| Author | : John Finnis |
| Publisher | : Oxford University Press |
| Total Pages | : 376 |
| Release | : 2011-04-07 |
| Genre | : Law |
| ISBN | : 0199580065 |
Intention and Identity presents John Finnis's accounts of personal existence; group identity and common good; and the moral significance of personal intention. Joining conceptual analysis with ethical problems surrounding the beginning and end of life, the papers show the power of a neglected aspect of Finnis's natural law theory.
| Author | : Thomas N. Duening |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 183 |
| Release | : 2017-05-26 |
| Genre | : Business & Economics |
| ISBN | : 1785363719 |
Entrepreneurship is an academic discipline that, despite decades of growth in research and teaching activity lacks a traditionally distinct or common theoretical domain. In this book, editors Thomas N. Duening and Matthew Metzger explore entrepreneurial identity, facets of entrepreneurship education in forming and developing this identity and the development of entrepreneurs in general. Chapters focus primarily on macro-level identity issues (i.e., how do these entrepreneurial archetypes form, persist, and sometimes change) or micro-level identity issues (i.e., how can educators and resource providers identify, communicate, and incentivize identity construction among aspiring entrepreneurs), topics that will be of interest to researchers and students alike.
| Author | : Frank Halisch |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 424 |
| Release | : 2012-12-06 |
| Genre | : Psychology |
| ISBN | : 3642709672 |
In Honor of Professor Dr.Dr. h.c. Heinz Heinzhausen's 60th Birthday
| Author | : Paisley Livingston |
| Publisher | : Clarendon Press |
| Total Pages | : 272 |
| Release | : 2005-02-17 |
| Genre | : Philosophy |
| ISBN | : 0191535176 |
Do the artist's intentions have anything to do with the making and appreciation of works of art? In Art and Intention Paisley Livingston develops a broad and balanced perspective on perennial disputes between intentionalists and anti-intentionalists in philosophical aesthetics and critical theory. He surveys and assesses a wide range of rival assumptions about the nature of intentions and the status of intentionalist psychology. With detailed reference to examples from diverse media, art forms, and traditions, he demonstrates that insights into the multiple functions of intentions have important implications for our understanding of artistic creation and authorship, the ontology of art, conceptions of texts, works, and versions, basic issues pertaining to the nature of fiction and fictional truth, and the theory of art interpretation and appreciation. Livingston argues that neither the inspirationist nor rationalistic conceptions can capture the blending of deliberate and intentional, spontaneous and unintentional processes in the creation of art. Texts, works, and artistic structures and performances cannot be adequately individuated in the absence of a recognition of the relevant makers ́ intentions. The distinction between complete and incomplete works receives an action-theoretic analysis that makes possible an elucidation of several different senses of 'fragment' in critical discourse. Livingston develops an account of authorship, contending that the recognition of intentions is in fact crucial to our understanding of diverse forms of collective art-making. An artist's short-term intentions and long-term plans and policies interact in complex ways in the emergence of an artistic oeuvre, and our uptake of such attitudes makes an important difference to our appreciation of the relations between items belonging to a single life-work. The intentionalism Livingston advocates is, however, a partial one, and accomodates a number of important anti-intentionalist contentions. Intentions are fallible, and works of art, like other artefacts, can be put to a bewildering diversity of uses. Yet some important aspects of art's meaning and value are linked to the artist ́s aims and activities.
| Author | : Gary Iseminger |
| Publisher | : Temple University Press |
| Total Pages | : 288 |
| Release | : 2010-08-12 |
| Genre | : Literary Criticism |
| ISBN | : 1439905940 |
"...an excellent and comprehensive discussion of a debate that was initiated in this century in William Wimsatt's and Monroe C. Beardsley's influential article 'The Intentional Fallacy.'...this is a splendidly conceived and very useful collection of essays. Readers will want to take issue with the arguments of individual authors, but this is to be expected in a volume at the cutting edge of a fertile philosophical controversy." --David Novitz, The Philosophical Quarterly "What is the connection, if any, between the author's intentions in (while) writing a work of literature and the truth (acceptability, validity) of interpretive statements about it?" With this question, Gary Isminger introduces a literary debate that has been waged for the past four decades and is addressed by philosophers and literary theorists in Intention and Interpretation. Thirteen essays discuss the role of appeals to the author's intention in interpreting works of literature. A well-known argument by E.D. Hirsch serves as the basic text, in which he defends the appeal to the author's intention against Wimsatt and Beardsley's claim that such an appeal involved "the intentional fallacy." The essays, mostly commissioned by the editor, explore the presuppositions and consequences of arguing for the importance of the author's intentions in the way Hirsch does. Connections emerge between this issue and many fundamental issues in metaphysics and the philosophy of mind as well as in aesthetics. The (old) "New Criticism" and current Post-Structuralism tend to agree in disenfranchising the author, and many people now are disinclined even to consider the alternative. Hirsch demurs, and arguments like his deserve the careful attention, both from critics and sympathizers, that they receive here. Literary scholars and philosophers who are sympathetic to Continental as well as to Anglo-American styles of philosophy are among the contributors. "This is a timely book appearing as it does when postmodernist views of the death of the author are disappearing quickly from the scene. As a collection it exemplifies the best work that is being done on this problem at the moment, and it will no doubt inspire further debate." --The Journal of Aesthetics and Art Criticism "[T]his volume contains important articles illuminating the central debate over the role and relevance of authorial intentions in literary interoperation." --British Journal of Aesthetics
| Author | : Dr. Wayne W. Dyer |
| Publisher | : Hay House, Inc |
| Total Pages | : 314 |
| Release | : 2010-10-01 |
| Genre | : Self-Help |
| ISBN | : 1401930379 |
“Intention is a force in the universe, and everything and everyone is connected to this invisible force.” Dr. Wayne W. Dyer has researched intention as a force in the universe that allows the act of creation to take place. This beautiful edition of Wayne’s international bestseller explores intention—not as something we do—but as an energy we’re a part of. We’re all intended here through the invisible power of intention—a magnificent field of energy we can access to begin co-creating our lives! Part I deals with the principles of intention, offering true stories and examples showing how to make the connection. Wayne identifies the attributes of the all-creating universal mind of intention as kind, loving, beautiful, expanding, endlessly abundant, and receptive, emphasizing the importance of emulating this source of creativity. In Part II, he offers an intention guide with specific ways to apply the co-creating principles in daily life. Part III is an exhilarating description of Wayne’s vision of an individual connected at all times to the universal mind of intention.
| Author | : Patrick Swinden |
| Publisher | : Springer |
| Total Pages | : 267 |
| Release | : 1999-04-12 |
| Genre | : Literary Criticism |
| ISBN | : 1349272973 |
This book attempts to reinstate the importance of authorial intention by examining arguments against it from a variety of sources - American New Criticism, European Structuralism and various kinds of postmodernist theory. It enlists the aid of Kantian aesthetics and contemporary philosophy of language and action, as well as studying the play on intention in the manipulation of character and action in the work of Shakespeare and other English writers from 1600 to the present day.
| Author | : Gerhard Preyer |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 130 |
| Release | : 2011 |
| Genre | : Social Science |
| ISBN | : 3941743090 |
The philosophical questions about action concern it's nature, it's description and it's explanation. The leading questions are "What a theory of action is possible?", "Are reasons causes?", "What are practical thoughts?" and "What is the formal logic of practical inference?" Gerhard Preyer offers new answers of some old question about the description and the explanation of action and the logical structure of deliberation or practical reasoning which results from the theory of action since the 1950s years. It is argued that a theory of agent can provide an alternative to any theory postulating actions as irreducible entities metaphysically. The author's account presents intention as states irreducible to beliefs and desires. The analysis places also a requirement on a fruitful description of the mind-body problem.
| Author | : Stephen W. Webber |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 9780876391051 |
The text and sound discs provide step-by-step instructions for using the turntable as a musical instrument. The text includes photographs, musical exercises, and a history of DJing and hip-hop culture.
