Hearing the Movies

Hearing the Movies
Author: James Buhler
Publisher: Oxford University Press
Total Pages: 592
Release: 2015-04-01
Genre: Music
ISBN: 9780199987719

Hearing the Movies, Second Edition, combines a historical and chronological approach to the study of film music and sound with an emphasis on building listening skills. Through engaging, accessible analyses and exercises, the book covers all aspects of the subject, including how a soundtrack is assembled to accompany the visual content, how music enhances the form and style of key film genres, and how technology has influenced the changing landscape of film music.

Hearing the Movies

Hearing the Movies
Author: James Buhler
Publisher:
Total Pages: 504
Release: 2010
Genre: Music
ISBN:

An ideal text for introductory film music courses, Hearing the Movies: Music and Sound in Film History brings music into the context of sound, and sound into the context of the whole film.

Music and Cinema

Music and Cinema
Author: James Buhler
Publisher: Wesleyan University Press
Total Pages: 406
Release: 2000-11
Genre: Music
ISBN: 0819564117

A wide-ranging look at the role of music in film.

Wonderstruck

Wonderstruck
Author: Brian Selznick
Publisher: Scholastic
Total Pages: 325
Release: 2015-09-03
Genre: Juvenile Fiction
ISBN: 1407166557

Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.

Beginning film studies

Beginning film studies
Author: Andrew Dix
Publisher: Manchester University Press
Total Pages: 452
Release: 2016-05-01
Genre: Performing Arts
ISBN: 1784997749

Beginning film studies offers the ideal introduction to this vibrant subject. Written accessibly and with verve, it ranges across the key topics and manifold approaches to film studies. Andrew Dix has thoroughly updated the first edition, and this new volume includes new case studies, overviews of recent developments in the discipline, and up-to-the-minute suggestions for further reading. The book begins by considering some of film's formal features - mise-en-scène, editing and sound - before moving outwards to narrative, genre, authorship, stardom and ideology. Later chapters on film industries and on film consumption - where and how we watch movies - assess the discipline's recent geographical 'turn'. The book references many film cultures, including Hollywood, Bollywood and contemporary Hong Kong. Case studies cover such topics as sound in The Great Gatsby and narrative in Inception. The superhero movie is studied; so too is Jennifer Lawrence. Beginning film studies is also interactive, with readers enabled throughout to reflect critically upon the field.

Living with Voices

Living with Voices
Author: M. A. J. Romme
Publisher: Gwasg y Bwthyn
Total Pages: 0
Release: 2009
Genre: Psychology
ISBN: 9781906254223

Provides the evidence to show it's possible to overcome problems with hearing voices and take back control of one's life.

The Oxford Handbook of Film Music Studies

The Oxford Handbook of Film Music Studies
Author: David Neumeyer
Publisher: Oxford University Press
Total Pages: 696
Release: 2014
Genre: Music
ISBN: 0190250593

The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

Film Music: A Very Short Introduction

Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
Total Pages: 162
Release: 2010-03-11
Genre: Performing Arts
ISBN: 0199707979

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.