Entertainment, Media, and the Law

Entertainment, Media, and the Law
Author: Paul C. Weiler
Publisher: West Publishing Company
Total Pages: 1182
Release: 1997
Genre: Law
ISBN:

Entertainment, media and the law : text, cases, problems.

Entertainment Law

Entertainment Law
Author: Sherri Burr
Publisher:
Total Pages: 0
Release: 2017
Genre: Artists' contracts
ISBN: 9781683282587

Hardbound - New, hardbound print book.

Entertainment and Media Law in Ireland

Entertainment and Media Law in Ireland
Author: Simon Shire
Publisher:
Total Pages: 0
Release: 2018-09-17
Genre:
ISBN: 9781911611073

Entertainment and Media Law in Ireland explains the typical issues which arise in the media and entertainment industry in Ireland to better equip the reader with a valuable working knowledge of the fundamentals. It seeks to serve the needs of time-pressed professionals working in this area by providing a helpful quick-reference guide. The book can be viewed as a series of signposts in the form of best practice principles and is written from a practical and business perspective. It is presented in straightforward, non-specialist, jargon-free language while simultaneously citing legislation, EU law and common law for the benefit of its legal and more experienced audience. This is the first book of its kind in Ireland collating a wealth of information sources to address the myriad of crucial business and legal considerations confronting creative practitioners and lawyers alike, from the 'why' and 'how' to obtain filming permits, to the hazards of court reporting and defamation for journalists and bloggers, to ensuring all production paperwork is in order to allow full, commercial exploitation of a music composition or film.

Entertainment Law

Entertainment Law
Author: Corey Field
Publisher: Cognella Academic Publishing
Total Pages:
Release: 2019-11-26
Genre:
ISBN: 9781793512765

Entertainment Law: Fundamentals and Practice is a comprehensive and unique "how to" guide covering every area of entertainment law including fundamental principles, detailed business models, legal foundations, contract terms, practical advice, and full legal citations for cases and statutes. It has the depth required for practicing lawyers and law students, while at the same time being readable, approachable, and a guidebook for anyone interested in how the entertainment industry works including general courses in the entertainment, film, and music industries. The key to understanding entertainment law is to understand the underlying business models. The unique broad scope of the book is organized into chapters focusing on film, television, book and magazine publishing, music, live theater, radio, celebrity rights, and cyber law. Within those categories, topics such as agents and managers, licensing, advertising, social media, financing, branding, digital media, new television models, new models in music publishing and recording and digital radio, computer games, and copyright fair use are included. The revised first edition includes new and expanded coverage on the Music Modernization Act, film and TV production state tax incentives, case updates in life story rights for film and TV music licensing, and updates on legal and business issues between talent agencies and guilds. Developed in recognition of the broad scope of entertainment law and its areas of overlap with contract, corporate, intellectual property, regulatory law, and more, Entertainment Law: Fundamentals and Practice is an excellent resource for both survey courses and breakout courses on film, television, and music law, among others.

Entertainment Law

Entertainment Law
Author: Thomas D. Selz
Publisher: West Group Publishing
Total Pages: 1340
Release: 1992
Genre: Law
ISBN:

The Law and Business of the Entertainment Industry

The Law and Business of the Entertainment Industry
Author: Dennis Greene
Publisher: Cognella Academic Publishing
Total Pages: 572
Release: 2013
Genre: Law
ISBN: 9781609271374

"The Law and Business of the Entertainment Industry is designed to give the reader an inside understanding of the range of factors that come into play in entertainment industry transactions. The book examines major areas of entertainment industry endeavor such as books, film, music, television, and theater from the transactional side, while also looking at some of their other aspects, such as copyright, right of publicity, and negotiation. Each chapter of the book opens with a dialogue between the course professor and three representative students: an artist student, a business student, and a law student, in order to frame the issues dealt with in the chapter for the diverse perspectives that these students may sometimes bring to the subject matter. After having read these dialogue openings, the reader is then exposed to an informational article and several legal disputes which have been resolved in the courts in each of the subject areas. To stimulate interest in the readers, they will find that these legal disputes often involve well known entities in the entertainment industry, from rock stars and movie stars to television networks and Hollywood Studio and films. To enhance the learning experience for the reader, each chapter closes with a simulated negotiation scenario in the subject area. After having become familiar with both the overt and covert issues in each of these industries, readers can then stage negotiations in class where they role-play characters in the negotiation scenario. This exercise serves as a tool to entrench their knowledge and understanding of the entertainment industry discipline. The author has spent over forty years working in many areas of the entertainment industry. Professor Greene has worked in the television industry, the music industry, the motion picture industry, theater and books. As an artist he has performed all over the world. As an entertainment executive, he has been a Hollywood studio vice-president, run a record label, and been a producer of theater and film. The range of his experiences from having performed at the Woodstock Festival in 1969, to graduating from Columbia, Harvard, and Yale Universities infuses this book with a range of unique perspectives and experiences that makes it stand out from every other book of its type in the marketplace. Professor Frederick Dennis Greene was born in and raised in Harlem and the Bronx in New York City. He graduated from the Hotchkiss School in Lakeville and then went to Columbia University, where he was a founding member of the rock group, ShaNaNa. He performed with the group for fifteen years, touring internationally and appearing on 100 episodes of their internationally syndicated TV series, ShaNaNa. Greene went on to earn a Masters in Education from the Harvard Graduate School of Education and a law degree from Yale Law School. After law school, Greene was a vice-president of production at Columbia Pictures and then a producer at the studio. He then went into law teaching at schools such as the University of Oregon School of Law and Florida A & M University College of Law. He is presently a Professor of Law at the University of Dayton School of Law, where he teaches Constitutional Law and Entertainment Law. He also teaches a film course, Politics, Race and Gender in the Hollywood Film, in the University of Dayton College of Arts and Sciences."

Entertainment Law

Entertainment Law
Author: Adam Epstein
Publisher: Prentice Hall
Total Pages: 0
Release: 2006
Genre: Entertainers
ISBN: 9780131147430

Introducing a historical perspective in the music, radio, television, and motion picture industries, this book contains interrelated chapters that clearly and concisely expose readers to various legal issues among the segments of the entertainment industry. It shows that an appreciation of the extremely creative individuals that comprise the industry will be helpful if you choose entertainment law as a career. After a short overview of the American legal system, this book covers agents and managers, entertainment contracts, constitutional issues, administrative regulation, antitrust regulation, intellectual property issues, live performance issues, music and music publishing issues, and legal issues in television and motion pictures. An excellent reference and informational book for anyone involved in sports and/or entertainment law, including paralegals, legal assistants, and talent managers.

Understanding the Business of Entertainment

Understanding the Business of Entertainment
Author: Gregory Bernstein
Publisher: CRC Press
Total Pages: 328
Release: 2015-05-15
Genre: Art
ISBN: 1317680510

Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make films independently, you’ll find advice on where to look for financing, what kinds of deals might be made in the course of production, and important information on insurance, releases, and licenses. Other topics covered include: Hollywood’s growth and the current conglomerates that own most of the media How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects, manage production, seek out independent films, and engage in marketing and distribution The kinds of revenues studios earn and how they account for these revenues How television networks and new media-delivery companies like Netflix operate and where the digital revolution might take those who will one day work in the film and TV business As an award- winning screenwriter and entertainment attorney, Gregory Bernstein give us an inside look at the business of entertainment. He proves that knowing what is behind filmmaking is just as important as the film itself.