| Author | : Robin Buss |
| Publisher | : Marion Boyars Publishers |
| Total Pages | : 0 |
| Release | : 2001 |
| Genre | : Film noir |
| ISBN | : 9780714530369 |
Crime and punishment on the dark side of French society, as reflected in the silver screen.
French Film Noir
| Author | : Robin Buss |
| Publisher | : Marion Boyars Publishers |
| Total Pages | : 264 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : |
Crime and punishment on the dark side of French society, as reflected in the silver screen.
A Panorama of American Film Noir (1941-1953)
| Author | : Raymond Borde |
| Publisher | : City Lights Books |
| Total Pages | : 284 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : 9780872864122 |
This first book published on film noir established the genre--a classic, at last in translation.
A Companion to the Gangster Film
| Author | : George S. Larke-Walsh |
| Publisher | : John Wiley & Sons |
| Total Pages | : 510 |
| Release | : 2018-11-20 |
| Genre | : Art |
| ISBN | : 111904166X |
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
European Film Noir
| Author | : Andrew Spicer |
| Publisher | : Manchester University Press |
| Total Pages | : 296 |
| Release | : 2019-01-04 |
| Genre | : Performing Arts |
| ISBN | : 1526141361 |
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
French National Cinema
| Author | : Susan Hayward |
| Publisher | : Psychology Press |
| Total Pages | : 417 |
| Release | : 2005 |
| Genre | : Motion pictures |
| ISBN | : 0415307821 |
This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.
The Worldwide Film Noir Tradition
| Author | : Spencer Selby |
| Publisher | : |
| Total Pages | : 318 |
| Release | : 2013 |
| Genre | : Performing Arts |
| ISBN | : 9780962380662 |
What started as a handful of American crime movies celebrated by French critics after WW II has grown to become the most resonant and enigmatic of all film categories. Since film noir is not a clear-cut, predefined genre like the western or musical, the term has always been open to confusion and dispute. For decades the cultural influence of noir has been expanding. There are now over a hundred books on the subject, numerous guides and reference works. But nothing in print is comprehensive or even close to inclusive of all classic films that deserve to be called noir. The Worldwide Film Noir Tradition is the most far-reaching and definitive reference to classic noir ever produced. The book includes the following: documentation of nearly 1600 films from 30 countries the most complete listing of American noirs in print the most complete, definitive listing of British noirs the most complete listing of French noirs anywhere the most complete listing of classic noirs from other countries around the world American canon of 250 films, plus identification of the top masterworks from America, Britain and France montage of the history of film noir literature 250 still images from the films, most never before seen in print. This unique, unprecedented work distills a lifetime of study and research by film historian Spencer Selby, whose first book on the subject played a significant role in establishing the baseline parameters of American film noir 30 years ago.
The Philosophy of Film Noir
| Author | : Mark T. Conard |
| Publisher | : University Press of Kentucky |
| Total Pages | : 265 |
| Release | : 2005-01-27 |
| Genre | : Performing Arts |
| ISBN | : 0813171709 |
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
Somewhere in the Night
| Author | : Nicholas Christopher |
| Publisher | : Simon and Schuster |
| Total Pages | : 312 |
| Release | : 2010-05-11 |
| Genre | : Performing Arts |
| ISBN | : 1439137617 |
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
