| Author | : Francesco Dal Co |
| Publisher | : |
| Total Pages | : 354 |
| Release | : 1990 |
| Genre | : Aesthetics, German |
| ISBN | : |
Caspar David Friedrich
| Author | : Nina Amstutz |
| Publisher | : Yale University Press |
| Total Pages | : 281 |
| Release | : 2020-01-01 |
| Genre | : Art |
| ISBN | : 0300246161 |
A revelatory look at how the mature work of Caspar David Friedrich engaged with concurrent developments in natural science and philosophy Best known for his atmospheric landscapes featuring contemplative figures silhouetted against night skies and morning mists, Caspar David Friedrich (1774–1840) came of age alongside a German Romantic philosophical movement that saw nature as an organic and interconnected whole. The naturalists in his circle believed that observations about the animal, vegetable, and mineral kingdoms could lead to conclusions about human life. Many of Friedrich’s often-overlooked later paintings reflect his engagement with these philosophical ideas through a focus on isolated shrubs, trees, and rocks. Others revisit earlier compositions or iconographic motifs but subtly metamorphose the previously distinct human figures into the natural landscape. In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century.
The Figure of Knowledge
| Author | : Sebastiaan Loosen |
| Publisher | : Leuven University Press |
| Total Pages | : 323 |
| Release | : 2020-10-01 |
| Genre | : Architecture |
| ISBN | : 9462702241 |
It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologising effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism. Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made. The contributions in this volume focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.
Forty Ways to Think About Architecture
| Author | : Iain Borden |
| Publisher | : John Wiley & Sons |
| Total Pages | : 280 |
| Release | : 2015-03-11 |
| Genre | : Architecture |
| ISBN | : 1118822579 |
How do we think about architecture historically andtheoretically? Forty Ways to Think about Architectureprovides an introduction to some of the wide-ranging ways in whicharchitectural history and theory are being approached today. The inspiration for this project is the work of Adrian Forty,Professor of Architectural History at the Bartlett School ofArchitecture, University College London (UCL), who has beeninternationally renowned as the UK’s leading academic in thediscipline for 40 years. Forty’s many publications, notablyObjects of Desire (1986), Words and Buildings (2000)and Concrete and Culture (2012), have been crucial toopening up new approaches to architectural history and theory andhave helped to establish entirely new areas of study. His teachingat The Bartlett has enthused a new generation about the excitingpossibilities of architectural history and theory as a field. This collection takes in a total of 40 essays covering keysubjects, ranging from memory and heritage to everyday life,building materials and city spaces. As well as critical theory,philosophy, literature and experimental design, it refers to moreimmediate and topical issues in the built environment, such asglobalisation, localism, regeneration and ecologies. Concise andengaging entries reflect on architecture from a range ofperspectives. Contributors include eminent historians and theorists fromelsewhere – such as Jean-Louis Cohen, Briony Fer, HildeHeynen, Mary McLeod, Griselda Pollock, Penny Sparke and AnthonyVidler – as well as Forty’s colleagues from theBartlett School of Architecture including Iain Borden, MurrayFraser, Peter Hall, Barbara Penner, Jane Rendell and Andrew Saint.Forty Ways to Think about Architecture also featurescontributions from distinguished architects, such as Tony Fretton,Jeremy Till and Sarah Wigglesworth, and well-known critics andarchitectural writers, such as Tom Dyckhoff, William Menking andThomas Weaver. Many of the contributors are former students ofAdrian Forty. Through these diverse essays, readers are encouraged to thinkabout how architectural history and theory relates to their ownresearch and design practices, thus using the work of Adrian Fortyas a catalyst for fresh and innovative thinking about architectureas a subject.
The Founding Myths of Architecture
| Author | : Konrad Buhagiar |
| Publisher | : Artifice Incorporated |
| Total Pages | : 192 |
| Release | : 2010 |
| Genre | : Architecture |
| ISBN | : 9781907317170 |
The Founding Myths of Architecture brings together and discusses the work of some of the most influential and intriguing figures in the history of architecture. By returning to the authentic roots from which modern architectural thought has sprung, it explores the significance of the discipline in relation to the evolution of mankind. The contributors, international leading theorists from a variety of disciplines, provide fascinating texts that contribute to the broad discussion on architecture and its relationship with science, nature, art and society. Kari Jormakka, Fabio Barry, Pedro Azara, Caspar Pearson and Henry Dietrich Fern�ndez are just some of the respected scholars whose writings comprise this authoritative look at the origins of architectural practice and its importance to the development of modern society. By exploring architecture as a basic human instinct, linking contemporary architecture to ideas surrounding mythology and cosmos and assessing the importance of architecture from an anthropological viewpoint, The Founding Myths of Architecture is a refreshing take on architectural theory. The oeuvre of Frank Lloyd Wright, Le Corbusier, Louis Kahn, Francesco Borromini, Andr� Le Notre, Giorgio Grognet and Marcus Vitruvius Pollio amongst others is visually referenced in the context of these topics. Published in both French and English editions, this collection of essays pushes the boundaries of architectural criticism by encompassing history and anthropology in its analysis of design theory and by moving away from a purely rational and functional understanding of architecture.
Companion to Contemporary Architectural Thought
| Author | : Ben Farmer |
| Publisher | : Routledge |
| Total Pages | : 673 |
| Release | : 2003-09-02 |
| Genre | : Architecture |
| ISBN | : 1134983816 |
Architecture has attracted increasing worldwide attention in recent years, not only because of its cultural significance but also because of concern over the performance and resource implications of buildings. 101 in-depth articles by international scholars and practitioners bring the subject into focus by examining issues from various viewpoints. Please contact your representative for a leaflet detailing full contents and contributors. It also includes sample pages and several illustrations from the book.
Architect Knows Best
| Author | : Dr Simon Richards |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 344 |
| Release | : 2012-08-01 |
| Genre | : Architecture |
| ISBN | : 1409456595 |
The idea that buildings could be used to reform human behaviour and improve society was fundamental to the 'modernist' architecture and planning of people like Walter Gropius, Le Corbusier and José Luis Sert in the first half of the 20th century. Their proposals for functional zoning, multi-level transport, high-rise living, and machine-inspired aesthetics came under attack from the 1950s onwards, and many alternative approaches to architecture and planning emerged. It was thought that the environmental determinist strand of the discourse was killed off at this time as well. This book argues that it was not, but on the contrary, that it has deepened and diversified. Many of the most prominent architect-planners continue to design with a view to improving the behaviour of individual people and of society at large. By looking at - and interviewing - major figures and movements of recent years in Britain, Europe and America, including Léon Krier, Peter Eisenman, Andrés Duany, Jane Jacobs, Robert Venturi and Denise Scott Brown, it demonstrates the myriad ways that architect-planners seek to shape human behaviour through buildings. In doing so, the book raises awareness of this strand within the discourse and examines its different purposes and manifestations. It questions whether it is an ineradicable and beneficial part of architecture and planning, or a regrettable throwback to a more authoritarian phase, discusses why is it seldom acknowledged directly and whether it could be handled more responsibly and with greater understanding. Richards does not provide any simple solutions but in conclusion, is critical of architect-planners who abuse the rhetoric of social reform simply to leverage their attempts to secure building commissions, while being more sympathetic towards those who appear to have a sincere desire to improve society through their buildings.
Architecture and Modernity
| Author | : Hilde Heynen |
| Publisher | : MIT Press |
| Total Pages | : 284 |
| Release | : 2000-02-28 |
| Genre | : Architecture |
| ISBN | : 9780262581899 |
Bridges the gap between the history and theory of twentieth-century architecture and cultural theories of modernity. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge the gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other, she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. Besides presenting a theoretical discussion of the relation between architecture, modernity, and dwelling, the book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently for this purpose.
Thinking Design Hb
| Author | : LECHNER |
| Publisher | : |
| Total Pages | : 492 |
| Release | : 2021-10-11 |
| Genre | : |
| ISBN | : 9783038602460 |
A clearly distilled architectural atlas based on 144 major designs from ancient times to the twenty-first century, showcasing the cultural dimension of building. However disparate the style or ethos, beneath architecture's pluralism lies a number of categorical typologies. In Thinking Design, Austrian architect Andreas Lechner has condensed his profound typological understanding into a single book. Divided into three chapters--Tectonics, Type, and Topos--Lechner's book reflects upon twelve fundamental typologies: theater, museum, library, state, office, recreation, religion, retail, factory, education, surveillance, and hospital. Encompassing a total of 144 carefully selected examples of classic designs and buildings, ranging across an epic sweep from antiquity to the present, the book not only explains the fundamentals of collective architectural knowledge but traces the interconnected reiterations that lie at the heart of architecture's transformative power. As such, Thinking Design outlines a new building theory rooted in the act of composition as an aesthetic determinant of architectural form. This emphasis on composition in the design process over the more commonplace aspects of function, purpose, or atmosphere makes it more than a mere planning manual. It reveals also the cultural dimension of architecture that gives it the ability to transcend not only use cycles but entire epochs. Each example is meticulously illustrated with a newly drawn elevation or axonometric projection, floor plan, and section, not only invigorating the underlying ideas but also making the book an ideal comparative compendium.
