | : Routledge |
Total Pages | : 1270 |
Release | : 2013-10-08 |
Genre | : Religion |
ISBN | : 1136611576 |
First published in 1997. What's new in the Second Edition: Some 250 new entries, twenty-five percent more than in the first edition, plus twenty-five new expert contributors. Bibliographies are greatly expanded and updated throughout; More focus on biblical books and philosophical schools, their influence on early Christianity and their use by patristic writers; More information about the Jewish and pagan environment of early Christianity; Greatly enlarged coverage of the eastern expansion of the faith throughout Asia, including persons and literature; More extensive treatment of saints, monasticism, worship practices, and modern scholars; Greater emphasis on social history and more theme articles; More illustrations, maps, and plans; Additional articles on geographical regions; Expanded chronological table; Also includes maps.
Author | : Eric M. Ramírez-Weaver |
Publisher | : Penn State Press |
Total Pages | : 313 |
Release | : 2017-02-24 |
Genre | : Art |
ISBN | : 0271078278 |
In A Saving Science, Eric Ramírez-Weaver explores the significance of early medieval astronomy in the Frankish empire, using as his lens an astronomical masterpiece, the deluxe manuscript of the Handbook of 809, painted in roughly 830 for Bishop Drogo of Metz, one of Charlemagne’s sons. Created in an age in which careful study of the heavens served a liturgical purpose—to reckon Christian feast days and seasons accurately and thus reflect a “heavenly” order—the diagrams of celestial bodies in the Handbook of 809 are extraordinary signifiers of the intersection of Christian art and classical astronomy. Ramírez-Weaver shows how, by studying this lavishly painted and carefully executed manuscript, we gain a unique understanding of early medieval astronomy and its cultural significance. In a time when the Frankish church sought to renew society through education, the Handbook of 809 presented a model in which study aided the spiritual reform of the cleric’s soul, and, by extension, enabled the spiritual care of his community. An exciting new interpretation of Frankish painting, A Saving Science shows that constellations in books such as Drogo’s were not simple copies for posterity’s sake, but functional tools in the service of the rejuvenation of a creative Carolingian culture.