Evolution, Literature, and Film

Evolution, Literature, and Film
Author: Brian Boyd
Publisher: Columbia University Press
Total Pages: 586
Release: 2010
Genre: Biography & Autobiography
ISBN: 0231150199

Jonathan Gottschall teaches English at Washington and Jefferson College. --Book Jacket.

Evolution and Literary Theory

Evolution and Literary Theory
Author: Joseph Carroll
Publisher: University of Missouri Press
Total Pages: 1096
Release: 1995
Genre: Biography & Autobiography
ISBN: 9780826209795

Over the past two decades, poststructuralism in its myriad forms has come to dominate literary criticism to the exclusion of virtually any other point of view. Few scholars have escaped the coercive authority of its programmatic radicalism. In Evolution and Literary Theory, Joseph Carroll vigorously attacks the foundational principles of poststructuralism and offers in their stead a bold new theory that situates literary criticism within the matrix of evolutionary theory.

Literary Darwinism

Literary Darwinism
Author: Joseph Carroll
Publisher: Psychology Press
Total Pages: 308
Release: 2004
Genre: Biography & Autobiography
ISBN: 9780415970143

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Permanent Evolution

Permanent Evolution
Author: Yuri Tynianov
Publisher: Academic Studies PRess
Total Pages: 230
Release: 2019-10-01
Genre: Literary Criticism
ISBN: 1644692732

Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within—and in constant interaction with—other cultural and social systems. His essays on Russian literary classics, like Pushkin’s Eugene Onegin and works by Dostoevsky and Gogol, as well as on the emerging art form of filmmaking, provide insight into the ways art and literature evolve and adapt new forms of expression. Although Tynianov was first a scholar of Russian literature, his ideas transcend the boundaries of any one genre or national tradition. Permanent Evolution gathers together for the first time Tynianov’s seminal articles on literary theory and film, including several articles never before translated into English.

The Light in the Dark

The Light in the Dark
Author: Michael Peter Bolus
Publisher:
Total Pages: 246
Release: 2019-12-04
Genre:
ISBN: 9781516582747

Through an engaging and enlightening selection of readings and articles, The Light in the Dark: The Evolution, Mechanics, and Purpose of Cinema investigates cinema from a variety of diverse perspectives. The anthology explores the technical aspects of the filmmaking process, the ways in which certain elements of cinema are creatively combined toward emotional and intellectual effect, and the myriad ways cinema both interacts with and reflects culture. The opening chapter is comprised of readings that examine the nature and origin of cinematic technique, speaking to its early development as both a commercial and artistic endeavor. The second chapter reviews the core components of filmmaking, including mise-en-scène, editing, sound design, acting, and shot composition. In the final chapter, students explore film in cultural context. The readings examine particular stages in cinema's evolution, the role and implications of complex gender constructs, and the manner in which race and racial tensions have manifested themselves in filmic narratives. A highly contemporary and accessible anthology, The Light in the Dark is an excellent resource for courses in filmmaking and film studies. Michael Peter Bolus is the CEO of MEANSTREET Productions, a founding partner of the educational consulting firm CampusPro Group, the department chair of the Liberal Arts Program at The Los Angeles Film School, and a professor of film studies at Santa Monica College. He holds a Ph.D. in theatre studies from the City University of New York Graduate Center and a master's degree in creative writing from Boston University. He is the author of Aesthetics and the Cinematic Narrative: An Introduction (Anthem Press), and his articles, interviews, and criticism have appeared in a wide array of academic and scholarly journals.

On the Origin of Stories

On the Origin of Stories
Author: Brian Boyd
Publisher: Harvard University Press
Total Pages: 555
Release: 2009-05-30
Genre: Literary Criticism
ISBN: 0674053591

A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.

The Oxford Handbook of Cognitive Literary Studies

The Oxford Handbook of Cognitive Literary Studies
Author: Lisa Zunshine
Publisher: Oxford University Press, USA
Total Pages: 681
Release: 2015
Genre: Literary Criticism
ISBN: 0199978069

The Oxford Handbook of Cognitive Literary Studies applies developments in cognitive science to a wide range of literary texts that span multiple historical periods and numerous national literary traditions.

Embodied Visions

Embodied Visions
Author: Torben Grodal
Publisher: Oxford University Press
Total Pages: 336
Release: 2009-03-17
Genre: Performing Arts
ISBN: 0190451645

Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.

Theatre and Evolution from Ibsen to Beckett

Theatre and Evolution from Ibsen to Beckett
Author: Kirsten E. Shepherd-Barr
Publisher: Columbia University Press
Total Pages: 397
Release: 2015-03-03
Genre: Performing Arts
ISBN: 0231538928

Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.