| Author | : David Ewen |
| Publisher | : Frederick Ungar |
| Total Pages | : 436 |
| Release | : 1986 |
| Genre | : Biography & Autobiography |
| ISBN | : |
George Gershwin: His Life & Music
| Author | : Ean Wood |
| Publisher | : Bobcat Books |
| Total Pages | : 314 |
| Release | : 2012-04-09 |
| Genre | : Music |
| ISBN | : 0857128140 |
"In the summer of 1937 George Gershwin died suddenly from a brain tumour at the age of 38. His tragically early death stunned the world. A composer of classical and popular music, he had summed up the unique qualities of what is meant by ""American music"". This book sheds fresh light on the man and includes exclusive interviews with musicians who knew him, material from the Gershwin family archives and coverage of the composer's musical works in full."
The Sheet Music of George Gershwin
| Author | : Thomas Inglis |
| Publisher | : Lulu.com |
| Total Pages | : 118 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 097841120X |
George Gershwin
| Author | : Howard Pollack |
| Publisher | : Univ of California Press |
| Total Pages | : 938 |
| Release | : 2007-01-15 |
| Genre | : Music |
| ISBN | : 0520933141 |
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
Arranging Gershwin
| Author | : Ryan Bañagale |
| Publisher | : Oxford University Press |
| Total Pages | : 233 |
| Release | : 2014-09-11 |
| Genre | : Music |
| ISBN | : 0199978409 |
In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements -- an emerging and insightful realm of American music studies -- as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America -- its people, their pursuits, and their processes.
Boy Loses Girl
| Author | : Thomas S. Hischak |
| Publisher | : Scarecrow Press |
| Total Pages | : 300 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780810844407 |
A lively and informative look at the careers, works, and characteristics of the major librettists of the American theatre. Included are dozens of men and women who wrote the "books" for Broadway musicals over the past one hundred years, from George M. Cohan to the present day. Boy Loses Girl presents a whole new perspective for looking at the American musical theater. For film students, scholars and enthusiasts of the American musical theatre.
Nino Rota's The Godfather Trilogy
| Author | : Franco Sciannameo |
| Publisher | : Scarecrow Press |
| Total Pages | : 212 |
| Release | : 2010-10-11 |
| Genre | : Music |
| ISBN | : 1461664241 |
Released in 1972, 1974, and 1990 respectively, Francis Ford Coppola's three-part saga is one of the greatest artistic accomplishments (and financial successes) in the history of Hollywood cinema. The latest in Scarecrow's Film Score Guides series, Nino Rota's The Godfather Trilogy: A Film Score Guide discusses the events that led to the realization of the three films and studies and analyzes their music. Sciannameo reexamines The Godfather Trilogy from a variety of perspectives, with special focus on the music Rota composed to bind together approximately nine hours of cinematic narrative. Probing Rota's formation as a musician amidst the cultural climate established by Italian Fascism, Sciannameo examines Rota's initial stylistic adherence to the Mussolini-dictated or inspired concept of Italianness and then his return to a more congenial 19th-century formulaic vocabulary. Sciannameo considers Rota's involvement with cinema and his collaboration with many celebrated directors, such as Luchino Visconti, Federico Fellini, Franco Zeffirelli, and Coppola, and deals with the sensitive issues of cultural analysis vis-à-vis the Mafia as a concept embedded within the Italian-American community. The book also discusses the sound of the Godfather films, describing and analyzing the musical subtexts underscoring a group of pivotal scenes. Relying substantially on Rota's notes, which are discussed here for the first time, the book reveals the composer's interpretation of Coppola's cinematic narrative and the scoring methodologies he employed.
Enchanted Evenings
| Author | : Geoffrey Block |
| Publisher | : Oxford University Press |
| Total Pages | : 615 |
| Release | : 2009-10-30 |
| Genre | : Music |
| ISBN | : 0199741506 |
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals. Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess). Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. "A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide." --Steven Bach, The Los Angeles Times Book Review
