Author | : Sergei Eisenstein |
Publisher | : Drama |
Total Pages | : 101 |
Release | : 1988 |
Genre | : Criticism & Analysis |
ISBN | : 9780413196408 |
Author | : Sergei Eisenstein |
Publisher | : Drama |
Total Pages | : 101 |
Release | : 1988 |
Genre | : Criticism & Analysis |
ISBN | : 9780413196408 |
Author | : Sergei Ėjzenštejn |
Publisher | : |
Total Pages | : 101 |
Release | : 1986 |
Genre | : |
ISBN | : 9780856471957 |
Author | : Ronald Bergan |
Publisher | : Skyhorse |
Total Pages | : 514 |
Release | : 2016-01-05 |
Genre | : Performing Arts |
ISBN | : 1628726261 |
Now back in print, this acclaimed biography reassesses a titan of early cinema based on new material released after the fall of the Soviet Union. Sergei Eisenstein: A Life in Conflict tells the dramatic story of one of world cinema’s towering geniuses and principal theorists. Ronald Bergan details Eisenstein’s life from his precocious childhood to his explosion onto the avant-garde scene in revolutionary Russia, through his groundbreaking film career, his relationships with authors and artists such as James Joyce and Walt Disney, and his untimely death at age fifty. Eisenstein’s landmark films, including The Battleship Potemkin and Ivan the Terrible, are still watched, admired, and taught throughout the world. Drawing upon material recently released from the Soviet archives after the breakup of the USSR and from Eisenstein’s personal letters, diaries, and sketches, Bergan shines a new light on the influence of Eisenstein’s early life on his work, his homosexuality, and his keen interest in the West. This book is the definitive biography of an influential director who saw film as the synthesis of all the arts and whose work displayed a passionate and profound grasp of art, science, philosophy, and religion.
Author | : Sergei Eisenstein |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 316 |
Release | : 1947 |
Genre | : Biography & Autobiography |
ISBN | : 9780156309356 |
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Author | : Sergei Eisenstein |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Animated films |
ISBN | : 9780857424914 |
Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible--he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. On Disney, which was begun in 1940 but was never finished, was part of a series of essays Eistenstein wrote on masters of cinema; for Eisenstein, Walt Disney offered a way to think about how such impulses and animism and totemism survived in modern consciousness and art. This edition presents the original, unfinished essay along with material on Disney that Eisenstein worked on in subsequent years but never succeeded in integrating with the original.
Author | : Esther Leslie |
Publisher | : Verso Books |
Total Pages | : 465 |
Release | : 2020-05-05 |
Genre | : Performing Arts |
ISBN | : 1789609534 |
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.
Author | : Neal Gabler |
Publisher | : Vintage |
Total Pages | : 914 |
Release | : 2007-10-09 |
Genre | : Biography & Autobiography |
ISBN | : 0679757473 |
The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography USA Today Biography of the Year
Author | : Sergei Eisenstein |
Publisher | : |
Total Pages | : 448 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : |
The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his filmmaking and polemical activities during World War II, including his correspondence with Soviet leaders over Ivan the Terrible.