Author | : Timothy Michael McGovern |
Publisher | : Juan de la Cuesta-Hispanic Monographs |
Total Pages | : 236 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Timothy Michael McGovern |
Publisher | : Juan de la Cuesta-Hispanic Monographs |
Total Pages | : 236 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Timothy McGovern |
Publisher | : Juan de la Cuesta-Hispanic Monographs |
Total Pages | : 227 |
Release | : 2004 |
Genre | : |
ISBN | : 9781588710567 |
Author | : Jo Labanyi |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2014-01-14 |
Genre | : Literary Criticism |
ISBN | : 1317896505 |
Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
Author | : Nicholas Grenville Round |
Publisher | : Tamesis Books |
Total Pages | : 182 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9781855660861 |
The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of these new studies. The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.
Author | : Denise DuPont |
Publisher | : Bucknell University Press |
Total Pages | : 260 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780838756386 |
This book explores the fluid boundaries between realism and romanticism, while considering this oscillation between discourses as the legacy of the Quijote to the nineteenth-century Spanish novel. Furthermore, there are studies of characters who act as authors in Benito Perez Galdos's first series of Episodios Nacionales, Pio Baroja's La lucha por la vida, and Leopoldo Alas (Clarin)'s La Regenta. For many realists, romanticism has negative associations: quixotism, exaggeration, impracticality, and femininity or effeminacy.
Author | : Hazel Gold |
Publisher | : Duke University Press |
Total Pages | : 260 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 9780822313670 |
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bourgeois liberalism of his day. At the same time, he can be seen here undermining or negating the accepted conventions of realist fiction. Looking beyond text to context, Gold examines the ways in which Galdós's work itself has been framed by readers and critics in accordance with changing allegiances to contemporary literary theory and the canon. The highly ambiguous status of the frame in Galdós's fictions confirms the author's own signal position as a writer poised at the limits between realism and modernity. Gold's work will command the interest of students of Spanish and comparative literature, narrative theory, and the novel, as well as all those for whom realism and representation are at issue.
Author | : Daniel Ferreras Savoye |
Publisher | : McFarland |
Total Pages | : 493 |
Release | : 2017-04-21 |
Genre | : Literary Criticism |
ISBN | : 1476627843 |
This response to the current crisis in the field of literary studies describes the fundamental flaws of poststructuralist literary criticism, which has become a self-serving enterprise at the expense of scholarship at large and students in particular. Outlining an improved approach that meets the expectations of 21st-century students and teachers, the author proposes a new definition of the literary object of study which addresses the inconsistencies of the literary canon by including nontraditional narratives such as films, comic books and pop songs.
Author | : Bradley S. Epps |
Publisher | : Bucknell University Press |
Total Pages | : 400 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9780838755839 |
Spain Beyond Spain: Modernity, Literary History, and National Identity is a collection of essays in modern Spanish literary and cultural studies by sixteen specialists from Spain, the United States, and Great Britain. The essays have a common point of origin: a major conference, entitled Espana fuera de Espana: Los espacios de la historia literaria, held in the spring of 2001 at Harvard University. The essays also have a common focus: the fate of literary history in the wake of theory and its attendant programs of inquiry, most notably cultural studies, post colonial studies, new historicism, women's studies, and transatlantic studies. Their points of arrival, however, vary significantly. What constitutes Spain and what counts as Spanish are primary concerns, subtending related questions of history, literature, nationality, and cultural production. Brad Epps is Professor of Romance Languages and Literatures and of the Committee on Degrees in Women's, Gender, and Sexuality Studies at Harvard University. Luis Fernandez Cifuentes is Robert S. and Ilse Friend Professor of Romance Languages and Literatures at Harvard University.
Author | : Mary Coffey |
Publisher | : University of Toronto Press |
Total Pages | : 411 |
Release | : 2019-05-19 |
Genre | : Literary Criticism |
ISBN | : 1487505175 |
Imagined Truths provides a twenty-first-century analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism. Bringing together the work of the foremost specialists in the field of contemporary Spanish letters, this collection offers new approaches to literary and cultural criticism and reveals how Spanish realism, far from imitative of other European movements, engaged in complex and modern concepts of representation and mimesis. Imagined Truths acknowledges the critical importance of women writers and contemporary approaches to questions of gender. The essays address the impact of economics on our perceptions of reality and our constructions of everyday life, and they argue for the importance of emotions in the social construction of individual identity. Most importantly, the essays acknowledge the post-imperial turn in literary studies. Addressing a broad range of authors, works, and topics, including the continued relevance of Cervantes's Don Quijote and the way Spanish realism moved beyond narrative to inhabit the spaces of both theatre and film, Imagined Truths comprises a series of meditations on new ways of understanding the unique place of realism in Spanish cultural history. Offering insights for specialists in a wide range of disciplines - literature, cultural studies, gender studies, history, philosophy - this collection is equally important for readers just becoming acquainted with realist narrative as a central component of Spanish literary history.