Author | : Lewis Foreman Day |
Publisher | : |
Total Pages | : 342 |
Release | : 1882 |
Genre | : Aesthetic movement (Art) |
ISBN | : |
Author | : Lewis Foreman Day |
Publisher | : |
Total Pages | : 342 |
Release | : 1882 |
Genre | : Aesthetic movement (Art) |
ISBN | : |
Author | : Gail Feigenbaum |
Publisher | : Getty Publications |
Total Pages | : 386 |
Release | : 2024-06-25 |
Genre | : Art |
ISBN | : 1606068911 |
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of wellknown international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
Author | : Stephan Tschudi-Madsen |
Publisher | : Courier Corporation |
Total Pages | : 500 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 9780486417943 |
A revolutionary reaction to traditional nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and craftspeople attempted to create a style suitable for a "modern" age. In this absorbing, exceptionally detailed, and well-researched book (one of the first scholarly works to revive interest in the style after World War II), a noted Norwegian authority on the subject examines the movement in depth. Stephan Madsen offers a wealth of facts and insights about the origins and development of the style; trends leading up to Art Nouveau, including the influence of Blake and the Pre-Raphaelites; early Art Nouveau posters and book illustrations; and its use in architectural ornamentation, furniture, jewelry, wrought-iron, glass, and other applied arts. A magnificent selection of 264 photographs and line drawings accompanies the text, which gives broad coverage to the movement, as well as insightful discussions of such important artists as Emile Gallé, Alphonse Mucha, Walter Crane, Charles Rennie Mackintosh, Aubrey Beardsley, Henry Van de Velde, Victor Horta, William Morris, and Eugène Grasset. Artists and students, admirers of Art Nouveau, and anyone interested in this enduring and influential style will welcome Professor Madsen's expert, fully documented study.
Author | : Ann Calhoun |
Publisher | : Auckland University Press |
Total Pages | : 240 |
Release | : 2000 |
Genre | : Arts and Crafts Movement |
ISBN | : 1869402294 |
"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.
Author | : Sandra Alfoldy |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 135157082X |
Constructed space is defined by its shape, by the materials with which it is enclosed and by the objects that are placed within or decorate its exterior or interior. The interaction of these crafted objects or decorated surfaces with space provides viewers or inhabitants with visual clues about the environment as well as visual cues about decorum: viewers can know what kind of behaviour is expected and what the space means. Furnishings and dress, textile panels and clay pots, stained glass and gesso panels, all defined as craft or decorative art, give architectural space, defined as high art, its character: without craft, architecture is empty and devoid of meaning. This engaging collection of essays presents the first sustained exploration of the relationship of craft to architectural spaces. The book unravels the complex ways in which craft controls, manipulates, organises and defines space, to highlight how the relationship between craft and space can be understood as a form of communication between related parts that combine to form a unified whole.
Author | : Columbus (Ohio). Public School Library |
Publisher | : |
Total Pages | : 1204 |
Release | : 1897 |
Genre | : Bibliography |
ISBN | : |
Author | : Carma Gorman |
Publisher | : Skyhorse Publishing Inc. |
Total Pages | : 257 |
Release | : 2003-10 |
Genre | : Art |
ISBN | : 1581153104 |
This groundbreaking anthology is the first to focus exclusively on the history of industrial design. With essays written by some of the greatest designers, visionaries, policy makers, theorists, critics and historians of the past two centuries, this book traces the history of industrial design, industrialization, and mass production in the United States and throughout the world.
Author | : Judy Neiswander |
Publisher | : Paul Mellon Centre |
Total Pages | : 232 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : |
"Judith Neiswander explains that during these years liberal values - individuality, cosmopolitanism, scientific rationalism, the progressive role of the elite and the emancipation of women - informed advice about the desirable appearance of the home. In the period preceding the First World War, these values changed dramatically: advice on decoration became more nationalistic in tone and a new goal was set for the interior - "to raise the British child by the British hearth." Neiswander traces this evolving discourse within the context of current writing on interior decoration, writing that it is much more detached from social and political issues of the day."--BOOK JACKET.