Embodied Voicework

Embodied Voicework
Author: Lisa Sokolov
Publisher:
Total Pages:
Release: 2020
Genre: Singing
ISBN: 9781945411380

Embodied VoiceWork: Beyond Singing is an introduction to the theory and practice of Embodied VoiceWork (EVW), a comprehensive method developed by the author exploring vocal improvisation as an expressive language and transformational tool. This book serves as a resource for exploring one's own voice and using voice as an integral part of the therapeutic process. It lays out the resources and the power within the process of connecting into music, the body and the breath, and freeing the voice. This work has been applied in music therapy practice, arts education, and human potential work.

Voice Studies

Voice Studies
Author: Konstantinos Thomaidis
Publisher: Routledge
Total Pages: 409
Release: 2015-05-22
Genre: Music
ISBN: 1317611020

Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including: voice training from the Alexander Technique to practice-as-research; operatic and extended voices in early baroque and contemporary underwater singing; voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang; voice, embodiment and gender in Robertson’s 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci’s theatre; perceiving voice as a composer, listener, or as eavesdropper; voice, technology and mobile apps. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?

Voicework in Music Therapy

Voicework in Music Therapy
Author: Felicity Baker
Publisher: Jessica Kingsley Publishers
Total Pages: 370
Release: 2011-08-15
Genre: Psychology
ISBN: 0857004808

The voice is a powerful instrument in music therapy practice and this anthology of voicework techniques explores everything the practitioner and researcher needs to know in order to bring about successful vocal interventions across a broad range of client groups. Compiling a wealth of international evidence-based practice, this book offers detailed descriptions of clinical methods that are grounded in research. Chapters are grouped into structured and unstructured approaches for use with clients of all ages. Clinical populations covered include neonates, children with autism or developmental disability, individuals with neurological damage including stroke, Parkinson's disease patients, traumatic brain injury, and spinal injury, people with mental illness, medical conditions such as asthma and pain, oncology and palliative care, aged care and dementia. This book will be an invaluable resource for any music therapy student, practitioner or researcher looking to explore the use of voicework in music therapy.

Voicework in Music Therapy

Voicework in Music Therapy
Author: Felicity Baker
Publisher: Jessica Kingsley Publishers
Total Pages: 370
Release: 2011
Genre: Psychology
ISBN: 1849051658

An anthology of voicework techniques. It explores the information the practitioner needs to know in order to bring about successful interventions across a range of client groups. It is suitable for music therapy students or practitioners looking to explore the use of voicework in music therapy.

The Naked Voice

The Naked Voice
Author: W. Stephen Smith
Publisher: Oxford University Press
Total Pages: 223
Release: 2007-03-15
Genre: Language Arts & Disciplines
ISBN: 0195300505

Focusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, The Naked Voice allows readers to develop their own full and individual identities as singers

Somatic Voices in Performance Research and Beyond

Somatic Voices in Performance Research and Beyond
Author: Christina Kapadocha
Publisher: Routledge
Total Pages: 276
Release: 2020-10-21
Genre: Performing Arts
ISBN: 042978077X

Somatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader’s own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19–20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.

Using Voice and Song in Therapy

Using Voice and Song in Therapy
Author: Paul Newham
Publisher: Jessica Kingsley Publishers
Total Pages: 150
Release: 1999
Genre: Medical
ISBN: 9781853025907

Using Voice and Song in Therapy is a practical and imaginative guide to the way in which singing and the expressive use of the voice can facilitate therapy. Paul Newham examines how melody creation combined with story-telling in song, can alleviate certain emotional, psychosomatic and psychological symptoms.

Voice Work

Voice Work
Author: Christina Shewell
Publisher: John Wiley & Sons
Total Pages: 549
Release: 2013-07-03
Genre: Medical
ISBN: 1118697383

Voice Work: Art and Science in Changing Voices is a key work that addresses the theoretical and experiential aspects common to the practical vocal work of the three major voice practitioner professions - voice training, singing teaching, and speech and language pathology. The first half of the book describes the nature of voice work along the normal-abnormal voice continuum, reviews ways in which the mechanism and function of the voice can be explored, and introduces the reader to an original model of voice assessment, suitable for all voice practitioners. The second half describes the theory behind core aspects of voice and provides an extensive range of related practical voice work ideas. Throughout the book, there are a number of case studies drawn from the author's own experiences and a companion website, providing audio clips to illustrate aspects of the text, can be found at www.wiley.com/go/shewell.

Voice

Voice
Author: Jane Boston
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2018-07-11
Genre: Performing Arts
ISBN: 1137301961

This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.