Author | : Maurizio Baroni |
Publisher | : Gingko Press |
Total Pages | : 352 |
Release | : 2019-10-31 |
Genre | : Music |
ISBN | : 9783943330335 |
The first major work dedicated entirely to the discography of film scores from the maestro Ennio Morricone.
Author | : Maurizio Baroni |
Publisher | : Gingko Press |
Total Pages | : 352 |
Release | : 2019-10-31 |
Genre | : Music |
ISBN | : 9783943330335 |
The first major work dedicated entirely to the discography of film scores from the maestro Ennio Morricone.
Author | : Gerry Conway |
Publisher | : DC Comics |
Total Pages | : 26 |
Release | : 2014-07-16 |
Genre | : Comics & Graphic Novels |
ISBN | : |
Enjoy this great comic from DC’s digital archive!
Author | : Bruce Kimmel |
Publisher | : Author House |
Total Pages | : 254 |
Release | : 2003-04-23 |
Genre | : Humor |
ISBN | : 1410728854 |
Ten-year-old Benjamin Kritzer is back. Having survived his Martian parents (thus far), having survived a broken heart (when the nine-year-old love of his life, Susan Pomeroy, moved to Canada), and having survived the Bad Men, Benjamin has a whole new slew of adventures to deal with in Kritzerland. They include the horrifying prospect of going to junior high school (and the more-horrifying prospect of having to wear a jockstrap in Gym class), visiting the new amusement park, Pacific Ocean Park, where he finally gets to visit his parents' home planet on the Flight to Mars ride, meeting The Three Stooges, visiting a movie set at Paramount Studios, going to St. Louis, dealing with his psychotic brother and "What is it, fish?" grandfather, and, most importantly, meeting his first real friend, Paul Daley. The story of that close and endearing friendship is hilarious and touching, and the portrait of growing up in the magical city that was Los Angeles in the late 1950s is vivid and razor-sharp, and will make you feel like you've taken a time machine back to another wonderful, more innocent era.
Author | : Alessandro De Rosa |
Publisher | : Oxford University Press |
Total Pages | : 369 |
Release | : 2019-02-01 |
Genre | : Biography & Autobiography |
ISBN | : 0190681020 |
Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
Author | : Kathryn Kalinak |
Publisher | : Oxford University Press |
Total Pages | : 162 |
Release | : 2010-03-11 |
Genre | : Performing Arts |
ISBN | : 0199707979 |
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Author | : Richard Davis |
Publisher | : Hal Leonard Corporation |
Total Pages | : 424 |
Release | : 2010-05-01 |
Genre | : Music |
ISBN | : 1495032264 |
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more. Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.
Author | : Kathryn Kalinak |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 267 |
Release | : 1992-12-01 |
Genre | : Performing Arts |
ISBN | : 029913363X |
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Author | : Doug Adams |
Publisher | : Alfred Publishing Company |
Total Pages | : 401 |
Release | : 2010 |
Genre | : Music |
ISBN | : 9780739071571 |
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.