Guilty Pleasures

Guilty Pleasures
Author: Laurell K. Hamilton
Publisher: Penguin
Total Pages: 405
Release: 2002-09-24
Genre: Fiction
ISBN: 1101146389

Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today

Guilty Aesthetic Pleasures

Guilty Aesthetic Pleasures
Author: Timothy Aubry
Publisher: Harvard University Press
Total Pages: 143
Release: 2018-09-03
Genre: Literary Criticism
ISBN: 0674988965

In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.

Guilty Pleasures

Guilty Pleasures
Author: Pamela Robertson
Publisher: Duke University Press
Total Pages: 212
Release: 1996
Genre: Biography & Autobiography
ISBN: 9780822317487

Using detailed studies of stars such as Mae West, Joan Crawford and Madonna, Guilty Pleasures examines the tradition of feminist camp - a female form of aestheticism related to masquerade and rooted in burlesque, parallel but different to gay male camp.

Unknown Pleasures

Unknown Pleasures
Author: Peter Hook
Publisher: Simon and Schuster
Total Pages: 557
Release: 2013-04-25
Genre: Biography & Autobiography
ISBN: 1471129802

'Genuinely funny: indeed, the story will… keep you entertained for a very long time' Sunday Times Joy Division changed the face of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound - dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. This is the story of Joy Division told by the band's legendary bassist, Peter Hook. 'Hook has restored a flesh-and-blood rawness to what was becoming a standard tale. Few pop music books manage that'Guardian 'An honest, enthusiastic account … It's a window like no other into the reality of life in this most aloof of bands' METRO 'An immense account of Joy Division's rise…Having read Hook's book, you'll feel like you were the fifth member of the band' GQ 'A bittersweet, profanity filled recollection… If you like Joy Division, you really have to read it' Q Magazine 'Hook lifts the lid on the real Ian Curtis' NME 'He's frank, incredibly funny, and isn't shy'Artrocker

Guilty Pleasures

Guilty Pleasures
Author: Laura E. Little
Publisher:
Total Pages: 233
Release: 2019
Genre: Humor
ISBN: 0190625767

In Guilty Pleasures, legal scholar Laura Little provides a multi-faceted account of American law and humor, looking at constraints on humor (and humor's effect on law), humor about law, and humor in law.

Guilty Pleasures

Guilty Pleasures
Author: Hugh McIntosh
Publisher: University of Virginia Press
Total Pages: 232
Release: 2018-09-24
Genre: Literary Criticism
ISBN: 0813941660

Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.

Kiss the Dead

Kiss the Dead
Author: Laurell K. Hamilton
Publisher: Penguin
Total Pages: 414
Release: 2012-06-05
Genre: Fiction
ISBN: 1101580895

When a fifteen-year-old girl is abducted by vampires, it’s up to U.S. Marshal Anita Blake to find her. And when she does, she’s faced with something she’s never seen before: a terrifyingly ordinary group of people—kids, grandparents, soccer moms—all recently turned and willing to die to avoid serving a master. And where there’s one martyr, there will be more… But even vampires have monsters that they’re afraid of. And Anita is one of them…

Guilty Pleasures

Guilty Pleasures
Author: Laura Lee Guhrke
Publisher: Zondervan
Total Pages: 383
Release: 2008-07-08
Genre: Fiction
ISBN: 0061734527

One of Daphne Wade's guilty pleasures is to watch the Duke of Tremore as he works, shirtless, on the excavation site of his ducal estate. Anthony Courtland is by far the most exciting and handsome man she has ever known, and she dreams of one day being able to speak with him without getting tongue tied. Anthony, meanwhile, only sees Daphne as a hard worker on his excavation team. He considers her a plain young lady and says so in a careless remark to a friend, unaware that Daphne is outside the library door, her heart shattering to pieces. So Daphne decides she will not be so silly any longer. She begins to be tutored in the social graces, forcing Anthony to see the beauty who has been right in front of his eyes.

ENYA

ENYA
Author: Chilly Gonzales
Publisher: Rough Trade Books
Total Pages: 55
Release: 2020-11-18
Genre: Music
ISBN: 1912722879

Chilly Gonzales is one of the most exciting, original, hard-to-pin-down musicians of our time. Filling halls worldwide at the piano in his slippers and a bathrobe—in any one night he can be dissecting the musicology of an Oasis hit, giving a sublime solo recital, and displaying his lyrical dexterity as a rapper. In his book about Enya, he asks: Does music have to be smart or does it just have to go to the heart? In dazzling, erudite prose Gonzales delves beyond her innumerable gold discs and millions of fans to excavate his own enthusiasm for Enya's singular music as well as the mysterious musician herself, and along the way uncovers new truths about the nature of music, fame, success and the artistic endeavour.