International Noir

International Noir
Author: Homer B. Pettey
Publisher: Edinburgh University Press
Total Pages: 272
Release: 2014-11-11
Genre: Performing Arts
ISBN: 0748691111

Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book explores the influence of noir on international cinematic traditions and challenges prevailing film scholarship. It includes extensive bibliography and filmographies for recommended reading and viewing.

Traditions in World Cinema

Traditions in World Cinema
Author: Linda Badley
Publisher: Rutgers University Press
Total Pages: 294
Release: 2006
Genre: Performing Arts
ISBN: 9780813538747

The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.

Class, Crime and International Film Noir

Class, Crime and International Film Noir
Author: D. Broe
Publisher: Springer
Total Pages: 208
Release: 2014-04-08
Genre: Performing Arts
ISBN: 1137290145

Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.

Class, Crime and International Film Noir

Class, Crime and International Film Noir
Author: D. Broe
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2014-04-09
Genre: Performing Arts
ISBN: 9781137290137

Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.

A Comprehensive Encyclopedia of Film Noir

A Comprehensive Encyclopedia of Film Noir
Author: John Grant
Publisher: Limelight Editions
Total Pages: 765
Release: 2013
Genre: Performing Arts
ISBN: 9781557838315

Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.

Baghdad Noir

Baghdad Noir
Author: Muhsin al-Ramli
Publisher: Akashic Books
Total Pages: 209
Release: 2018-08-07
Genre: Fiction
ISBN: 1617756547

This unique anthology of Iraqi noir fiction collects fourteen original stories of crime, conspiracy, regret, and revenge in the capital of Iraq. The centuries-old city of Baghdad has known many rulers, many troubles, and many crimes. But while most Iraqis would agree that their life has always been noir, there has not been a literary tradition to capture this aspect of the culture. By commissioning the fourteen stories collected here—most by Iraqi writers, all by authors familiar with Baghdad—editor Samuel Shimon and Akashic Books have created what may be the first anthology of Iraqi crime fiction ever assembled. Here you will read of life in Baghdad both during and after the Saddam Hussein era, with stories of fear in the shadow of a ruthless dictator; kidnappings in the time of U.S. occupation; detectives who investigate political conspiracies; and tales of revenge, assassination, mental illness, and family struggle in the war-torn City of Peace. Baghdad Noir includes brand-new stories by Sinan Antoon, Ali Bader, Mohammed Alwan Jabr, Nassif Falak, Dheya al-Khalidi, Hussain al-Mozany, Layla Qasrany, Hayet Raies, Muhsin al-Ramli, Ahmed Saadawi, Hadia Said, Salima Salih, Salar Abdoh, and Roy Scranton.

Film Genre Reader III

Film Genre Reader III
Author: Barry Keith Grant
Publisher: University of Texas Press
Total Pages: 657
Release: 2003-12-01
Genre: Performing Arts
ISBN: 0292701853

More than 30 essays by some of film's most distinguished critics are included in this volume, which presents the latest developments in genre study, including teen films, genre hybridity, neo-noir & genre in the age of globalization, & an up-to-date bibliography.

Moscow Noir

Moscow Noir
Author: Natalia Smirnova
Publisher: Akashic Books
Total Pages: 306
Release: 2010
Genre: Fiction
ISBN: 1936070065

The more one watches Moscow, the more it looks like a huge chameleon that keeps changing its face; and it isn't always pretty. Despite its stunning outward lustre, Moscow is above all a city of broken dreams and unrealised utopias, and all manner of scum oozes through the gap between dream and reality. Moscow Noir is an attempt to turn the tourist Moscow of gingerbread and woodcuts, of glitz and big money, inside out; an attempt to show its fetid womb and make sense of the desolation that reigns there.

Film Noir

Film Noir
Author: Jennifer Fay
Publisher: Routledge
Total Pages: 303
Release: 2009-12-04
Genre: History
ISBN: 113526385X

The term "film noir" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir’s emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine how film noir crosses national boundaries, speaks to diverse international audiences, and dramatizes local crimes and the crises of local spaces in the face of global phenomena like world-wide depression, war, political occupation, economic and cultural modernization, decolonization, and migration. This fresh study of film noir and global culture also discusses film noir’s heterogeneous style and revises important scholarly debates about this perpetually alluring genre.