Ghastly Terror!

Ghastly Terror!
Author: Stephen Sennitt
Publisher: Headpress
Total Pages: 0
Release: 1999
Genre: Horror comic books, strips, etc
ISBN: 9781900486071

Traces the development of comics from the gross psychotic visions of the ultra-primitive 'pre-code' horrors, through to the relatively sophisticated graphic nightmares of Warren and Skywald. Fully illustrated throughout, this is a concise, entertaining and enlightening examination of this most popular and persecuted of comicbook genres.

Uncle Montague's Tales of Terror

Uncle Montague's Tales of Terror
Author: Chris Priestley
Publisher: Bloomsbury Publishing USA
Total Pages: 241
Release: 2010-10-01
Genre: Juvenile Fiction
ISBN: 1599906988

This spine-tingling novel has more than enough fear factor for the most ardent fan of scary stories. Uncle Montague lives alone in a big house, but regular visits from his nephew, Edgar, give him the opportunity to recount some of the frightening stories he knows. As each tale unfolds, an eerie pattern emerges of young lives gone awry in the most terrifying of ways. Young Edgar begins to wonder just how Uncle Montague knows all these ghastly tales. This clever collection of stories-within-a-story is perfectly matched with darkly witty illustrations by David Roberts. Look for the other spine-tingling book in Chris Priestley's Tales of Terror series, Tales of Terror from the Black Ship!

Horror Comics in Black and White

Horror Comics in Black and White
Author: Richard J. Arndt
Publisher: McFarland
Total Pages: 297
Release: 2013-01-21
Genre: Literary Criticism
ISBN: 0786470259

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.

Printing terror

Printing terror
Author: Michael Goodrum
Publisher: Manchester University Press
Total Pages: 474
Release: 2021-01-12
Genre: Literary Criticism
ISBN: 1526135949

Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America’s changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.

Spanish Horror Film

Spanish Horror Film
Author: Antonio Lazaro-Reboll
Publisher: Edinburgh University Press
Total Pages: 374
Release: 2012-11-20
Genre: Performing Arts
ISBN: 0748670629

An original new study of Spanish horror film.

The Weird World of Eerie Publications

The Weird World of Eerie Publications
Author: Mike Howlett
Publisher: Feral House
Total Pages: 337
Release: 2010-11-30
Genre: Comics & Graphic Novels
ISBN: 1936239213

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s. Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.

Vanity Fair

Vanity Fair
Author: William Makepeace Thackeray
Publisher: Graphic Arts Books
Total Pages: 609
Release: 2021-03-02
Genre: Fiction
ISBN: 151327726X

In Victorian era England, longtime friends Becky Sharp and Amelia Sedley experience love and loss alongside the many colorful members of their unique social circle. Despite the ups and downs, they attempt to maintain their dignity and connection. Becky Sharp is a bold spitfire who’s driven by ambition and eager to solidify her station in life. Her childhood friend, Amelia Sedley, is a modest and passive woman, who is mostly viewed as warm and endearing. Their glaring personalities are on full display as they encounter various male suitors including Rawdon Crawley and George Osborne. Becky’s flirtatious and manipulative manner makes her a topic of conversation, while Amelia’s loyalty proves to be a cross too heavy to bear. Vanity Fair is one of William Makepeace Thackeray’s most famous novels. It has been adapted multiple times for television and film, including a 2004 feature starring Oscar-winner Reese Witherspoon as the feisty Becky. She is often considered Thackeray’s most memorable character. With an eye-catching new cover, and professionally typeset manuscript, this edition of Vanity Fair is both modern and readable.