Festive Revolutions

Festive Revolutions
Author: Claudia Orenstein
Publisher: Univ. Press of Mississippi
Total Pages: 220
Release: 1998
Genre:
ISBN: 9781617030970

Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War protests. To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s. Festive Revolutions shows that such forms have inspired political theatre for centuries.

Restaging the Sixties

Restaging the Sixties
Author: James Martin Harding
Publisher: University of Michigan Press
Total Pages: 472
Release: 2006
Genre: Radical theater
ISBN: 9780472069545

A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance

Bolshevik Festivals, 1917-1920

Bolshevik Festivals, 1917-1920
Author: James Von Geldern
Publisher: Univ of California Press
Total Pages: 352
Release: 1993-01-01
Genre: Art
ISBN: 9780520076907

In the early years of the USSR, socialist festivals--events entailing enormous expense and the deployment of thousands of people--were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles? In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power. In the early years of the USSR, socialist festivals--events entailing enormous expense and the deployment of thousands of people--were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles? In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power.

Soviet Mass Festivals, 1917-1991

Soviet Mass Festivals, 1917-1991
Author: Malte Rolf
Publisher: University of Pittsburgh Pre
Total Pages: 338
Release: 2013
Genre: Festivals
ISBN: 0822978687

This book is an English translation of a study of the highly organized public mass celebrations to glorify the state/party/leader of authoritarian regimes in the 20th century, which originated in and enjoyed their longest run in the Soviet Union.

Festivals and the French Revolution

Festivals and the French Revolution
Author: Mona Ozouf
Publisher: Harvard University Press
Total Pages: 404
Release: 1991
Genre: History
ISBN: 9780674298842

Festivals and the French Revolution--the subject conjures up visions of goddesses of Liberty, strange celebrations of Reason, and the oddly pretentious cult of the Supreme Being. Every history of the period includes some mention of festivals; Ozouf shows us that they were much more than bizarre marginalia to the revolutionary process.

Pulcinella’s Brood

Pulcinella’s Brood
Author: Karen T. Raizen
Publisher: University of Toronto Press
Total Pages: 291
Release: 2024-10-01
Genre: Literary Criticism
ISBN: 1487555806

Pulcinella, a Neapolitan clown born of the commedia dell’arte tradition, went viral in Europe in the seventeenth and eighteenth centuries. He was an unlikely hero, grotesque in his mannerisms, with a bulging belly, occasional hunchback, and an insatiable desire for macaroni. Still, this bulbous misfit took his place next to kings, caliphs, and intellectual heavyweights. Pulcinella’s Brood traces the transnational arc of the Enlightenment-era Pulcinella, from his native Naples to Paris, from Rome to London. The book explores how Pulcinella was inserted into discourses about social order, aesthetics, and politics – how he became a revolutionary, a critic of the Catholic Church, and a champion of education. It examines how Pulcinella, along with his transnational brood, was a constant, pervasive presence during the Enlightenment and a squeaky-voiced participant in the ideological and theoretical debates that defined the era. Exploring the diffusion of Italian popular comedy throughout Europe, Pulcinella’s Brood proposes that Pulcinella, a grotesque, food-obsessed clown, can be wielded as a historical disruptor and a rich and dynamic source for casting both the Enlightenment and our contemporary world in a different light.

Autopsy of Revolution

Autopsy of Revolution
Author: Jacques Ellul
Publisher: Wipf and Stock Publishers
Total Pages: 319
Release: 2012-06-13
Genre: Religion
ISBN: 1606089773

In this significant and very timely book, the author of The Technological Society, The Political Illusion, and Propaganda asks a tremendous question and shows that the answer we give it is decisive for the future of our society: Can we learn from history what revolution really is necessary for our survival? That is, can we distinguish between senseless, ineffectual revolt or rebellion and a genuine revolution that can alter fundamentals? In his basic, closely reasoned way, Jacques Ellul examines past and recent history in light of the current overwhelming preoccupation with revolution, which seems to have become the daily bread of Western man's thoughts and actions, the immediate explanation for every historical movement. Ellul insists on examining the possibility that today we are projecting onto past events a fairly recent and distorted image of revolution. The new image was created by Marx in the nineteenth century, and Ellul questions how long we can continue to live on his legacy. More important, he suggests that Marx may have brought about an abrupt deviation of the necessary revolutionary current and given a false meaning to the word revolution. Is all our talk about Marxian revolution talk about reality, or a way of filling a void with words? Finally, among so many social eddies and agitations, are we today caught up in a really revolutionary movement--or are we being led into blind combat by false lights that in reality are reflections in distorting mirrors? Are we capable of discerning the real Revolution, the needed Revolution? Ellul does not map out a route in detail: he clears paths into the future, making it possible for a route to be found. His masterly book should help to change our thinking, and therefore our future.

Festival Architecture

Festival Architecture
Author: Sarah Bonnemaison
Publisher: Routledge
Total Pages: 341
Release: 2007-12-06
Genre: Architecture
ISBN: 1135992762

With contributions from provocative art and architectural historians, this book is a unique exposition of the temporary architecture erected for festivals and the role it has played in developing Western architectural and urban theory. Festival Architecture is arranged in historical periods – from Antiquity to the modern era – and divided between analyses of specific festivals, set in relation to contemporary architecture and urban design ideas and theories. Illustrated with a wealth of unusual and rarely-seen images from the European festival tradition, this is a fascinating outline of the history of festival architecture ideal for postgraduate architecture and urban design students.

Theatre and Protest

Theatre and Protest
Author: Lara Shalson
Publisher: Bloomsbury Publishing
Total Pages: 101
Release: 2017-08-25
Genre: Performing Arts
ISBN: 135031627X

How does protest engage with theatre? What does theatre have to gain from protest? Theatre and protest are often closely interlinked in the contemporary cultural and political landscape, and the line between protest and performance is often difficult to draw. Yet this relationship is also beset with doubts about theatre's capacity to intervene in the social world. This fresh and insightful text thinks through the intersections and tensions between theatre and protest. Exploring the cross-fertilization of international theatre and protest across the 12th and 21st centuries, Lara Shalson illuminates how and why these two are mutually influencing and enriching forms.