Author | : Gwyn A. Williams |
Publisher | : Lane, Allen |
Total Pages | : 194 |
Release | : 1976-01-01 |
Genre | : Spain |
ISBN | : 9780713909067 |
Author | : Gwyn A. Williams |
Publisher | : Lane, Allen |
Total Pages | : 194 |
Release | : 1976-01-01 |
Genre | : Spain |
ISBN | : 9780713909067 |
Author | : Rose-Marie Hagen |
Publisher | : Taschen |
Total Pages | : 104 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9783822818237 |
An artist both of and before his time: The Old Master who ushered in the modern era Francisco Jose de Goya y Lucientes (1746-1828), one of Spain's most revered and controversial painters, is known for his intense, chilling, and sometimes grotesque paintings depicting the injustice of society with brutal sincerity. A court painter to the Spanish crown, he captured, through his works, a snapshot of life in Spain in the late 18th and early 19th centuries. Coming at the tail end of the Old Masters period, Goya, with his audacious, subversive, and highly influential works, can be considered the first painter of the modern era. His influence can be seen in the works of artists as varied as Pablo Picasso and Francis Bacon. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions.
Author | : Robert Hughes |
Publisher | : Knopf |
Total Pages | : 747 |
Release | : 2012-05-23 |
Genre | : Biography & Autobiography |
ISBN | : 0307809625 |
Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.
Author | : Janis A. Tomlinson |
Publisher | : Yale University Press |
Total Pages | : 332 |
Release | : 2002-03-11 |
Genre | : Art |
ISBN | : 9780300094930 |
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.
Author | : Jane Kromm |
Publisher | : A&C Black |
Total Pages | : 302 |
Release | : 2003-01-01 |
Genre | : Art |
ISBN | : 1441143300 |
The Art of Frenzy presents a masterful analysis of public madness from the Renaissance to the Industrial Age. Frenzy--the most flagrant and political form of madness--is the madness of warrior-heroes, kings, scolds, and the possessed. Its representation incorporates a range of traditional characters and figures, from Hercules and Orlando to Medea and Britannia. Understood as abusive power and belligerence out of control, and described in terms drawn equally from definitions of tyranny and liberty, frenzy has always been articulated with a significant degree of political meaning. Integrating art history with cultural studies, political history, and the history of medicine, Jane Kromm draws on a wide range of mediums and contexts--from asylum sculpture to political broadsheets, medical texts, the imagery of revolution, caricature and medical illustrations--to clarify the importance of this interpretative pattern.
Author | : Neil Davidson |
Publisher | : Haymarket Books |
Total Pages | : 296 |
Release | : 2017-03-27 |
Genre | : Philosophy |
ISBN | : 1608467325 |
An abridged edition of the insightful work praised as “an impressive contribution both to the history of ideas and to political philosophy” (Alasdair MacIntyre, author of After Virtue). Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this abridged edition of his magisterial How Revolutionary Were the Bourgeois Revolutions? Neil Davidson expertly distills his theoretical and historical insights about the nature of revolutions, making them accessible for general readers. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far reaching lessons for today’s radicals.
Author | : Albert Boime |
Publisher | : University of Chicago Press |
Total Pages | : 748 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9780226063355 |
In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice
Author | : Monica Bohm-Duchen |
Publisher | : Univ of California Press |
Total Pages | : 244 |
Release | : 2001 |
Genre | : Art and society |
ISBN | : 9780520233782 |
This companion volume to a BBC series of the same name delves into eight famous pieces of art.
Author | : Robert Havard |
Publisher | : Rowman & Littlefield |
Total Pages | : 324 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : 9780389208105 |
The book offers an in-depth, critical appreciation of seven major Spanish poets. Emphasis is on the modern period, with five of the poets being twentieth-century poets. It is argued that the roots of modern poetry are to be found in Romanticism's anguished search for meaning. The seven Spanish poets include Becquer, Rosalia de Castro, Antonio Machado, Jorge Guillen, Pedro Salinas, Garcia Lorca and Rafael Alberti.