| Author | : G. A. Bremner |
| Publisher | : Paul Mellon Centre |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Architecture |
| ISBN | : 9780300187038 |
Traces the global reach & influence of the Gothic Revival throughout Britain's empire. Focusing on religious buildings, this book examines the reinvigoration of the colonial & missionary agenda of the Church of England & its relationship with the rise of Anglian ecclesiology.
| Author | : G. A. Bremner |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Anglican church buildings |
| ISBN | : 9780300276176 |
"The Gothic Revival movement in architecture was intimately entwined with 18th- and 19th-century British cultural politics. By the middle of the 19th century, architects and theorists had transformed the movement into a serious scholarly endeavor, connecting it to notions of propriety and "truth," particularly in the domain of religious architecture. Simultaneously, reform within the Church of England had worked to widen the aesthetic and liturgical appeal of 'correct' gothic forms. Coinciding with these developments, both architectural and religious, was the continued expansion of Britainʹs empire, including a renewed urgency by the English Church to extend its mission beyond the British Isles. In this groundbreaking new study, G.A. Bremner traces the global reach and influence of the Gothic Revival throughout Britainʹs empire during these crucial decades. Focusing on religious buildings, he examines the reinvigoration of the Church of Englandʹs colonial and missionary agenda and its relationship to the rise of Anglican ecclesiology, revealing the extraordinary nature and extent of building activity that occurred across the British world"-- Publisher description.
| Author | : Johan Hoglund |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2016-03-16 |
| Genre | : Social Science |
| ISBN | : 1317045181 |
The imagination of the early twenty-first century is catastrophic, with Hollywood blockbusters, novels, computer games, popular music, art and even political speeches all depicting a world consumed by vampires, zombies, meteors, aliens from outer space, disease, crazed terrorists and mad scientists. These frequently gothic descriptions of the apocalypse not only commodify fear itself; they articulate and even help produce imperialism. Building on, and often retelling, the British ’imperial gothic’ of the late nineteenth century, the American imperial gothic is obsessed with race, gender, degeneration and invasion, with the destruction of society, the collapse of modernity and the disintegration of capitalism. Drawing on a rich array of texts from a long history of the gothic, this book contends that the doom faced by the world in popular culture is related to the current global instability, renegotiation of worldwide power and the American bid for hegemony that goes back to the beginning of the Republic and which have given shape to the first decade of the millennium. From the frontier gothic of Charles Brockden Brown's Edgar Huntly to the apocalyptic torture porn of Eli Roth's Hostel, the American imperial gothic dramatises the desires and anxieties of empire. Revealing the ways in which images of destruction and social upheaval both query the violence with which the US has asserted itself locally and globally, and feed the longing for stable imperial structures, this book will be of interest to scholars and students of popular culture, cultural and media studies, literary and visual studies and sociology.
| Author | : Patrick Brantlinger |
| Publisher | : Cornell University Press |
| Total Pages | : 323 |
| Release | : 2013-01-14 |
| Genre | : Literary Criticism |
| ISBN | : 0801467039 |
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.
| Author | : William Hughes |
| Publisher | : John Wiley & Sons |
| Total Pages | : 887 |
| Release | : 2015-10-08 |
| Genre | : Literary Criticism |
| ISBN | : 1119210461 |
THE ENCYCLOPEDIA OF THE GOTHIC “Well written and interesting [it is] a testament to the breadth and depth of knowledge about its central subject among the more than 130 contributing writers, and also among the three editors, each of whom is a significant figure in the field of gothic studies ... A reference work that’s firmly rooted in and actively devoted to expressing the current state of academic scholarship about its area.” New York Journal of Books “A substantial achievement.” Reference Reviews Comprehensive and wide-ranging, The Encyclopedia of the Gothic brings together over 200 newly-commissioned essays by leading scholars writing on all aspects of the Gothic as it is currently taught and researched, along with challenging insights into the development of the genre and its impact on contemporary culture. The A-Z entries provide comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that continue to define, shape, and inform the genre. The volume’s approach is truly interdisciplinary, with essays by specialist international contributors whose expertise extends beyond Gothic literature to film, music, drama, art, and architecture. From Angels and American Gothic to Wilde and Witchcraft, The Encyclopedia of the Gothic is the definitive reference guide to all aspects of this strange and wondrous genre. The Wiley-Blackwell Encyclopedia of Literature is a comprehensive, scholarly, authoritative, and critical overview of literature and theory comprising individual titles covering key literary genres, periods, and sub-disciplines. Available both in print and online, this groundbreaking resource provides students, teachers, and researchers with cutting-edge scholarship in literature and literary studies.
| Author | : Ailise Bulfin |
| Publisher | : University of Wales Press |
| Total Pages | : 310 |
| Release | : 2018-03-28 |
| Genre | : Literary Criticism |
| ISBN | : 1786832100 |
What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siècle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain’s continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.
| Author | : Joseph Conrad |
| Publisher | : Modern Library |
| Total Pages | : 198 |
| Release | : 2000-10-31 |
| Genre | : Fiction |
| ISBN | : 0679641246 |
Selected by the Modern Library as one of the 100 best novels of all time • Nominated as one of America’s best-loved novels by PBS’s The Great American Read Introduction by Caryl Phillips Commentary by H. L. Mencken, E. M. Forster, Virginia Woolf, Ernest Hemingway, Bertrand Russell, Lionel Trilling, Chinua Achebe, and Philip Gourevitch Originally published in 1902, Heart of Darkness remains one of this century’s most enduring works of fiction. Written several years after Joseph Conrad’s grueling sojourn in the Belgian Congo, the novel is a complex meditation on colonialism, evil, and the thin line between civilization and barbarity. This edition contains selections from Conrad’s Congo Diary of 1890—the first notes, in effect, for the novel, which was composed at the end of that decade. Virginia Woolf wrote of Conrad: “His books are full of moments of vision. They light up a whole character in a flash. . . . He could not write badly, one feels, to save his life.”
| Author | : Justin D. Edwards |
| Publisher | : Routledge |
| Total Pages | : 300 |
| Release | : 2016-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 1317425774 |
Tropical Gothic examines Gothic within a specific geographical area of ‘the South’ of the Americas. In so doing, we structure the book around geographical coordinates (from North to South) and move between various national traditions of the gothic (Mexico, Argentina, Brazil, etc) alongside regional manifestations of the Gothic (the US south and the Caribbean) as well as transnational movements of the Gothic within the Americas. The reflections on national traditions of the Gothic in this volume add to the critical body of literature on specific languages or particular nations, such as Scottish Gothic, American Gothic, Canadian Gothic, German Gothic, Kiwi Gothic, etc. This is significant because, while the Southern Gothic in the US has been thoroughly explored, there is a gap in the critical literature about the Gothic in the larger context of region of ‘the South’ in the Americas. This volume does not pretend to be a comprehensive examination of tropical Gothic in the Americas; rather, it pinpoints a variety of locations where this form of the Gothic emerges. In so doing, the transnational interventions of the Gothic in this book read the flows of Gothic forms across borders and geographical regions to tease out the complexities of Gothic cultural production within cultural and linguistic translations. Tropical Gothic includes, but is by no means limited to, a reflection on a region where European colonial powers fought intensively against indigenous populations and against each other for control of land and resources. In other cases, the vast populations of African slaves were transported, endowing these regions with a cultural inheritance that all the nations involved are still trying to comprehend. The volume reflects on how these histories influence the Gothic in this region.
| Author | : T. Khair |
| Publisher | : Springer |
| Total Pages | : 200 |
| Release | : 2009-11-04 |
| Genre | : Literary Criticism |
| ISBN | : 0230251048 |
Starting with a re-examination of the role of the colonial/racial Other in mainstream Gothic (colonial) fiction, this book goes on to engage with the problem of narrating the 'subaltern' in the post-colonial context. It engages with the problems of representing 'difference' in lucid conceptual terms, with much attention to primary texts, and highlights the strengths and weaknesses of colonial discourses as well as postcolonialist attempts to 'write back.' While providing rich readings of Conrad, Kipling, Melville, Emily Brontë, Erna Brodber, Jean Rhys and others, it offers new perspectives on Otherness, difference and identity, re-examines the role of emotions in literature, and suggests productive ways of engaging with contemporary global and postcolonial issues.
