Henry Fuseli

Henry Fuseli
Author: Martin Myrone
Publisher: Tate Gallery Publishing Limited
Total Pages: 88
Release: 2001
Genre: Art
ISBN:

Henry Fuseli's work has always been the subject of speculation, from the rumours of his opium addiction to modern views of him as an exponent of Neoclassicism. This text offers an interpretation of the artist.

Fuseli's Milton Gallery

Fuseli's Milton Gallery
Author: Luisa Cale
Publisher: Oxford University Press
Total Pages: 290
Release: 2006-12-21
Genre: Art
ISBN: 0199267383

Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformedinto repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society.Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses,let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This bookanalyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.

Fuseli

Fuseli
Author: Franziska Lentzsh
Publisher: Scheidegger and Spiess
Total Pages: 282
Release: 2005
Genre: Art
ISBN:

Published in connection with an exhibition held at Kunsthaus Zeurich Oct. 14, 2005-Jan. 8, 2006.

Hölderlin, Kleist, and Nietzsche

Hölderlin, Kleist, and Nietzsche
Author: Stefan Zweig
Publisher: Transaction Publishers
Total Pages: 342
Release: 2011
Genre: Social Science
ISBN: 141281135X

This is the second volume in a trilogy in which Stefan Zweig builds a composite picture of the European mind through intellectual portraits selected from among its most representative and influential figures. In Hölderlin, Kleist, and Nietzsche, Zweig concentrates on three giants of German literature to portray the artist and thinker as a figure possessed by a powerful inner vision at odds with the materialism and scientific positivism of his time, in this case, the nineteenth century. Zweig's subjects here are respectively a lyric poet, a dramatist and writer of novellas, and a philosopher. Each led an unstable life ending in madness and/or suicide and not until the twentieth century did each make their full impact. Whereas the nineteenth-century novel is socially capacious in terms of subject and audience, the three figures treated here are prophets or forerunners of modernist ideas of alienation and exile. Hölderlin and Kleist consciously opposed the worldly harmoniousness of Goethe's classicism in favor of a visionary inwardness and dramatization of the subjective psyche. Nietzsche set himself as a destroyer and rebuilder of philosophy and critic of the degradation of the German spirit through nationalism and militarism. Zweig's choice of subjects reflects a division in his own soul. The image of Goethe recurs here as the ultimate upholder of Zweig's own ideals: scientist and artist, receptive to world culture, supremely rational and prudent. Yet Zweig was aware that Hölderlin, Kleist, and Nietzsche were more daring explorers of the dangerous and destructive aspects of man that needed to be seen and comprehended in the clarifying light of poetry and philosophy.

Antiquity, Theatre, and the Painting of Henry Fuseli

Antiquity, Theatre, and the Painting of Henry Fuseli
Author: Andrei Pop
Publisher: Oxford University Press, USA
Total Pages: 295
Release: 2015
Genre: Art
ISBN: 0198709277

In this volume, Pop examines how art of the mid 1700s and early 1800s - inspired by translations of Greek tragedy - reveals a view of modern Europe attempting to recognize its own historical status as one culture among many. He analyses this broad view of culture through the lens of Anglo-Swiss artist Henry Fuseli's life and work.

Gothic Nightmares

Gothic Nightmares
Author: Martin Myrone
Publisher: Tate
Total Pages: 232
Release: 2006-04
Genre: Art
ISBN:

"Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.

Art, Science, and the Body in Early Romanticism

Art, Science, and the Body in Early Romanticism
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
Total Pages: 273
Release: 2021-11-04
Genre: Art
ISBN: 1316519023

Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.