Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 236 |
Release | : 1977 |
Genre | : Literary Criticism |
ISBN | : 9780374521363 |
Essays on semiology
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 236 |
Release | : 1977 |
Genre | : Literary Criticism |
ISBN | : 9780374521363 |
Essays on semiology
Author | : Ed White |
Publisher | : Pluto Press |
Total Pages | : 0 |
Release | : 2012-07-15 |
Genre | : Literary Criticism |
ISBN | : 9780745329574 |
Roland Barthes remains one of the most influential cultural theorists of the postwar period and Image-Music-Text is his most widely taught work. Ed White provides students with a clear guide to this essential but difficult text. As students are increasingly expected to write across a range of media, Barthes' work can be understood as an early mapping of what we now call interdisciplinary or multidisciplinary study. The book's detailed section-by-section readings makes Barthes' most important writings accessible to undergraduate readers. This book is a perfect companion for teaching and learning Barthes ideas in cultural studies and literary theory.
Author | : Roland Barthes |
Publisher | : HarperCollins UK |
Total Pages | : 228 |
Release | : 1977 |
Genre | : Criticism |
ISBN | : 0006861350 |
ESSAYS SELECTED AND TRANSLATED BY STEPHEN HEATH 'Image-Music-Text' brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, on the practice of music and voice. Throughout the volume runs a constant movement 'from work to text': an attention to the very 'grain' of signifying activity and the desire to follow - in literature, image, film, song and theatre - whatever turns, displaces, shifts, disperses. Stephen Heath, whose translation has been described as "skilful and readable" (TLS) and "quite brilliant" (TES), is the author of 'Vertige du déplacement', a study of Barthes. His selection of essays, each important in its own right, also serves as "the best...introduction so far to Barthes' career as the slayer of contemporary myths" (JOHN STURROCK, 'New Statesman).'
Author | : David Machin |
Publisher | : SAGE |
Total Pages | : 242 |
Release | : 2010-03-15 |
Genre | : Art |
ISBN | : 1446241343 |
Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities. Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the ′code book′ of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers. Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 296 |
Release | : 2013-03-12 |
Genre | : Literary Collections |
ISBN | : 0809071940 |
"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 134 |
Release | : 1981 |
Genre | : Philosophy |
ISBN | : 0374521344 |
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 132 |
Release | : 1982 |
Genre | : History |
ISBN | : 9780374522070 |
This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 258 |
Release | : 1978 |
Genre | : Fiction |
ISBN | : 0809066890 |
"Barthes's most popular and unusual performance as a writer is "A Lover's Discourse," a writing out of the discourse of love. This language primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in "A Lover's Discourse" by making love, in its most absurd and sentimental forms, an object of interest." Jonathan Culler
Author | : Roland Barthes |
Publisher | : Macmillan |
Total Pages | : 116 |
Release | : 1968 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780374521462 |
"In his Course in General Linguistics, first published in 1916, Saussure postulated the existence of a general science of signs, or Semiology, of which linguistics would form only one part. Semiology, therefore aims to take in any system of signs, whatever their substance and limits; images, gestures, musical sounds, objects, and the complex associations of all these, which form the content of ritual, convention or public entertainment: these constitute, if not languages, at least systems of signification . . . The Elements here presented have as their sole aim the extraction from linguistics of analytical concepts which we think a priori to be sufficiently general to start semiological research on its way. In assembling them, it is not presupposed that they will remain intact during the course of research; nor that semiology will always be forced to follow the linguistic model closely. We are merely suggesting and elucidating a terminology in the hope that it may enable an initial (albeit provisional) order to be introduced into the heterogeneous mass of significant facts. In fact what we purport to do is furnish a principle of classification of the questions. These elements of semiology will therefore be grouped under four main headings borrowed from structural linguistics: I. Language and Speech; II. Signified and Signifier; III. Syntagm and System; IV. Denotation and Connotation."--Roland Barthes, from his Introduction