| Author | : David Savran |
| Publisher | : University of Michigan Press |
| Total Pages | : 338 |
| Release | : 2009 |
| Genre | : Jazz |
| ISBN | : 0472116924 |
The culture clash that permanently changed American theater
Musicality in Theatre
| Author | : David Roesner |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2016-04-29 |
| Genre | : Performing Arts |
| ISBN | : 1317091337 |
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
High Tea and the Low Down
| Author | : Claire Craig Evans |
| Publisher | : Claire Craig Evans |
| Total Pages | : 353 |
| Release | : 2023-08-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 1961542013 |
When American Claire Craig Evans married a charming British man, there was a cost for the snappy banter and countless offers of tea: she had to uproot life as she knew it and relocate to the UK. Who wouldn't want to move to an enchanted island where mysterious women with dewy complexions made jam in thatched cottages with millennia-old lichen attached? Sure, experienced American expats offered nuggets of wisdom ("Bring over a lifetime supply of taco seasoning!") but they weren't even mild comfort as Claire tried to avoid death, jail, and wayward sheep while learning to navigate zebra crossings and drive on the "wrong" side of the road. The allure of a jet-setter lifestyle vanished as fast as Air India sent her Samsonite to Delhi instead of London Heathrow. Would more tea help her figure out how long she'd been wearing the single pair of underwear in her possession? (That was the jetlag talking. They do have underwear in the UK, too.) Appealing to fans of Bill Bryson and Bridget Jones alike, High Tea and the Low Down is a keenly-observed memoir full of laugh-out-loud moments as Claire experiences the reality of English living. If she couldn't even pass a pub quiz, how would she ever pass the infamous Life in the UK test, the high-stakes hurdle required to stay on British soil (and with her husband) indefinitely?
Greasepaint Puritan
| Author | : Maya Cantu |
| Publisher | : University of Michigan Press |
| Total Pages | : 331 |
| Release | : 2024-01-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 0472221434 |
Greasepaint Puritan details the life and work of Bradford Ropes, author of the bawdy 1932 novel 42nd Street, on which the classic film and its stage adaptation are based. Inspired by Ropes’s own experiences as a performer, 42nd Street “reads less like a novel than like a documentary about the lives of New York’s theatre people and, above all, about the practicalities, the personalities, and the sexual politics that go into the making of a show,” according to Richard Brody in The New Yorker. Why did Ropes’s body of work--which included a trilogy of backstage novels--and consequently his biographical footsteps, disappear into obscurity? Descended from Mayflower Pilgrims, Ropes rebelled against the “Proper Bostonian” life, in a career that touched upon the Jazz Age, American vaudeville, and theater censorship. Greasepaint Puritan follows Ropes’s successful career as both a performer and the author of the backstage novels 42nd Street, Stage Mother, and Go Into Your Dance. Populated by scheming stage mothers, precocious stage children, grandiose bit players, and tart-tongued chorines, these novels centered on the lives and relationships of gay men on Broadway during the Jazz Age and Prohibition era. Rigorously researched, Greasepaint Puritan chronicles Ropes’s career as a successful screenwriter in 1930s and ’40s Hollywood, where he continued to be a part of a dynamic gay subculture within the movie industry before returning to obscurity in the 1950s. His legacy lives on in the Hollywood and Broadway incarnations of 42nd Street—but Greasepaint Puritan restores the “forgotten melody” of the man who first envisioned its colorful characters.
F. Scott Fitzgerald's Short Fiction
| Author | : Jade Broughton Adams |
| Publisher | : Edinburgh University Press |
| Total Pages | : 232 |
| Release | : 2018-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 1474424694 |
By exploring Fitzgerald's fascination with the intertwined spheres of dance, music, theatre and film, this book demonstrates how Fitzgerald innovatively imported practices from other popular cultural media into his short stories, showing how jazz age culture served as more than mere period detail in his work.
Staging the Blues
| Author | : Paige A. McGinley |
| Publisher | : Duke University Press |
| Total Pages | : 328 |
| Release | : 2014-09-10 |
| Genre | : Music |
| ISBN | : 0822376318 |
Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked, and flaunted extravagant costumes on tent show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. In Staging the Blues, Paige A. McGinley shows that even though folklorists, record producers, and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie McGhee in small Mississippi towns, Harlem theaters, and the industrial British North, this pioneering study foregrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy, and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice.
Complicit Participation
| Author | : Carrie J. Preston |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2024-06-18 |
| Genre | : Performing Arts |
| ISBN | : 0197693393 |
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional "diversity, equity, and inclusion" initiatives. The book addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
Choreographing Copyright
| Author | : Anthea Kraut |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2016 |
| Genre | : Law |
| ISBN | : 0199360375 |
Choreographing Copyright Provides a historical and cultural analysis of U.S.-based dance-makers' investment in intellectual property rights. In a series of case studies stretching from the late nineteenth century to the early twenty-first, the book reconstructs dancers' efforts to win copyright protection for choreography and teases out their raced and gendered politics.
Theatre History Studies 2011, Vol. 31
| Author | : Rhona Justice-Malloy |
| Publisher | : University of Alabama Press |
| Total Pages | : 190 |
| Release | : 2011-10 |
| Genre | : Literary Criticism |
| ISBN | : 0817356843 |
"Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS From published reviews “This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE “International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition
