Carnal Knowing

Carnal Knowing
Author: Margaret R. Miles
Publisher: Wipf and Stock Publishers
Total Pages: 272
Release: 2006-09-01
Genre: Religion
ISBN: 172521752X

When we look at Michelangelo's David, we see a nakedness that expresses physical prowess, self-knowledge, and spiritual discipline. What do we see when we look at Hans Baldung's Eve, the Serpent, and Death or Master Francke's Martyrdom of Saint Barbara? Why should those naked female images symbolize wantonness and shame? How do ideas about nakedness formed at the dawn of Christianity continue to shape today's sexual values? What must women do to take their bodies back? This revolutionary study by Margaret R. Miles, formerly Bussey Professor of Historical Theology at the Harvard Divinity School and author of the acclaimed Images as Insight, sifts through centuries of Christian writing and religious ritual and, above all, Western art to reveal the origins of our attitudes toward women's bodies and their encoded meanings. Broad enough to encompass fourth-century descriptions of Christian baptism and contemporary theories of representation, Carnal Knowing is a brilliant, startling work of scholarship whose implications extend far beyond the academy to the way we live and see.

Figuring the Feminine

Figuring the Feminine
Author: Jill Ross
Publisher: University of Toronto Press
Total Pages: 321
Release: 2008-03-15
Genre: Literary Criticism
ISBN: 1442691174

Figuring the Feminine examines the female body as a means of articulating questions of literary authority and practice within the cultural spheres of the Iberian Peninsula (both Romance and Semitic) as well as in the larger Latinate literary culture. It demonstrates the centrality in medieval literary culture of the gendering of rhetorical and hermeneutical acts involved in the creation of texts and meaning, and the importance of the medieval Iberian textual tradition in this process, a complex multicultural tradition that is often overlooked in medieval literary scholarship. This study adopts an innovative methodology informed by current theories of the body and gender to approach Hispanic literature from a femininst perspective. Jill Ross offers new readings of medieval Hispanic texts (Latin, Castilian, and Hebrew) including Prudentius' Peristephanon, Gonzalo de Berceo's Milagros de Nuestra Señora, Shem Tov of Carrión's Battle Between the Pen and the Scissors, and several others. She highlights ways in which these texts contribute to the understanding of gender in medieval poetics and foreground questions of literary and cultural import. Figuring the Feminine argues that the bodies of women are crucial to the working out of such questions as the unsettling shift from orality to literacy, textual instability, cultural dissonance, and the resistance to cultural and religious hegemony.

Fictions of Adolescent Carnality

Fictions of Adolescent Carnality
Author: Lydia Kokkola
Publisher: John Benjamins Publishing
Total Pages: 248
Release: 2013-05-03
Genre: Literary Criticism
ISBN: 9027272042

Fictions of Adolescent Carnality considers one of the most controversial topics related to adolescents: their experience of desire. In fiction for adolescents, carnal desire is variously presented as a source of angst, an overwhelming experience over which one has no control, bestial, disgusting and, just occasionally, a source of pleasure. The on-set of desire, within the Anglophone tradition, has been closely associated with the loss of innocence and the end of childhood. Drawing on a corpus of 200 narratives of adolescent desire, Kokkola examines the connections between sociological accounts of teenagers’ sexual behaviour, adult fears for and about their off-spring and fictional representations of adolescents exploring their sexuality. Taking up topics such as adolescent pregnancy and parenthood, queer sexualities, animal-human connections and sexual abuse, Kokkola provides wide-ranging insights into how Anglophone literature responds to adolescents’ carnal desires, and contributes to on-going debates on the construction of adolescence and the ideology of innocence.

Carnality

Carnality
Author: Lina Wolff
Publisher: Other Press, LLC
Total Pages: 369
Release: 2022-07-12
Genre: Fiction
ISBN: 163542075X

In this latest novel from the award-winning author of The Polyglot Lovers, a writer searching for inspiration in Spain goes on a darkly comic, delightfully absurd journey through an underground society. Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller’s life, a diabolical nun, and the story of a girl with a missing left thumb. The tale is also the precursor to a meeting between the writer and the infernal miracle worker, Lucia—a meeting that ultimately forces the writer to make a fateful decision about her own inner essence. Carnality is a novel about the universal need for spirituality and truth—not to mention a good story—set in the seemingly unspiritual grimy underbelly of society.

Designing Women

Designing Women
Author: Lucy Fischer
Publisher: Columbia University Press
Total Pages: 312
Release: 2003-07-30
Genre: Performing Arts
ISBN: 9780231500579

Grand, sensational, and exotic, Art Deco design was above all modern, exemplifying the majesty and boundless potential of a newly industrialized world. From department store window dressings to the illustrations in the Sears, Roebuck & Co. catalogs to the glamorous pages of Vogue and Harper's Bazar, Lucy Fischer documents the ubiquity of Art Deco in mainstream consumerism and its connection to the emergence of the "New Woman" in American society. Fischer argues that Art Deco functioned as a trademark for popular notions of femininity during a time when women were widely considered to be the primary consumers in the average household, and as the tactics of advertisers as well as the content of new magazines such as Good Housekeeping and the Woman's Home Companion increasingly catered to female buyers. While reflecting the growing prestige of the modern woman, Art Deco-inspired consumerism helped shape the image of femininity that would dominate the American imagination for decades to come. In films of the middle and late 1920s, the Art Deco aesthetic was at its most radical. Female stars such as Greta Garbo, Joan Crawford, and Myrna Loy donned sumptuous Art Deco fashions, while the directors Cecil B. DeMille, Busby Berkeley, Jacques Feyder, and Fritz Lang created cinematic worlds that were veritable Deco extravaganzas. But the style soon fell into decline, and Fischer examines the attendant taming of the female role throughout the 1930s as a growing conservatism challenged the feminist advances of an earlier generation. Progressively muted in films, the Art Deco woman—once an object of intense desire—gradually regressed toward demeaning caricatures and pantomimes of unbridled sexuality. Exploring the vision of American womanhood as it was portrayed in a large body of films and a variety of genres, from the fashionable musicals of Josephine Baker, and Fred Astaire and Ginger Rogers to the fantastic settings of Metropolis, The Wizard of Oz, and Lost Horizon, Fischer reveals America's long standing fascination with Art Deco, the movement's iconic influence on cinematic expression, and how its familiar style left an indelible mark on American culture.

Ten Lies The Church Tells Women

Ten Lies The Church Tells Women
Author: J Lee Grady
Publisher: Charisma Media
Total Pages: 254
Release: 2013-07-29
Genre: Religion
ISBN: 1599796783

DIV The gospel was never intended to restrain women from pursuing god or to prevent them from fulfilling their divine destiny. 9948 /div

Carnal Art

Carnal Art
Author: C. Jill O'Bryan
Publisher: U of Minnesota Press
Total Pages: 235
Release:
Genre:
ISBN: 1452906769

The French artist Orlan is infamous for performances during which her body is surgically altered. In nine such performance surgeries, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau artist, as well as from da Vinci's "Mona Lisa, were implanted into Orlan's face. During her surgical performances, viewers witness a material tampering with the relationship between the face and individual identity, the original and the constructed, a historical critique of the association of art with beauty and the female body. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan's surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation. O'Bryan contextualizes Orlan's operations within the centuries-long history of public dissections and surgeries, lavish anatomical illustrations created to draw the gaze into the opened anatomy, Artaud's "Theater of Cruelty" in the early twentieth century, and contemporary works and performances by Cindy Sherman, Hans Bellman, and Annie Sprinkle. A compelling blurring of the line between feminist theory and art criticism, O'Bryan's close examination of Orlan's performance surgeries complicates and reconfigures the notions of identity--and its relation to the body--at the very boundary dividing art from identity.