Author | : Ford Madox Ford |
Publisher | : Musson Book Company, [191-?] |
Total Pages | : 390 |
Release | : 1911 |
Genre | : English fiction |
ISBN | : |
Author | : Ford Madox Ford |
Publisher | : Musson Book Company, [191-?] |
Total Pages | : 390 |
Release | : 1911 |
Genre | : English fiction |
ISBN | : |
Author | : Ford Madox Ford |
Publisher | : Delphi Classics |
Total Pages | : 404 |
Release | : 2017-07-17 |
Genre | : Fiction |
ISBN | : 1788777689 |
This eBook features the unabridged text of ‘Ladies Whose Bright Eyes by Ford Madox Ford - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Ford Madox Ford’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Ford includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Ladies Whose Bright Eyes by Ford Madox Ford - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Ford’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Author | : Jesse G. Swan |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 145 |
Release | : 2003-10-03 |
Genre | : History |
ISBN | : 1725241382 |
'The Year's Work in Medievalism,' volume XVII, is based upon but not restricted to the 2002 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences of Studies in Medievalism, Gwendolyn Morgan, and, for 2002, Jesse G. Swan and Richard Utz. It contains eleven essays exploring various representations of the medieval from the Renaissance through contemporary times: Hannah Johnson, The Saint in the Photograph: Sister Marie Gabriel and Another New Middle Ages Mike McKeon, The Postmodern Subject in Early Christian Catacomb Painting Anna Kowalcze, Disregarding the Text: Postmodern Medievalisms and the Readings of John Gardner's Grendel Laura Morowitz, 'Une Guerre Sainte Contre l'Academisme:' Louis Courajod, The Louvre, and the Barbaric Middle Ages Sandra Ballif Straubhaar, A Birth Certificate for Sweden, Packaged for Postmoderns: Jan Guillou's Templar Trilogy Susan Rochette-Crawley, Wholly Ghosts: Genre, Postmodern Transubstantiations, and Flannery O'Connor's 'The Enduring Chill' David Lampe, 'The Accuracies of My Impressions:' Mark Twain, Ford Madox Ford, and Michael Crichton Re-Imagine Chivalry Liliana Sikorska, Mapping the Green Man's Territory in Lindsay Clarke's 'The Chymical Wedding ' A. Keith Kelly, Medieval Movie Madness Hailey Haffey, Dualistic Particulars: How Mystical and Metaphysical Literatures Demand Differentiation of Erotic Profanities Alissa Stickler, The (Mid)Evil Nightmare of Yesterday and Tomorrow: Flagg as the Immortal Monster in Stephen King's 'The Eyes of the Dragon and The Stand.'
Author | : Ford Ford |
Publisher | : |
Total Pages | : 262 |
Release | : 2021-06-16 |
Genre | : |
ISBN | : |
"It occurred to me to wonder what would really happen to a modern man thrown back to the Middle Ages..."
Author | : James Hain Friswell |
Publisher | : BoD – Books on Demand |
Total Pages | : 510 |
Release | : 2024-08-22 |
Genre | : Fiction |
ISBN | : 3385560381 |
Reprint of the original, first published in 1877.
Author | : James Hain Friswell |
Publisher | : |
Total Pages | : 444 |
Release | : 1866 |
Genre | : Quotations |
ISBN | : |
Author | : Max Saunders |
Publisher | : Reaktion Books |
Total Pages | : 214 |
Release | : 2023-05-17 |
Genre | : Biography & Autobiography |
ISBN | : 1789147336 |
A critical biography of the great modernist editor and novelist. Ford Madox Ford (1873–1939) lived among several of the most important artists and writers of his time. Raised by Pre-Raphaelites and friends with Henry James, H. G. Wells, and Joseph Conrad, Ford was a leading figure of the avant-garde in pre-WWI London, responsible for publishing Ezra Pound, Wyndham Lewis, and D. H. Lawrence. After the war, he moved to Paris, published Gertrude Stein, and discovered Ernest Hemingway. A prolific writer in his own right, Ford wrote the modernist triumph The Good Soldier (1915) as well as one of the finest war stories in English, the Parade’s End tetralogy (1924–1928). Drawing on newly discovered letters and photographs, this critical biography further demonstrates Ford’s vital contribution to modern fiction, poetry, and criticism.