Author | : David Kerekes |
Publisher | : |
Total Pages | : 296 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : |
Author | : David Kerekes |
Publisher | : |
Total Pages | : 296 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : |
Author | : Scott Timberg |
Publisher | : Yale University Press |
Total Pages | : 320 |
Release | : 2015-01-01 |
Genre | : Social Science |
ISBN | : 0300195885 |
Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans.
Author | : David Kerekes |
Publisher | : SCB Distributors |
Total Pages | : 646 |
Release | : 2016-06-03 |
Genre | : Performing Arts |
ISBN | : 1909394351 |
Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS. KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking — and not looking — at them. Beginning with the mythology of the so-called ‘snuff’ film and its evolution through popular culture, this book traces death and the artifice of death in the ‘mondo’ documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society.
Author | : David Kerekes |
Publisher | : |
Total Pages | : 646 |
Release | : 2016-05-01 |
Genre | : |
ISBN | : 9781909394346 |
"I thought I was desensitized. I'm not. No hope for humanity... I feel like my quest is over." Comment posted online in reaction to the video, 3 Guys 1 Hammer. Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS.KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking -- and not looking -- at them. Beginning with the mythology of the so-called 'snuff' film and its evolution through popular culture, this book traces death and the artifice of death in the 'mondo' documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society.
Author | : Alan Kramer |
Publisher | : OUP Oxford |
Total Pages | : 643 |
Release | : 2008-11-06 |
Genre | : History |
ISBN | : 0191580112 |
On 26 August 1914 the world-famous university library in the Belgian town of Louvain was looted and destroyed by German troops. The international community reacted in horror - 'Holocaust at Louvain' proclaimed the Daily Mail - and the behaviour of the Germans at Louvain came to be seen as the beginning of a different style of war, without the rules that had governed military conflict up to that point - a more total war, in which enemy civilians and their entire culture were now 'legitimate' targets. Yet the destruction at Louvain was simply one symbolic moment in a wider wave of cultural destruction and mass killing that swept Europe in the era of the First World War. Using a wide range of examples and eye-witness accounts from across Europe at this time, award-winning historian Alan Kramer paints a picture of an entire continent plunging into a chilling new world of mass mobilization, total warfare, and the celebration of nationalist or ethnic violence - often directed expressly at the enemy's civilian population.
Author | : Carol Mason |
Publisher | : Cornell University Press |
Total Pages | : 263 |
Release | : 2018-08-06 |
Genre | : Social Science |
ISBN | : 1501724673 |
How can those who seek to protect the "right to life" defend assassination in the name of saving lives? Carol Mason investigates this seeming paradox by examining pro-life literature—both archival material and writings from the front lines of the conflict. Her analysis reveals the apocalyptic thread that is the ideological link between established anti-abortion organizations and the more shadowy pro-life terrorists who subject clinic workers to anthrax scares, bombs, and bullets.The portrayal of abortion as "America's Armageddon" began in the 1960s. In the 1970s, Mason says, Christian politics and the post-Vietnam paramilitary culture popularized the idea that legal abortion is a harbinger of apocalypse. By the 1990s, Mason asserts, even the movement's mainstream had taken up the call, narrating abortion as an apocalyptic battle between so-called Christian and anti-Christian forces. "Pro-life violence of the 1990s signaled a move away from protest and toward retribution," she writes. "Pro-life retribution is seen as a way to restore the order of God. In this light, the phenomenon of killing for 'life' is revealed not as an oxymoron, but as a logical consistency and a political manifestation of religious retribution."Mason's scrutiny of primary sources (direct mail, internal memoranda, personal letters, underground manuals, and pro-life films, magazines, and novels) draws attention to elements of pro-life millennialism. Killing for Life is a powerful indictment of pro-life ideology as a coherent, mass-produced narrative that does not merely condone violence, but anticipates it as part of "God's plan."
Author | : David Kerekes |
Publisher | : |
Total Pages | : 428 |
Release | : 2000 |
Genre | : Drama |
ISBN | : |
Chronicles the phenomenal rise of video culture and its alleged associations with criminal activity, Containing studies of murder cases supposedly influenced by films, interviews with the video underground producers, and insightful commentary on contentious movies, See No Evil is an exhaustive and startling overview of Britain's video nasty culture. The eagerly awaited follow up to the best selling Killing for Culture.
Author | : Drew Gilpin Faust |
Publisher | : Vintage |
Total Pages | : 385 |
Release | : 2009-01-06 |
Genre | : History |
ISBN | : 0375703837 |
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
Author | : Steele Brand |
Publisher | : Johns Hopkins University Press |
Total Pages | : 393 |
Release | : 2019-09-10 |
Genre | : History |
ISBN | : 1421429861 |
A sweeping political and cultural history, Killing for the Republic closes with a compelling argument in favor of resurrecting the citizen-soldier ideal in modern America.