Genre and Hollywood

Genre and Hollywood
Author: Steve Neale
Publisher: Routledge
Total Pages: 337
Release: 2005-06-20
Genre: Social Science
ISBN: 1134973454

Genre and Hollywood provides a comprehensive introduction to the study of genre. In this important new book, Steve Neale discusses all the major concepts, theories and accounts of Hollywood and genre, as well as the key genres which theorists have written about, from horror to the Western. He also puts forward new arguments about the importance of genre in understanding Hollywood cinema. Neale takes issue with much genre criticism and genre theory, which has provided only a partial and misleading account of Hollywood's output. He calls for broader and more flexible conceptions of genre and genres, for more attention to be paid to the discourses and practices of Hollywood itself, for the nature and range of Hollywood's films to be looked at in more detail, and for any assessment of the social and cultural significance of Hollywood's genres to take account of industrial factors. In detailed, revisionist accounts of two major genres - film noir and melodrama - Neale argues that genre remains an important and productive means of thinking about both New and old Hollywood, its history, its audiences and its films.

Genre and Hollywood

Genre and Hollywood
Author: Stephen Neale
Publisher: Psychology Press
Total Pages: 337
Release: 2000
Genre: Film genres
ISBN: 0415026067

Steve Neale here discusses all the major concepts, theories and accounts of Hollywood and genre, as well as key genres which theorists have written about, from horror to the Western.

Film Genre

Film Genre
Author: Barry Langford
Publisher:
Total Pages: 328
Release: 2005
Genre: Performing Arts
ISBN:

This book provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked.

Hollywood Genres: Formulas, Filmmaking, and The Studio System

Hollywood Genres: Formulas, Filmmaking, and The Studio System
Author: Thomas Schatz
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
Total Pages: 324
Release: 1981-02
Genre: Language Arts & Disciplines
ISBN:

The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.

Film Genre

Film Genre
Author: Barry Keith Grant
Publisher: Columbia University Press
Total Pages: 168
Release: 2019-07-25
Genre: Performing Arts
ISBN: 0231850069

This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.

Film Genre Reader IV

Film Genre Reader IV
Author: Barry Keith Grant
Publisher: University of Texas Press
Total Pages: 785
Release: 2012-12-01
Genre: Performing Arts
ISBN: 0292745745

From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Genre and Contemporary Hollywood

Genre and Contemporary Hollywood
Author: Steve Neale
Publisher: British Film Institute
Total Pages: 328
Release: 2008-01-22
Genre: Performing Arts
ISBN: 9780851708874

A collection of essays that look in detail at some of the principal genres, cycles and trends in Hollywood's output during the last two decades pf the 20th century. The collection focuses on animated feature films, biopics, comedies, Shakespeare adaptations, and female-oriented dramas.

Pursuits of Happiness

Pursuits of Happiness
Author: Stanley Cavell
Publisher: Harvard University Press
Total Pages: 300
Release: 1981
Genre: Performing Arts
ISBN: 9780674739062

Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.

Heightened Genre and Women's Filmmaking in Hollywood

Heightened Genre and Women's Filmmaking in Hollywood
Author: Mary Harrod
Publisher: Springer Nature
Total Pages: 314
Release: 2021-05-24
Genre: Performing Arts
ISBN: 3030709949

Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.